Entre Portas Fechadas

The attraction here is not just Barbara Stanwyck, even though it's her first talkie and she handles her role with a secure professionalism that belies her cinematic inexperience. Born for the camera she was! But an equally impressive performance is delivered by Rod La Rocque as the serial cad who mistreats her and then sets his sights on her younger sister. The trappings are typical 20's soap opera/melodrama, in this case derived from a stage play. But not typical for the era is La Rocque's well-tailored villain who seems to have stepped out of a story from a much later era; in fact, his performance would not be considered one bit dated even by today's standards - highly unusual for a film from 1929. His line readings and body language bespeak a decadent, spoiled rogue without a scintilla of conscience, all of this enhanced by delicately tapered sideburns. He also has a smooth, deep speaking voice. The look and style of the film are standard for the era but include an interesting, lively panoramic dance party sequence on a "drinking boat" (pleasure boats that sailed outside the 12-mile limit of the US coast so the patrons could drink alcohol illegally during the Prohibition era) intercut with an intimate scene between Stanwyck and La Rocque in one of the cabins.

Stagy but clever murder mystery with Barbara Stanwyck in her talkie debut and the center of attention.

The copy I have has a missing scene but this is still an effective if stagy and slightly hammy film.

Stanwyck is a secretary who goes to a boat party with the boss's son and maybe gets raped (that scene is missing) and raided by the police. She and the son skip bail and disappear. 18 months later we find Stanwyck happily married to a wealthy man (William Boyd) when his sister's new boy friend shows up. Yup it's the sleazy son (Rod LaRocque) with a new name. The sister (Betty Bronson) is gaga over him but Stanwyck is horrified.

Stanwyck overhears their plans to run off to Honolulu so she decides to pay LaRocque a visit. But unbeknown to her, her husband is also planning a visit because he has been warned about the boy friend.

Stanwyck arrives at LaRocque's apartment and starts a fight but is interrupted when the husband arrives. The guys scuffle and a gun goes off. Husband leaves and locks the door, trapping Stanwyck (hiding in a bedroom) in the apartment with the corpse. She thinks fast, rips her dress and calls the operator, pretending to fend off an attacker and firing the gun.

Both Stanwyck and Boyd eventually admit to the killing but then Bronson shows up.....

Supporting cast includes Zasu Pitts as the operator, Mack Swain as the manager, George Bunny as the valet, Purnell Pratt is a police man, and Harry Stubbs is the surprising waiter.

Neat little film apparently lost for decades.

Locked Door, The (1929)

** (out of 4)

Dry crime melodrama about a woman (Barbara Stanwyck) who gets herself arrested while on a rum boat with the lavish Frank Devereaux (Rod La Rocque). Eighteen months later she is married to another man (William Boyd) but she soon learns that his sister is now involved with Frank. This early talkie from United Artist has pretty much been forgotten with the exception that it will stand the test of time as being Stanwyck's first major role as her previous film had her in a bit role. As with many early talkies, the technology leaves a lot to be desired and I can't help but think that the director wasn't too worried with what was happening on the screen as he was making sure everyone could hear what was going on. The film is incredibly dry of any humor, suspense or drama and that's a real shame because the story is actually pretty good as all four characters get involved with a possible murder towards the end of the film. This murder happens an hour into a 74-minute film so the payoff comes rather quickly but the ending is certainly the best thing about the movie. Stanwyck comes off fairly good in her role but there's no doubt she still had some rust around the edges. La Rocque comes off incredibly over the top as if he was playing in some sort of strange comedy and I can only compare him to what people would see decades later in John Waters. Boyd is pretty good in his role and actually steals the film, although Zasu Pitts has a few good scenes as a telephone operator.

Handsome but oily playboy Rod La Rocque (as Frank Devereaux) takes secretary Barbara Stanwyck (as Ann Carter) on a Prohibition-era cruise aboard a boozy gambling boat. He locks their cabin door for dinner and sex, but a police raid saves Ms. Stanwyck from date rape. Eighteen months later, Stanwyck has happily married well-heeled William Boyd (as Lawrence "Larry" Reagan). Then, Stanwyck is shocked to discover Mr. La Rocque is charming cute sister-in-law Betty Bronson (Helen). Stanwyck wants La Rocque to hit the road without Ms. Bronson, so he threatens to reveal her participation on the opening cruise.

Director George Fitzmaurice does his best maneuvering everyone around the early sound-equipped stages.

Viewers in 1929 likely remembered the original "The Sign on the Door" (1921) starring Norma Talmadge and Lew Cody in the Stanwyck and La Rocque roles; this film survives, but has not been released. La Rocque, a popular cad, and perky "Peter Pan" star Bronson were likely the main draws in this "All Talking!" re-make. Now, it's seen as the first big role for Stanwyck. Unafraid to repeatedly show her underwear, Stanwyck is bold but inexperienced. Bronson measures theatrical. La Rocque is at his smarmy best, and Mr. Boyd lends good support. Telephone operator Zasu Pitts and dumb waiter Harry Stubbs provide comic relief.

***** The Locked Door (11/16/29) George Fitzmaurice ~ Barbara Stanwyck, Rod La Rocque, William 'Stage' Boyd, Betty Bronson

Barbara Stanwyck stars as Ann Carter, recently married to Lawrence Reagan (William Boyd). Their matrimonial bliss is disturbed by the appearance of Frank Devereaux (Rod La Rocque), a sleazy cad and serial womanizer who shared an embarrassing incident with Ann a year ago. When Ann learns that Devereaux has designs on Lawrence's young sister Helen (Betty Bronson), she decides to meet with Devereaux and try to keep him away from the young girl. This leads to scandal and tragedy.

Stanwyck was only 22 here, and this is her first starring role (she appeared as an uncredited showgirl in 1927's Broadway Nights). She's cute with dark hair and a baby face, and she's already exhibiting her star appeal. The Pre-Code story elements include traveling to an offshore "rum boat" (where a young Paulette Goddard is supposedly among the extras), implied forced sex, and Stanwyck spending a bit of screentime in a torn dress. La Rocque steals the film, though, as the dapper skirt-chaser who stays one step ahead of the cuckolded husbands left in his wake. He's detestable and funny at the same time.

This does show its early talkie roots though, with a dying scene that is so prolonged and talkie I'm surprised those surrounding the dying man don't start looking for a blunt instrument to end things. The overall effort is OK, but then again - Joe Schenck cut Buster Keaton loose to concentrate on films like this??? I guess you had to be there.