Os Apuros de Annabella

Rather forced comedy with Lucille Ball as a movie star who lets her publicity agent Jack Oakie get her into one far-fetched scheme after another. Considering Lucy would become famous for getting into far-fetched situations on television, you'd think this might work. Well, it doesn't. The thing is that while I Love Lucy was full of harebrained schemes and outlandish situations, they were usually rooted in some reality. The laughs were earned. Here, it's all wackiness for the sake of wackiness and it feels very contrived. Jack Oakie plays a walking cartoon character, very annoying and full of the dumbest ideas. He's supposed to be a send-up of real publicity agents, exaggerated for effect. But he's exaggerated too much, in my opinion. He never feels like a real person. Lucy, looking pretty as ever, tries her able best to make the most of the material she's given but her character is another that's tough to accept. She doesn't seem like a stupid person yet, for the sake of the plot, she goes along with the obviously moronic ideas of Oakie. Still, her fans will enjoy seeing her in this early starring role. The movie is helped some by a nice supporting cast, all of which do their best. This was followed by a sequel but thankfully not more than one. Recommended for die-hard Lucy fans but that's it.

Personally, I've always felt that the best comedies were the ones where you could actually believe in the situations--in other words, the events are things that could have happened. THE AFFAIRS OF ANNABEL is funny in spots, but hasn't got a single moment that is in touch with reality.

JACK OAKIE plays a scheming publicity man who dreams up the most outrageous ways of getting attention (newspaper headlines) for his fading star LUCILLE BALL, her film career supposedly on the wane. One plan involves getting her to spend three days in prison (which turns out to be 30 days) and to have the press on hand when she's released. The plan backfires, of course, and Lucy fires him.

She rehires him when he gets a little old lady (LEONA ROBERTS, Mrs. Meade from GWTW), to pretend to be his sick mother who needs money for an operation. Lucy relents and he comes up with another scheme--her next film is called "The Maid and the Man" so he gets her work as a maid in a wacky household. It turns out the house has become the nest for two infamous criminals and Lucy, of course, gets into the thick of things while Oakie tries to rescue her by hiring fake police officers to storm the house.

It had possibilities but emerges as a scatterbrained comedy without any real foothold on reality. THURSTON HALL is fun as a plate breaking scientist and RUTH DONNELLY has a few good one-liners as a studio receptionist, but other than that the gags are pretty hard to swallow at times.

Best that can be said is that LUCILLE BALL shows skill at this sort of comedy and looks pert and pretty throughout. OAKIE overplays the press agent with outlandish schemes but is fun to watch.

If you love Lucy, you'll find this acceptable fare but lacking in so many departments.

It's easy to see why one viewer would love this movie and another couldn't stand it. I have had both reactions the two times I saw it.

Boy, I loved this the first time I viewed it and then was totally bored on the second viewing 10 years later, so it's hard to evaluate. Suffice to say it does have it's share of laughs which isn't surprising since Lucille Ball and Jack Oakie star. However, the humor is so corny one might see no humor in this - it all depends on what you like.

It WAS interesting to see a young (26 or 27-year-old) Ball, who was very attractive woman at that age. Oakie is okay because he looks funny. He doesn't even have to say anything to get a laugh, which sometimes is better because he played a number of roles over the years in which he delivered a lot of stupid lines!

Like a lot of comedies, it's very silly but the shortness of the film (68 minutes) helps in that regard, preventing it from becoming too silly for too long. There were some funny supporting roles in here, too. Like me, you might really laugh at this or think it's a waste of time: hard to say.

Considering that Lucille Ball and Jack Oakie were friends as well as neighbors in California, who made four movies together, and that both were highly regarded comic actors, you'd think that the two of them would make a great on-screen comedy team, right?

Nope.

Not in "The Affairs of Annabel," an okay but not particularly compelling short comedy. The writing is unexceptional, there are no memorable lines from the script, the plot is not even remotely realistic, and I have no idea how the Ball/Oakie relationship was intended to develop. I think the plot was supposed to build, so that Oakie slowly falls in love with his attractive young meal ticket, but that never really went anywhere. The production was no great accomplishment, either, with some fairly obvious cuts between Ball and her stunt woman during some of the martial arts scenes.

But the acting prevents this film from being a complete dud. Most of the cast are experienced comic actors who squeeze what they can out of the material they're given. And the movie was popular enough that it spawned a sequel, and apparently there were supposed to be more, except that Oakie held out for too much money and killed the deal, which is probably for the best. So what the heck? It's only an hour, so what do you have to lose? Have a glass of wine and enjoy a little early Lucille Ball. The movie will probably be over before you've finished your second glass.

Lucille Ball stars as Annabel Allison, movie star. Jack Oakie, studio publicity man, has a great idea: He talks Annabel into getting caught stealing—a jail record, he argues, will give a great boost to her current picture, a prison drama. Annabel goes along with the gag, spends 30 days in jail, gets Oakie fired, has a change of heart and gets him his job back...all in the first 10 minutes of the movie.

Lucy is wild and blustery in this hectic comedy that keeps the jokes flying at a furious pace. Oakie is fairly obnoxious but eventually likable enough...at least, if you don't mind a pushy big mouth whose heart is mostly in the right place after all.

Familiar supporting actors add their own particular brands of humor: Ruth Donnelly is the wise cracking studio secretary, Fritz Feld is the eccentric European director who wants to make a "serious picture," Bradley Page is the exasperated studio boss.

Lucy ends up working as a maid (prep work for her next movie role, of course) for snooty Elizabeth Risdon, whose screwy inventor brother Thurston Hall brings home some "investors" who turn out to be crooks, and they're all trapped in the house....

It's very nutty and makes no sense at all—but I guess it is an interesting angle on the movie business, and it really is full of good laughs.

My favorite line is Lucy objecting to the maid picture: "You mean that piece of literary junk they've had around the studio for years? Why, they'd have to rewrite that before the moths would eat it."