Garotas na Farra

Clara Bow is the most popular student at this staid women's college where classroom lectures are somber affairs but the dorm rooms are filled with personal drama. When the girls are able to sneak off campus and hit a party, they have some good times but run into danger as well.

This semester, all the girls are in love with handsome new professor Fredric March. A cautious friendship develops between March and Bow, but he tells her she is wasting her potential with all this partying. Eventually, Clara has a chance to prove her true worth - but will he understand the sacrifice she is making?

The plot here is fairly stodgy and the production is definitely early talkie era. As a fantasy of university life it's not too convincing but still, it's kind of fun.

Clara Bow is very much the center of the picture and she gives a good performance as the young woman who seems shallow when the story begins but grows into someone more mature, thoughtful, and generous. It's not a dramatic masterpiece by any stretch but Bow's character at least shows some development.

Fredric March, on the other hand, scowls his way through the whole picture. Why are all these girls in love with him?

Overall, it's a bit slow moving but not without interest.

Wild party girl Clara Bow (as Stella Ames) has plenty of fun at the "Winston" college for young women. Parties and roadhouse jaunts are the college girls' preoccupation. On the train trip to "Winston", Ms. Bow recalls accidentally climbing into bed with fellow traveler Fredric March (as James "Gil" Gilmore). As it turns out, Mr. March is the school's new Professor of Anthropology. Bow and her housemates see the good-looking teacher arrive, and immediately become interested in anthropological matters. Eventually, Bow and March fall into each other's arms, which threatens their student and teacher status at the college.

Bow's first "talkie" was not unsuccessful, although it is sometimes recalled as a failure. Perhaps, detractors are recalling Bow's subsequent talking features. Strangely, she became more unnatural, hesitant, and uneven in later films. Possibly, she was rattled by negative reviews. However, by 1931, Bow's performances became more assured. By then, unfortunately, it was too late for the huge audiences attending "The Wild Party" to appreciate her efforts.

"The Wild Party" is a more than respectable talking film debut; while undeniably silly, it was a fun "college youth" film. Bow wasn't going to be young forever, obviously; but, she could still carry out the college hi-jinks. March and the supporting cast perform well. And, Paramount assigned a woman, Dorothy Arzner, to direct the film.

Watch for one notably silent word "mouthed" the film. When Bow and the women are in the back seat of the car, they see March walking in the street, and Bow exclaims, "----!"

****** The Wild Party (4/6/29) Dorothy Arzner ~ Clara Bow, Fredric March, Joyce Compton

I'm going to have to disagree with the person who said you should watch it without the sound. You can tell its a early talkie and that all of the actresses are trying very hard to make the transition. Clara Bow was a sensational actress but she had a very hard time with sound. Its a cute film if you don't over analyze it too much. And its fun to hear what Clara sounded like. You can kind of hear her Brooklyn accent if you listen really hard. It is cheesy but its 1929! You weren't allowed to do anything in 1929! Clara is great and its unfortunate that she retired by the time she was 27. The Wild Party is about girls who don't take college seriously until Clara, who's kinda like the queen bee, meets Frederic March, who is her professor. Its fun to see what life may have been like in the early years of sound. Clara was so talented and beautiful.

This film was not box office poison as people flocked to the Theater to hear the "IT" girl talk for the first time. During filming of the feature to capture clara bows voice as she moved they straped the mic on a fishing pole creating the boom mic we know today. It is so interesting to see college girls in the 1920s its such a fascination maybe because Im college aged as the time im writing this review. Clara bows voice is not what you expect, i feel like people expected something cute, and squeeky kind of like jean Harlow. While this is a very early talkie you can see many actors including bow still act as if it were a silent picture.

Paramount's first all-talking picture is nothing like you'd expect it to be. It's nothing like its title suggests either. If you've watched BABYLON, with Margot Robbie you might be expecting to see a badly acted, technically inept disaster but this actually a pretty decent movie. This massive hit of 1929 is still a hell of a lot better than a lot of films made one or two years afterwards!

The studio picked their biggest star, Clara Bow to draw in the crowds but this isn't just Miss Bow frolicking around in her underwear - well there is some of that but I was amazed to discover that this was a mature, thoughtful and thoroughly entertaining picture. Made by Hollywood's premiere (ok, only) female director, it's also got a strong feminist undercurrent which is absolutely not something you'd expect in 1929! The famous scene when Clara and her friends nearly get raped "because" they were dressed provocatively in a lot of films from the thirties (not just the thirties) would have been a misogynistic morality tale: "well look at them, they were asking for it." was the pervading attitude back then. Drunk middle-aged men groping girls was often depicted as being perfectly acceptable behaviour but in Miss Arzner's refreshingly progressive picture it's not, definitely not seen as acceptable.

Her direction is innovative and dynamic: it's as removed from being static and stage-bound as you can possibly imagine, it's even got a score (which wasn't normal until years later). The acting is still a little theatrical but as the film progresses, you can really see them, especially Clara Bow figuring out how to come across more naturally.

You watch some really old films simply out of interest, like museum curios. Some people might just want to see what Clara Bow was like (watch the superb CALL HER SAVAGE if you do...or better still, an Alice White film - the real 'it girl' of the twenties!) but this is so much more than something to tick off your list. You can watch this as a real piece of genuine entertainment. It's not quite one of those few classics of 1929 but it's still one of the best. It gives you a lovely sense of the age with an intelligent, enjoyable and surprisingly thought provoking script.