Sunita

I'm sure that most people (myself included) had no idea that an Indian cinema existed before the films of Satyajit Ray. A THROW OF DICE or PRAPANCHA PASH to give the film its Indian title was one of several films made by the team of German film director Franz Osten and Indian actor Himansu Rai (an earlier example of a Merchant-Ivory type collaboration). It was completed in 1929 right on the cusp of sound but is a bona fide silent.

The story comes from the Indian epic THE MAHABARATA and tells of two kings, one good the other wicked, who vie for the hand of a beautiful woman. Producer Rai cast actor Rai as the wicked king and then he and director Osten made the film on an epic scale with plenty of extras, beautiful locations, and even lots of elephants. The film was successful at the time but with the coming of sound it was quickly forgotten.

The British Film Institute restored the film in 2006 and asked composer Nitin Sawhney to compose a new score for it. The work was premiered outdoors in London in 2007 and made quite an impression. Now Kino International and the BFI have released it on DVD for a wider audience to see. Filmed in sharp black and white with no color tints, THROW OF DICE looks great although you can tell that it's been conflated from at least a couple of prints.

The new score by Sawhney is lavish and it sounds great. It's an East-West amalgam (mostly West) that on occasion I found at odds with what was going on during the film. I would have liked a more fully Indian sounding score to help keep me focused on what's happening and to keep me emotionally involved. There's a lengthy interview with the composer on the DVD and he explains his reasons for his choices. I understand them but the Hollywood portions of the score took me out of the movie and that's too bad. The beauty of a silent film though is you can turn down the volume and create your own soundtrack.

Despite my reservations concerning the new score, I found the film a joy to watch especially actress Seeta Devi who is classically beautiful. If you're a silent film buff then here's a real touch of the exotic. The Germans were interested in Indian settings for years during the silent era (Joe May's THE INDIAN TOMB for example) but this is the real thing. Another high quality release from Kino International who are now known as Kino Lorber...For more reviews visit The Capsule Critic.

Re-titled a "Throw of the Dice" (and appropriately subtitled "A Romance of India") for American consumption, this late-term silent film was doomed to failure as it did not feature Greta Garbo or Charlie Chaplin in the non-speaking roles. But, its dreamy production values and international flavor played well in theaters not equipped for sound, and audiences in India were understandably receptive. The story begins in the Indian jungle, where pretty Seta Devi (as Sunita) has been secreted by a hermitic father.

You will immediately see that hiding the fetchingly-attired Ms. Devi from society isn't going to last because the area also serves as tiger hunting grounds for two ruling cousins - "Good King" Charu Roy (as Ranjit) and "Bad King" Himansu Rai (as Sohat).

In the opening hunt, the latter shoots the former "accidentally on purpose" with an arrow. The former unexpectedly recovers, due to the tender loving care provided by Devi. So, if he is to steal nubile young woman from Mr. Roy, Mr. Rai must take more drastic measures, which he does. The cousins' mutual affection for gambling advances the plot to predictable results.

Irony exists in the line, "I know from your horoscope that gambling will bring you unhappiness." The film's main strengths are its beautiful locations, sets, and costumes. All of this will probably bore you, if you're not familiar with silent films.

***** Prapancha Pash (8/16/29) Franz Osten ~ Seta Devi, Charu Roy, Himansu Rai, Modhu Bose

King Sohat (Himansu Rai) and King Ranjit (Charu Roy) both love games of chance, and they both fall for the same girl, a hermit's daughter named Sunita (Seeta Devi). They decide to duel for her over a game of chance, but when one is proven to have cheated, the other will not stand for it.

The German Osten made a number of films in India from the 1920's through the 1930's. The costumes, sets and scale are very impressive, with a literal cast of thousands of extras, and a menagerie of exotic animals such as elephants and tigers. The story is very basic, though, almost childishly so, but that may explain its appeal across cultural barriers. None other than Satyajit Ray said that no other film portrayed the splendor and beauty of India better than this movie, which is high praise indeed. I liked the visuals, but the story and characters proved a bit too simplistic to leave any more lasting impression. This is one of the 1001 Movies to See Before You Die.

