AVALIAÇÃO DA IMDb
8,1/10
71 mil
SUA AVALIAÇÃO
Um jovem alemão entra na Primeira Guerra Mundial com entusiasmo, mas seu entusiasmo se desvanece quando ele vê o horror em primeira mão.Um jovem alemão entra na Primeira Guerra Mundial com entusiasmo, mas seu entusiasmo se desvanece quando ele vê o horror em primeira mão.Um jovem alemão entra na Primeira Guerra Mundial com entusiasmo, mas seu entusiasmo se desvanece quando ele vê o horror em primeira mão.
- Direção
- Roteiristas
- Artistas
- Ganhou 2 Oscars
- 10 vitórias e 2 indicações no total
Ben Alexander
- Kemmerich
- (as Kemmerick)
Walter Rogers
- Behn
- (as Walter Browne Rogers)
Slim Summerville
- Tjaden
- (as 'Slim' Summerville)
G. Pat Collins
- Bertinck
- (as Pat Collins)
Zasu Pitts
- Frau Bäumer - Silent Version Trailer only
- (cenas deletadas)
Ernie Adams
- 2nd Medic Orderly
- (não creditado)
Resumo
Reviewers say 'All Quiet on the Western Front' is acclaimed for its anti-war stance and realistic portrayal of World War I, emphasizing the horrors and futility of conflict. The film's technical innovations and performances, especially by Lew Ayres and Louis Wolheim, are highly praised. However, some find the acting melodramatic and the pacing slow, with a disjointed narrative. Its impact and relevance, particularly in depicting the human cost of war, remain significant.
Avaliações em destaque
I was in high school when I first saw this great war film and I am now a senior, senior, citizen and have seen it a few more times. ALL QUIET remains right at the top of my list of outstanding war pictures. Here was a unique depiction of life in the trenches from an enemy point of view, a novel approach.
Lew Ayres gives a memorable performance as Paul Baumer, the sensitive German soldier, and has a fine supporting cast. The vivid battles in the trenches remain in my thought, and though they lack the technological know how of today, are indelible.
One of the most touching scenes is when Baumer kills the Frenchman in the shell hole and remorse overcomes him. Another tragic part is when his buddy is dying in the hospital and is visited by his comrades. A lighter scene is when the company has an over abundance of food due to its losses and the men become satiated. They are so comfortable that they are inclined to philosophize about the causes of war and its solution.
When Paul loses his friend, his depression grows and his death at the hands of a sniper is a fitting end to it all. The remake, with Ernest Borgnine, was satisfactory, but could not approach the quality of the original which I often find to be true.
Lew Ayres gives a memorable performance as Paul Baumer, the sensitive German soldier, and has a fine supporting cast. The vivid battles in the trenches remain in my thought, and though they lack the technological know how of today, are indelible.
One of the most touching scenes is when Baumer kills the Frenchman in the shell hole and remorse overcomes him. Another tragic part is when his buddy is dying in the hospital and is visited by his comrades. A lighter scene is when the company has an over abundance of food due to its losses and the men become satiated. They are so comfortable that they are inclined to philosophize about the causes of war and its solution.
When Paul loses his friend, his depression grows and his death at the hands of a sniper is a fitting end to it all. The remake, with Ernest Borgnine, was satisfactory, but could not approach the quality of the original which I often find to be true.
World War 1 and a young German, Paul Baumer, enthusiastically joins the Army. With romantic notions of war and idealistic dreams in his head he undergoes training and then is sent off to the Western Front. In due course the romantic notions are replaced by the harsh reality of war and he becomes disillusioned with it all.
Great World War 1 movie, made when the war was still fresh in everyone's minds.
Might well be the first anti-war war movie, as it depicts the grim realities of war, rather than the romantic, heroic non-existent version of it.
Harrowing, shocking, original, unpredictable, and just as relevant today as in 1930.
Surprisingly good production values for 1930.
Solid performances all round.
Far far better than the 1979 remake.
Great World War 1 movie, made when the war was still fresh in everyone's minds.
Might well be the first anti-war war movie, as it depicts the grim realities of war, rather than the romantic, heroic non-existent version of it.
Harrowing, shocking, original, unpredictable, and just as relevant today as in 1930.
Surprisingly good production values for 1930.
Solid performances all round.
Far far better than the 1979 remake.
