AVALIAÇÃO DA IMDb
6,0/10
266
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaDrama about three girl graduates of an orphanage whose paths cross.Drama about three girl graduates of an orphanage whose paths cross.Drama about three girl graduates of an orphanage whose paths cross.
Horace McMahon
- Gurk - Vince's Henchman
- (as Horace MacMahon)
Jimmy Conlin
- Mr. Hobart Skinner
- (as James Conlon)
John Ridgely
- Master of Ceremonies
- (cenas deletadas)
John Alban
- Nightclub Patron
- (não creditado)
Marian Alden
- Floor Nurse
- (não creditado)
Edward Biby
- Nightclub Patron
- (não creditado)
Oscar Blank
- Nightclub Patron
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I found this remake of Three on a Match to be a bit more enjoyable than the original, thanks in no small part to the presence of Ann Sheridan.
Nobody could pull off (no pun intended) an above-the-shoulder striptease like Miss Sheridan. Wowser! I know she didn't care much for her well-known nickname but you can see why the name stuck.
Elsewhere in the movie John Litel does his usual job of providing solid support and little Janet Chapman is something else. She has to be one of the most likable child actors that I've ever seen in the movies.
It's interesting to note that the very last scene in Broadway Musketeers, Ann Sheridan and Janet Chapman embracing, is nearly identical to the final shot of Little Miss Thoroughbred, also directed by John Farrow.
Nobody could pull off (no pun intended) an above-the-shoulder striptease like Miss Sheridan. Wowser! I know she didn't care much for her well-known nickname but you can see why the name stuck.
Elsewhere in the movie John Litel does his usual job of providing solid support and little Janet Chapman is something else. She has to be one of the most likable child actors that I've ever seen in the movies.
It's interesting to note that the very last scene in Broadway Musketeers, Ann Sheridan and Janet Chapman embracing, is nearly identical to the final shot of Little Miss Thoroughbred, also directed by John Farrow.
This movie is a remake of "Three on a Match" starring Ann Dvorak, Bette Davis and Joan Blondell, but if you haven't seen "Three on a Match" then see that first then this, some things were changed but its pretty good and you see a resemblance, the title "Broadway Musketeers" was a wrong name for the movie, but its worth watching, if you can catch it on Turner Classic Movies, I've got it. Margaret Lindsay, Ann Sheridan, and Marie Wilson star in this remake, but I have to say the first one was better, Margaret Lindsay plays the part Ann Dvorak plays, a rich girl who's not happy and goes the wrong way, the beautiful Ann Sheridan plays the showgirl, burlesque dancer like Joan Blondell played in the first one, she cleans up her life and replaces Margaret's character lifestyle, Marie Wilson plays the part Bette Davis, plays the stenographer, her character isn't much. Like I said this isn't the best film, but these girls are more beautiful and glamorous then Bette Davis, Joan Blondell, and Ann Dvorak were, they added some glamour to the movie, and this film didn't make them stars like Joan Blondell, Ann Dvorak, Humphrey Bogart and Bette Davis became, but worth watching. Ann Sheridan was the only one to become big but she's much forgotten today, but in the late 30s and 40s she was the top pin-up girl, beautiful girl she was, glamour queen.
Three women who grew up in the same orphanage -- Margaret Lindsay, Ann Sheridan, and Marie Wilson -- lead very different lives. Miss Lindsay marries wealthy John Litel. They have a child, but then she divorces him. Miss SHeridan becomes a nightclub singer, who marries Litel later. And Miss Wilson offers some comic relief. They meet every year for a dinner.
It's a B remake of THREE ON A MATCH (1932), and lacks the pre-code snap of the earlier version. Most of the tension is reserved for a kidnapping towards the end by gangster Dick Purcell, with Dewey Robinson getting a nice role as the soft-hearted henchman. Directed for speed by John Farrow, it's watchable, but I wouldn't stay up late to watch it. Fortunately, my TV comes equipped with a DVR.
It's a B remake of THREE ON A MATCH (1932), and lacks the pre-code snap of the earlier version. Most of the tension is reserved for a kidnapping towards the end by gangster Dick Purcell, with Dewey Robinson getting a nice role as the soft-hearted henchman. Directed for speed by John Farrow, it's watchable, but I wouldn't stay up late to watch it. Fortunately, my TV comes equipped with a DVR.
In the tradition of B pictures not one of the three Broadway Musketeers is in any
kind of Broadway show, though Ann Sheridan is in burlesque and definitely
off Broadway. Broadway Musketeers is a remake of Three On A Match a film
from the early 30s.
Ann Sheridan, Margaret Lindsay, and Marie Wilson are three women who grew up in an orphanage and grew up tough. When Sheridan gets busted for removing a bit much, Lindsay bails her out with some of husband John Litel's money.
