Os Galhofeiros

Is it a surprise that "Animal Crackers" takes a simple plot and turns it on its ear in a matter of minutes as a launching pad for the insanity of the Marx Brothers?

No, but it makes sense.

The characters in "Animal Crackers" celebrate the return of world traveler Captain Spaulding (Groucho) while also dealing with the theft of a rare work of art at the home of the wealthy Mrs. Rittenhouse (Dumont), where the soiree takes place. But once the good captain arrives, along with Spaulding's stenographer Jamison (Zeppo), Signore Ravelli (Chico) and the Professor (Harpo), nothing sane or expected takes place afterwards. But really, what did you expect?

Perfect foils are the likes of Dumont and art patron Mr. Chandler (Sorin), the latter of which is revealed to be Abie the Fish Peddler from Czechoslovakia by fellow Czech Chico. in fact, here's a FAVORITE LINE: Chandler - (to Chico) "Hey! How did you get to be Italian?" Chico - "Never you a-mind; who's-a confession is-a this?". What's not to love?

Anyway, there's loads of quotable dialogue, sight gags galore, a great running gag with a picture of a horse and a finale that must be seen to be believed. Of course, this whole MOVIE must be seen to be believed!

Ten stars and a pair of elephant pajamas for "Animal Crackers" - the perfect side dish for four hams.

TIDBIT - The song "Hooray for Captain Spaulding" was later re-used by Groucho for his game show "You Bet Your Life". Can't say that I blame him.

For many years, ANIMAL CRACKERS was a "lost" film. Paramount owned the audio, and Universal owned the Visual elements (It may of been vice-versa) During the re-birth of Marx Brother popularity, ANIMAL CRACKERS mad it's way back into theatres in the Fall of 1974.

It was a thrill to see the movie in a theatre (the best place to see a classic comedy). The plot concerns a wild, out of control explorer's (Groucho Marx) visit to a Long Island estate. He comes across stuffy snobs and a questionable musician for hire (Chico Marx and his lunatic partner, Harpo.) Groucho's dialog is superb. His verbal assaults on stuffed shirts are priceless "It's not safe to ask this man a simple question" Groucho says to the audience when he talks to a pompous "art critic".

Chico and Harpo provide the more manic visual antics, especially when they steal the birth mark of above mentioned art critic. Even straight man Zeppo gets to be funny and silly.

The only real problem with the film is well voiced in critic's Richard Anobile's review "This is a RECORDING of a stage play. The camera barely moves. it just sits there and records the Marx Brothers" Still in all, see ANIMAL CRACKERS to enjoy the joy of Marx mayhem

Animal Crackers is one of the best films ever done by the 4 Marx Brothers. For a start, the comedy completely works on screen, especially considering that the film was adapted from the musical stage play. And although Zeppo's comedy has always been underrated and underplayed in the five films that the 4 Marx Brothers did for Paramount Pictures, he proves in this film, as well as the four other movies he appeared with Groucho, Chico, and Harpo, that the 4 Marx Brothers made better films when the four of them worked together; as opposed to when it was just Groucho, Chico and Harpo. All the Marx Brothers films which included Zeppo were zanier films and, to me, the best of their work. Verbally, Groucho is at his razor-sharp best in Animal Crackers, with almost every one-liner dripping with comedic insults and sarcasm. Chico and Harpo perfectly add to the mayhem. The direction by Victor Heerman showed the type of skill needed to professionally control the 4 Marx Brothers to make Animal Crackers the tremendous success that it was. Though the Great Depression was taking hold on the American psyche in 1930, Animal Crackers was the perfect comedy which allowed ordinary Americans to enjoy the spoofing of America's 'Hoi Polloi'.

Though the 4 Marx Brothers' succeeding films (Monkey Business, Horse Feathers, and Duck Soup) were even more of the Hollywood film-style comedy successes which crystalized their zaniness and on-screen craziness, one should not underestimate the cinematography of George Folsey, Sr., who made the film look like a movie written especially for the screen. The look of the film (specifically the sets) makes one feel like he or she wished they had been invited to Mrs. Rittenhouse's party in honor of Captain Spaulding. Lillian Roth never looked better, and the best song in the film is her musical number with Hal Thompson, "Why Am I So Romantic?" - which was the theme music for the entire movie. Animal Crackers is one of my favorite films that the 4 Marx Brothers did for Paramount Pictures - although all five films made at Paramount are absolute gems. I strongly suggest getting the Marx Brothers' Silver Screen Collection, which is now on DVD. They are a must for your film library!

