Tempestade Num Copo D'Água

This rarely-shown gem of a movie is a great early showcase for both Vivian Lee and Rex Harrison, before either became a famous star. It is also a prime example of a genre of movie that the British do very well and which Hollywood rarely ever touches: political satire. When Hollywood does try this sort of thing it us usually heavy-handed. Not so here. Everything is handled with a light touch, and it's all very "tongue-in-cheek".

Cecil Parker is the pompous and arrogant mayor of a small Scottish town, who is also running for a seat in Parliament (it's the sort of part in which Cecil Parker always excelled). While the mayor is busy being interviewed by a cub reporter on the local newspaper (Rex Harrison), the mayor hasn't time to be bothered with listening to the plea of an impoverished woman (the aptly-named Sara Allgood) whose dog had been impounded by the police for non-payment of it's license fee. Harrison decides to include the incident in his newspaper article, and events snowball from there.

"Storm in a Teacup" is exactly that, so don't expect "All the King's Men", "The Best Man", "Advise and Consent" or "Seven Days in May". However, it is very funny, and well worth a look if it should happen to come around again.

Rex Harrison portrays a newly arrived British journalist in Scotland who uses his new job at a newspaper to take on the local political bigwig in this pleasing British comedy. The unfortunate circumstance is that while he battles the politician, he happens to be falling in love with the politician's beautiful daughter, Vivian Leigh. The issue at hand is the life of a dog that Leigh's father has coldly ordered to be put to sleep. It seems that its owner could not afford a dog license. Dog lovers should enjoy one scene in particular where what seems to be hundreds of dogs of all shapes and sizes raid the politician's mansion.

Flaws include too many cutaways for reaction, and a bit of obviousness in the plot, but those flaws are vastly out-numbered by the pleasures and joys of the total production.

As with other reviewers, I had never even heard of this movie and most of the players, so it was a surprise and delight to discover it.

I am always happy to see a motion picture present the evils of tyrannical government, even local government.

And the bullying of the chief government official, over what is to him such a minor, even trivial, matter shows just exactly what all of us, even 82 years after the release of this movie, and even thousands of miles from its setting, need to be aware of from even our neighborhood politicians and bureaucrats.

At the same time, the particular bully shows a lot of personal courage and is to be admired for it, and for his moral self-confidence.

However, as philosopher Sidney Hook warned us, and often unsuccessfully warned us, confidence in one's moral code is not good enough when that code is wrong; and courage to continue to believe in a wrong code is a dangerous courage.

As light-hearted as this production ultimately is, it is still both a lot of fun and a nice under-stated message. I highly recommend it, and there is a print available via Kanopy (for subscribers) and at YouTube.

Widowed Mrs. Hegarty (Sara Allgood), ice cream peddler residing in a fictive West Scottish coast village, Baikie, has as sole companion her dog Patsy, but after she neglects to pay an annual canine licensing fee, the Provost (Mayor) of Baikie, William Gow (Cecil Parker) commands that the animal be dispatched, thereby inciting the titular tempest, for which a young English journalist is largely responsible. He is Frank Burdon (Rex Harrison), recently arrived in Baikie to begin employment with its newspaper. "The Advertiser", and it is Frank's willfulness that brings trouble upon himself as well as for others. In spite of romantic mutual attraction between Frank and Gow's daughter Victoria (Vivien Leigh), the dauntless reporter is well pleased to find a strong human interest slant within Mrs. Hegarty's plight and composes a story that immediately is spread throughout Scotland, therewith effectively putting an end to Gow's political ambitions, as he was preparing to stand for a parliamentary post, an aspiration that has apparently gone a-glimmering due to the Patsy affair, with the Provost moved to exact redress from Burdon by suing him for slander, an action that summons the probability of a final break between Frank and Vickie Gow. The film is constructed upon a play, "Storm Over Patsy", written in 1930 by German expatriate to the United States Bruno Frank, who settled in Hollywood as a screenwriter. It was rephrased for its exhibition upon the American stage by Glaswegian James Bridie and mounted with a good deal of success during 1936 and 1937 upon Broadway, the production generally featuring vocative Allgood in addition to Leo G. Carroll as Willie Gow. The provincial complexion of Baikie is more clearly rendered upon the screen than the boards, and fortunately Alexander Korda supplies adequate funding to furnish what he intends as a "small" film with significant numbers of extras along with a gaily embellished mise-en-scène. A contemporaneous review of the picture by producer/director/critic Basil Wright, published in The Spectator, expanded the amiable film's popularity, and it has retained a following because of its colourful scenes and characters, but a viewer will make note as well of superb costuming and, as must be expected, a superior performance by Parker who handily annexes the acting laurels here.

I agree with the previous reviewer that this British film is an attempt by them to produce a Frank Capra like populist comedy. Certainly Cecil Parker as the town provost could easily have fit into a Capra film, a Mr. Potter from Scotland. Rex Harrison could easily be James Stewart, standing up for good.

Cecil Parker is the provost (Mayor?) of a small Scottish town called Baikie way in the rural north. Parker's an efficient manager who's come to the attention of party bigwigs who want to run him in a bi-election for an open seat in Parliament.

Parker is also a fatuous, arrogant oaf with the public relations sense of an ostrich. While being interviewed by reporter Rex Harrison, Sara Allgood who's a poor widow who can't afford the money for a dog license has her dog taken by Parker's police to be put to death as a stray. As she's begging, he throws her into the street.

Harrison who was going to do a puff piece as we would now call it, is outraged enough to write what occurred.

Complicating things is the fact that Harrison's fallen big time for Parker's daughter, Vivien Leigh. This was an early film for both and the megastardom that was destined for both is apparent.

Of course being the oaf he is with his ego out of joint, Parker keeps escalating this storm in a teacup until it's a nationwide issue. But the ending couldn't have been better done by Frank Capra himself.

Lots of laughs in this one and check out the scene where the dogs invade Parker's house. Could have been done as a short subject in and of itself.