Still one of the most worthwhile films about the hard realities of war, "All Quiet On The Western Front" has numerous memorable images and thoughtful moments. Too many war dramas, regardless of their perspective, resort to distortions of history and overblown characters that make them convincing only to those who watch uncritically. This one works nicely by keeping the characters low-key and by, for the most part, allowing the events and situations to speak for themselves. It's not perfect in this respect, and it is perhaps a movie more to be respected than enjoyed, but it has many notable strengths.
The characters, most of them young soldiers, are played very simply, even plainly, but this is by no means a weakness - rather, it allows the movie to show what war is like for real soldiers rather than for idealized or stereotyped characters. The two most important characters are developed more fully, and are played well. Louis Wolheim's resourceful 'Kat' is the liveliest of the soldiers, and as Paul, Lew Ayres is quite understated but very believable. His character is well-chosen as the focal point of most of the movie.
The close-fighting nature of World War I particularly lends itself to this kind of movie, and the atmosphere is convincing and detailed. The contrast with the civilian scenes is also set up well, although the civilian scenes sometimes seem slightly less convincing. The overall effect is a movie that, while you probably wouldn't call it exciting or fun, is one you won't forget.
The characters, most of them young soldiers, are played very simply, even plainly, but this is by no means a weakness - rather, it allows the movie to show what war is like for real soldiers rather than for idealized or stereotyped characters. The two most important characters are developed more fully, and are played well. Louis Wolheim's resourceful 'Kat' is the liveliest of the soldiers, and as Paul, Lew Ayres is quite understated but very believable. His character is well-chosen as the focal point of most of the movie.
The close-fighting nature of World War I particularly lends itself to this kind of movie, and the atmosphere is convincing and detailed. The contrast with the civilian scenes is also set up well, although the civilian scenes sometimes seem slightly less convincing. The overall effect is a movie that, while you probably wouldn't call it exciting or fun, is one you won't forget.
The horrors of war, The Great War, seldom better summarised by: 'It's dirty and painful to die for your country, when it comes dying for your country it's better not to die at all. There are millions out there dying for their countries, and what good does it do?'. And yet the wars continue, death and destruction sustained, lessons seldom learnt, the cries remain unheard.
"All Quiet on the Western Front" is important filmmaking that still rings true today. The film deals with World War I combat through the eyes of the enemy (the Germans). For the first time ever it was realized how heartbreaking war really is, for all involved. One key message within the film is that innocence cannot survive on the battlefield. War is an awful thing that has no true winners, just losers. Brilliant performances from all involved make the film believable and accurate for the most part. A very young Lew Ayres is the best as his story creates tension for the entire film. This is perhaps the first film that proved that the cinema could be a truly imperative medium. The film was scorned by many in the U.S. as some thought that showing the Germans as sympathetic characters was in poor taste. Germans hated the film because of its anti-war message. Hitler was about to become a world power and he wanted all Germans to be excited and enthusiastic about combat. This film goes against those ideals. The Academy was brave enough and smart enough to award the film with the Best Picture Oscar in 1930 and Lewis Milestone became the first multiple Oscar winner in the directing category. "All Quiet on the Western Front" has the storyline of Malick's "The Thin Red Line" and the action and drama of Spielberg's "Saving Private Ryan". An overwhelming film experience. 5 stars out of 5.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
Você sabia?
- CuriosidadesWith the loss of limbs and gory deaths shown rather explicitly, this is undoubtedly the most violent American film of its time. This is because the Production Code was not strictly enforced until 1934 and also because Universal Pictures deemed the subject matter important enough to allow the violence to be seen. The scene where a soldier grabs a strand of barbed wire and then is blown up by an artillery shell, leaving only his hands still grabbing the barbed wire, was told to director Lewis Milestone by a former German soldier working as an extra, who saw that happen during a French attack on his position during the war. Milestone used it in the film.
- Erros de gravaçãoWhen Paul talks to the dead soldier in the pit, the soldier is breathing visibly and at one point his eyes blink.
- Citações
Paul Bäumer: You still think it's beautiful to die for your country. The first bombardment taught us better. When it comes to dying for country, it's better not to die at all.
- Cenas durante ou pós-créditosLater reissues of the film mentioned that the film was an Academy Award winner in the opening credits.
- Versões alternativasThe Library of Congess also restored a sound version, 133 minutes long, which is the version occasionally shown on American TV.
- ConexõesEdited into Homens de Amanhã (1934)
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Detalhes
Bilheteria
- Orçamento
- US$ 1.200.000 (estimativa)
- Faturamento bruto mundial
- US$ 466
- Tempo de duração
- 2 h 32 min(152 min)
- Cor
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