Child Bride

This low-budget independent film is considered one of the most controversial accomplishments of all time, as it portrayed the nakedness of a 12-year-old girl in a sexual context back in the 1930s. However, I think calling it a "sexploitation" movie is an unfounded exaggeration. The scene is neither explicit nor tasteless, nor does it depict or insinuate the act of sex. It's just plain skinny-dipping in a pond. The film is about a rural environment where it is customary for parents to marry their minor daughters with significantly older men. The girl who escaped from there, later returns as a teacher and tries to stop this tradition. Whether the intention of the author was really to criticize this ill custom and draw public attention to it, or whether he simply used it as an excuse to make for that time shocking film, remains to be speculated. Interestingly, most of the actors in this film never filmed anything else. Exceptions are George Morrell and Warner Richmond with rich filmographies, Shirley Mills with a few more roles, and Angelo Rossitto, whose height of only 88 centimeters brought him a bunch of interesting roles, from the cult "Freaks" (1932) by Tod Browning to the role of The Master in the famous Master Blaster tandem from "Mad Max Beyond Thunderdome" (1985). The movie does not deserve any praise for its quality, but it's not badly done either. Certainly, it is worth a look as a curiosity.

6/10

Exploitation classic thats more humorous now then either titillating or shocking. This is an anti-child bride film. Yes there was a time when young, even preteen girls could get married to older men. This is the story of a young girl who may be doomed to suffer such a fate. A serious subject, the film is now very silly with some acting styles that went out of style in the early days of silents (Watch the scene when Jennie gets up in the morning and try not to fall on the floor laughing.) Give the film points for having some realer characters than many backwoods films coming from Hollywood, but take a few away since this film is really just an exploitation film. Notorious for a brief flash of nudity in a skinny dipping scene by the then 12 year old star (some prints excise it) its nothing even remotely titillating or sexy. Its actually done in such away as to be fleeting and not even clear. I probably shouldn't have even mentioned it except some people are shocked or horrified by it. The film itself is better than it should be, however its still not very good. As I said much of it plays more humorous than serious and its so creaky that you can see the machine like plot clacking away towards its conclusion where you end up on the edge of your seat waiting to see if Jennie will suffer a fate worse then death.(Its much less over the top than say a film like Reefer Madness where you can laugh at it, which takes away much of the fun) If you're a fan of creaky exploitation films give it a try. All others stay away.

I just thought I should share this amazing story with everyone. In 1938 or so... my mother happened upon the set of this movie and thought it was a ghost town... they used to go back to Sonora area (columbia) and try to find it (the set) and even look 'old timers' to interview, trying to find this ghost town. Well,,, the only thing they knew was that the schools name was 'Thunderhead Mountain School' ... Thanks to one of the reviews here, a search returned the name of that school and I was able to find the date (1938) and the location of its filming (Sonora area). A 72 year old mystery was solved... my mother was only 12 when they found that movie set.... now shes 83... She was so excited to here that the mystery was finally solved... thanks to one of your reviews mentioning the school in this movie... thanks again AK

Like most savvy exploitation mellers of the thirties and forties this one has two versions.One with a hot reel and one with a soft reel. The version that seem more innocent and is on the Mill Creek Collection is the one with the soft reel that cuts out two minutes of the skinny dip scene.

The hot version is still available on some download sites(not sure about the Alpha version) and it definitely raises the eyebrows higher.It's not kiddee porn but it could be perceived as close to it especially with the insert of the leering Hill Billy.

Much like Reefer Madness this pretends to be a moral plea to remove injustice but it's merely an excuse to get around the Hays office and show a lot of cleavage and violence.These films got away with this by playing mostly small towns and roadshows or one night midnight shows in the larger cities.They were in and out before the law knew what hit em.

While not as dizzying or bee-zar as Dwain Esper's Maniac,Child Bride has enough weird elements as to make Reefer Madness seem tame.Several scenes are of the S&M variety and there are a lot of politically correct references to race and handicapped people.

On the whole this movie is just plain wrong but I enjoyed it immensely

This is one of the strangest classic exploitation movies ever made, ranking with Chained For Life and The Terror of Tiny Town for sheer weirdness. The cast -- largely comprised of unknowns and non-actors, but also including popular Angelo Rossitto (aka Don Barrett) the dwarf -- portray a community of lascivious, drunken, lawless, moonshine-making Ozark hillbillies (in California, with Eucalyptus trees much in evidence) who want to marry little girls. Meanwhile, a schoolmarm, who has returned to her native hills to teach her fellow "mountain people" how to read, struggles against the evil custom of child marriage in a state that has, as yet, not enacted a minimum-age marriage law.

Most of the actors are not trained, but the central family of mother (Dorothy Carrol), father (George Humphreys), and daughter (Shirley Mills) are riveting in their realistic depiction of dirt-poor farm life. Mills' diction and gestures in this film were obviously influenced by the acting style of her famous contemporary, Shirley Temple, a fact that helped her project sincere distress during the more violent and emotionally wrenching scenes. Given her role here, and the naturalness with which she plays it, it is no wonder that Mills was later tapped to play Ruthie Joad in "The Grapes of Wrath." Angelo Rossitto, as a moonshine stiller, is at his athletic best here, clambering up and down the "Republic rocks" and engaging in an intense fight scene with a full-sized heavy, thus bringing his usual liveliness to an unusual role.

There is quite a bit of animal acting in this film, as it is set on a farm. The early morning scene in which Mills goes out to feed the pigs and gets into the pen to "rescue" a piglet, is very true to life, as is her family's stern response to what might seem to modern eyes as a cute child-in-the-mud scene: Pigs, especially sows with piglets, can be dangerous if angered, and the film-makers knew that well enough that they did not actually place Mills in confrontation with the sow; a couple of jump-cuts show us what happened. I also enjoyed the uncredited Alsatian Police Dog who played Ritz, a well-trained canine actor with dark fur and long ears who, unless my eyes deceive me, was a Rin-Tin-Tin relative or understudy. There are also a couple of very much UNtrained milk goats in this film -- a white Saanen and a black Alpine -- who stand nicely to be milked (obviously the role for which they were cast), but provide some over-the-top emoting during a funeral march, as they react with panic and a determination to buck, butt, or escape whenever the dog Ritz (who is very docile) gets near them.

"Child Bride" carries an explicit moral message -- "These child-marriages must be stopped!" -- but, like most exploitation films, it quickly subverts its own message, in this case with extended scenes of child nudity, as barely pubescent Shirley Mills frolics in a clear mountain pool with her German Shepherd dog. Despite the child nudity, which i frankly found disturbing as it went on so long and showed so many prurient repeat shots of Mills' backside underwater, there is some charm to this story, and enough plot twists to make it interesting. I think this is a movie that every fan of the obscure and off-beat, every fan of B-movies, and certainly every exploitation fan, will want to see.