Animal Crackers was the second of two Broadway shows that starred the Marx Brothers and was done at the Paramount Astoria Studios. After they went to Hollywood, with the exception of Room Service, all their material was original for the screen.

The Brothers were doing Animal Crackers on Broadway in 1928-1929 and it had a respectable run of 191 performances. In fact while they were doing Animal Crackers on stage, for a part of 1929 they were shooting The Cocoanuts at the Astoria Studios. Unlike The Cocoanuts, nearly the entire Broadway cast was used in the film, with the exception of the juveniles, Lillian Roth and Hal Thompson. Also unlike The Cocoanuts nearly the entire Bert Kalmar-Harry Ruby score was discarded with the notable exception of Groucho's immortal theme Hooray for Captain Spalding. Kalmar and Ruby did write the ballad that Roth and Thompson sing, Why Am I So Romantic for the screen version.

Margaret Dumont as Mrs. Rittenhouse of the Long Island horsey set is throwing a party and the guest of honor is Groucho with his secretary Zeppo as Captain Spalding. Crashing the party is Chico and Harpo.

But not only is Captain Spalding on display, Dumont is giving an unveiling of a famous painting for which two people have brought copies for different purposes. Of course the original does get stolen and there's no use me going on any further because the plot just dissolves with the various monkeyshines engaged in by the Marx Brothers.

My favorite bits are Groucho when he does a devastating lampoon on Eugene O'Neill's Strange Interlude. It turned out to be too good a satire because when the play made it to the screen two years later, no one took it seriously.

Secondly is Chico and Harpo, mercilessly threatening to expose hoity toity art critic Louis Sorin who they knew back in the day as Abie the Fishman. Actually that's kind of sad in a way because Sorin may be a snob now, but he did in fact educate himself out of peddling fish and rose in an honorable to a legitimate living. But you don't think about that while Chico and Harpo are doing their thing.

Although like The Cocoanuts it's a photographed stage play, Animal Crackers works a whole lot better. The play itself was primarily on one set on the stage and it transitions better to the screen than The Cocoanuts did.

The brothers are at their most anarchistic and zany here, try not to miss it.

When "Animal Crackers" was re-released after decades in hiding (due to copyright problems), the ticket-buyer & ticket-holder lines at New York's Sutton Theatre stretched down 57th Street for every showing. I was dazzled when I first sat through this film-- it seemed as if there was a kind of magic in the theatre that night. I can remember having goosebumps when Lillian Roth sang "Why Am I So Romantic?".

I was working as manager of the Paris Theatre on 58th Street when "Animal Crackers" opened at the Sutton, and because both houses were part of the Cinema-5 circuit, I was always able to get passes. -- In this case, because I had also worked as 'relief manager' at The Sutton on many occasions, I was well known to the staff and had entry to that theatre whenever I wanted. --During the 'opening' run of "Animal Crackers," I often walked over to The Sutton when my day's shift was complete at The Paris.

I can tell you that every screening of "Animal Crackers" that I attended was packed. And every time I was present for the film's end, I witnessed a standing ovation-- something that many film producers can only dream of.

I often tried to imagine myself attending a 'live' performance of this show. --As many have mentioned here, "Animal Crackers" was a hit Broadway show, starring the Marx Brothers, long before it was filmed by Paramount.

Rather than complaining that this film is "stagey", many who comment here would do well to remember that a film like this is as close to a Broadway show as millions of people will ever get. The annoying penchant some viewers have for wondering why the film version of a Broadway hit show (especially a musical-comedy) isn't more "opened-up" is both tiresome and moot.

Also, the constant comparison of "Animal Crackers" to other Marx Brothers films (especially the later MGM films) is an 'apples-to-oranges' kind of thing. It would make far more sense to compare it to other early filmed-versions of it's Broadway contemporaries, such as "Rio Rita" or "Flying High" or "Girl Crazy"....

Although the stage show of "Animal Crackers" was on Broadway long before I was born, (and the film's initial premier pre-dates me by almost as long), I am forever gratified to have been able to attend the 1974 "re-opening" of the film in New York, and to see, feel, and participate in, the audiences' jubilant reactions.

I rated this film 10/10. It's a perfect comedy, with (theatre-goers will recognize this-) honest-to-goodness Broadway music-- and with Lillian Roth, too. "Animal Crackers" is a great show in every respect.

Hungadunga!