Lindsay is in a loveless marriage to Litel. She's definitely too frisky for domesticity That comes at the sacrifice f being a mother to little Janet Chapman. When on a girl's night out Sheridan introduces her to playboy Richard Bond she decides she can have one time with him as a husband.
As for Sheridan she wants to settle down and Litel is seeing the qualities he missed in Lindsay.
I'll not mention the rest of the plot. But in the original Three On A Match Bette Davis played a colorless good girl friend to both Sheridan and Lindsay. Could any film aficionado in their wildest imagination see Marie Wilson in a role originally done by Bette Davis? Yet here we have it and Marie Wilson gives it a bit of color with her dumb blonde personality.
And wait to you see whom Wilson lands as a husband.
Ann Sheridan, Margaret Lindsay, and Marie Wilson are three women who grew up in an orphanage and grew up tough. When Sheridan gets busted for removing a bit much, Lindsay bails her out with some of husband John Litel's money.
Lindsay is in a loveless marriage to Litel. She's definitely too frisky for domesticity That comes at the sacrifice f being a mother to little Janet Chapman. When on a girl's night out Sheridan introduces her to playboy Richard Bond she decides she can have one time with him as a husband.
As for Sheridan she wants to settle down and Litel is seeing the qualities he missed in Lindsay.
I'll not mention the rest of the plot. But in the original Three On A Match Bette Davis played a colorless good girl friend to both Sheridan and Lindsay. Could any film aficionado in their wildest imagination see Marie Wilson in a role originally done by Bette Davis? Yet here we have it and Marie Wilson gives it a bit of color with her dumb blonde personality.
And wait to you see whom Wilson lands as a husband.
Isabel Dowling (Margaret Lindsay), Fay Reynolds (Ann Sheridan), and Connie Todd (Marie Wilson) are best friends from their days at the orphanage. Fay gets arrested for performing in a nightclub and the other two bail her out. They plan to meet every year on the same day and in the same restaurant. It is a chaos of melodrama as their worlds collide. Isabel's life falls apart while Fay replaces her.
This is a remake of Three on a Match (1932) and I marginally didn't like that one. I do like this version ever so slightly better. While still melodramatic, it may not be as chaotic as its previous version. For one, let's look at the jumping out the window scene. In this version, she is planning out her deliberate sacrifice. In the original, she's going crazy putting on lipstick and jumps out in madness. This version is a compelling act while the original is campy melodrama. This version is better.
This is a remake of Three on a Match (1932) and I marginally didn't like that one. I do like this version ever so slightly better. While still melodramatic, it may not be as chaotic as its previous version. For one, let's look at the jumping out the window scene. In this version, she is planning out her deliberate sacrifice. In the original, she's going crazy putting on lipstick and jumps out in madness. This version is a compelling act while the original is campy melodrama. This version is better.
Você sabia?
- CuriosidadesIn his book, "Those Crazy, Wonderful Years When We Ran Warner Brothers," former studio page boy Stuart Jerome recalls a bizarre incident that happened with this film. During the preview screenings, several members of the audience started laughing during a crucial dramatic scene when Dewey Robinson's gangster character slapped Margaret Lindsay. Director John Farrow and studio executive Bryan Foy could not figure out why the audience members were laughing. They set up a private screening of the scene and ran it several times before they discovered the problem. At the moment when Robinson slapped Lindsay, his fly was visibly open! It was the kind of mistake that only a few people in the audience would notice, but which could easily spoil the dramatic effect of the scene. Following the discovery, the entire scene had to be re-shot. The set for the scene was re-built, Margaret Lindsay was borrowed from her current Warner Brothers picture, and Robinson was re-hired at one day's pay. Bryan Foy personally stopped by the set on the day of re-shooting to make sure that Robinson's fly was closed. As Jerome recalled, the incident prompted Foy to send out a memo to all directors and script clerks at Warner Brothers that they should make sure that all male actors had their flies fully zipped up before shooting a scene.
- Erros de gravaçãoPhil writes out a check to Vince for $2,450 on New Years Eve/Day. However, in the next scene where the check has bounced, it is dated June 12th.
- Citações
Isabel 'Isabelle' Dowling Peyton: [when all three ladies are about to drink a toast] Here's to us. Well?
Miss Connie Todd: May we never have shiny noses.
- ConexõesReferences Branca de Neve e os Sete Anões (1937)
- Trilhas sonorasWho Said That This Isn't Love?
(uncredited)
Music by M.K. Jerome
Lyrics by Jack Scholl
Played during the opening credits
Sung by Ann Sheridan
Reprised instrumentally by a phonograph record
Played as background music often
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Broadway Musketeers
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 3 min(63 min)
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente