A Turnê de Annabel

Annabel Allison, the star of Wonder Pictures, is angry about her poor publicity, especially when a rival gets engaged to the Marquis; so she forces studio manager Webb to re-hire the embarrassed Morgan promotion agent for her personal guest appearance. The journey continues with a flurry of Morgan's crazy advertising stunts. Then Annabel has her chance to "insert" the right viscount.

The follow-up to the affairs of annabel... the premise is the same. When others are getting more attention, fame, fortune, actress Annabel (Lucy) hires Morgan (Okie) to remedy this, doing whatever it takes. This was still during Lucy's early phase in hollywood, where they weren't sure where she fit in; i personally liked her films from the late 1940s... Fuller Brush Girl, Miss Grant, where she's the lead. In this chapter, much silliness, pratfalls... literally, she falls off a horse. The usual shenanigans as they dream up stunts to get publicity. Of course, Morgan goes too far! Some fun co-stars...ruth donnelly, donald mcbride. Those guys aside, this one just tries too hard. So much effort for little humor. Kind of ironic, how it's a movie about what to do with an actress, played by an actress who was completely competent, but seemed to be doomed to doing silly, common roles. Directed by Lew Landers. He and Lucy would make four films together. Not her best stuff.

Serious film nuts are out there. I get mail from waves of them every day as I run in the dark, stepping on feet with my comments.

There seem to be two kinds of zealots: those attached to genres and archetypes and those attached to specific people, actors and directors.

I usually blow off the email about actors. Usually actors don't have much to do with the movies they are in, and when they do it is because they coordinate their intent with that of the filmmaker. And except for a short list, most actors — like their brethren politicians — are just dull, empty people.

But I feel differently about actors in the 30s and 40s. Some of them. Those of interest just happened to be there when movies settled down after the great confusions: sound, color, the code, and the great quest of movies to define themselves.

If you want to understand your imagination, you need to follow the grooves in film. And to do that you need to see the family tree of genres, and that is only found in 30s and 40s films. The genres, naturally enough, co-evolved with certain film archetypes, and most of those were invented by actors.

Some of these actors are forgotten while their character type remains: Edna May Oliver. Some have become icons themselves, like Jimmy Stewart. Lucille Ball is worth following.

Any of these icons is worth seeing in their early work when they play characters who are actors. In this case, Lucille is an actress trying to establish an identity (which she did eventually and wonderfully) playing an actress doing the same thing. Oakie plays all the dumb jokes, so is usually that attentiongetter in the Annabel films.

But take a look at this woman. She said she wasn't funny but brave. You can see that. You can also see that she invented her walk after losing that ability because of sickness. And you can already see how she engineers her fake eyebrows after losing those. Her face isn't a funny one, but she makes it so with her mouth and eyes and those eyes are inherently comic, but painted on.

You can also see her — or rather her character — working out how to pair with the type that became Ethyl Merman.

This was in the day when she was a brunette.

Ted's Evaluation -- 2 of 3: Has some interesting elements.

Temperamental movie star Annabel Allison demands publicity--any publicity. Despite the mess that her old press agent Lanny Morgan recently got her into, she insists that the studio hire him back on: At least he got her picture in the papers.

Jack Oakie is boisterous agent Lanny Morgan, and he is indeed available for more work with Annabel. Lucille Ball, wacky and imperious, is Annabel. Their cross-country publicity tour doesn't make much sense but it sure is noisy. Along the way, Lucy decides she would like to have a romance with a viscount because a rival movie star is romancing a nobleman. She meets Ralph Forbes, who meets her requirements but seems rather baffled. Oakie attempts to drum up some photo opportunities with mixed results. The love-hate relationship between Lucy and Oakie seems to be the main story line but unfortunately it just doesn't really go anywhere.

Studio secretary Ruth Donnelly accompanies Lucy on the train trip and is solid as always. Donald MacBride has a couple of funny bits as a train conductor who hates the movies.

Overall it's pleasant enough but there sure isn't much to it....And an abrupt ending sneaks up just when you are expecting something interesting finally to happen.

Funniest scene: Jack Oakie attempts to mount a tall horse but has trouble because the stirrup is too high.

Tired sequel to the uninspired Affairs of Annabel. It's more of the same with publicity agent Jack Oakie getting movie star Lucille Ball into wild stunts for the sake of publicity. All of the problems with the last movie are still here. Oakie is still annoying and not very funny. Lucy plays a smart woman who seems to lose all of her sense when Oakie suggests one of his stupid ideas. The movie starts off with Lucy demanding the studio head hire back Oakie, who was apparently fired between the first movie and this one. She keeps saying how he gets her good publicity, which contradicts the first movie. Then, almost as soon as he's hired back, she starts complaining about his schemes. The few positives of the last movie are still here, as well. Lucy is lovely to look at and she tries to make the most of the weak material. The supporting cast is an asset, including the great Donald MacBride. Lucy fans will enjoy this more than most. There aren't many laughs to be had but the likable cast makes it watchable.