From the very beginning the visuals are absolutely phenomenal, rivaling many pictures that followed in subsequent decades. The rich jungle landscapes play a part in that excellence, hand in hand with the natural lighting and the many scenes of wildlife that serve as establishing shots. But the production design has much to do with the splendor before us: the costume design is plainly alluring, as is set decoration. Outside the jungle, filming locations like Sohat's palace or Ranjit's kingdom are just as eye-catching. The great number of extras and trained animals lend further to the spectacle, to say nothing of the readily evident charisma of the primary cast. 'A throw of dice' would be a worthy view simply for the fact of the feast for our eyes.

Still, the imagery is only half the movie, and it has substantial value otherwise. The plot moves quickly, but never so much as to overwhelm. There's a measure of directness that accompanies the brisk pace, though still the screenplay leaves just enough room for the cast to exercise their craft. The performances reflect a hint of nuance that's unexpected in these circumstances, and welcome. Seeta Devi, Charu Roy, and Himanshu Rai are superb, bringing Sunita, Ranjit, and Sohat to life with range and personality that defies the straightforward approach to the screenplay. At that: it's not a terribly complicated story on hand, yet the elements of drama, intrigue, trickery, conflict, and romance are finely balanced and written well to hold our attention, and be genuinely exciting in the execution. And it all builds to a conclusion that's not just satisfying, but rewarding.

The only particular detraction I could make is the music of the 2006 restoration and re-release. True, I haven't the means to compare the original score of the 1929 premiere. And yes, considered of itself, I think the compositions are quite good. Yet there's a sense of anachronistic disparity between the pristine sound of 2006 and the imagery of nearly 80 years prior that it accompanies. The two parts just don't quite fit together, no matter how swell they are of their own accord.

Yet this is ultimately a minor concern, and otherwise, 'A throw of dice' is outstanding and highly enjoyable. It's a shining example of how, without any need of sound or verbal dialogue, silent films can still stand toe to toe with "talkies" of the past 90-odd years or more. The movie tells a compelling story, with great performances, wrapped up with arresting sights to greet our vision - and it does so in well under 90 minutes. Black and white silent pictures comprise a niche genre these days, but there are plenty that very much remain deserving to seek out and watch again, or even for the first time, and this is one of them by all means. 'A throw of dice' is one magnificent gamble that's well worth taking.

A Throw Of Dice / Prapanch Pash (1929) : Brief Review -

A gambling and fascinating Romance by a German Director based on Indian Epic Mahabharata. Now who doesn't know the gambling chapter from Mahabharata in India, we all know it as our culture and we even the consequences of it. Franz Osten's A Throw Of Dice is inspired from the 'Dice Trick' chapter of Mahabharata but rest of the narrative is completely different. Two neighboring Indian kingdoms are ruled by cousins - King Ranjit and King Sohat. Unbeknownst to Ranjit, Sohat is plotting to seize control of his kingdom and wishes to marry his girl. This part we have already learned from Mahabharata but here the ending is different and yes it is a Happy Ending. The composer of the new version said a great thing about the film which i think is the best sum up - "A cross between Chaplin, Cecil B. DeMille and an early Bollywood movie." Yes i mean it is exactly that and if not then anything closest to it. That DeMille's reference seemed unethical to me though, rest I agree with it completely. A fine Romance is captured with its essence and is normalised according to the period and situations. Additionally, the gambling trick and hero's realisation of harms caused by it are one of the major highlights of the film. Not to forget the great villainous character which has everything fit in realistic manners. It does not over-use the cinematic liberty even though it had a chance to do so after having such period set in it and that's what makes it a little special from a common film. Osten has worked very well while catching the correct tone and sense of Indian Culture. Overall, it's a Classic fascinating Romance that we have been loving since decades but it was made much before people started loving this genre.

RATING - 8/10*

By - #samthebestest