AVALIAÇÃO DA IMDb
7,3/10
12 mil
SUA AVALIAÇÃO
Uma jovem chega a Hollywood com sonhos de estrelato, e os realiza apenas com a ajuda de um ator alcoólatra cujos melhores dias ficaram para trás.Uma jovem chega a Hollywood com sonhos de estrelato, e os realiza apenas com a ajuda de um ator alcoólatra cujos melhores dias ficaram para trás.Uma jovem chega a Hollywood com sonhos de estrelato, e os realiza apenas com a ajuda de um ator alcoólatra cujos melhores dias ficaram para trás.
- Direção
- Roteiristas
- Artistas
- Ganhou 1 Oscar
- 7 vitórias e 7 indicações no total
Guinn 'Big Boy' Williams
- Posture Coach
- (as Guinn Williams)
Jean Acker
- Woman at Preview
- (não creditado)
Eric Alden
- Niles' Assistant
- (não creditado)
Irving Bacon
- Station Agent
- (não creditado)
Jane Barnes
- Waitress #1
- (não creditado)
Vince Barnett
- Otto
- (não creditado)
Clara Blandick
- Aunt Mattie
- (não creditado)
Avaliações em destaque
I believe this as one of the most beautiful pictures I have ever seen. I enjoyed the story, the dialog and above all I enjoyed the atmosphere and the actors. All of them are great but to me Fredric March is outstanding.
Norman/Alfred is a wonderful character: frail, undignified, touchy, weak and able to love Vicki/Esther so much, with all his heart.
Fredric March brings all of it on the screen, providing one of his best performances here.
If you would like to become an actor, I believe you should watch this movie and Mr. March's way of acting. Pay attention to his eyes, his hands, his face and his moves, especially when he interrupts his wife thanking everybody for the Oscar she got and claims he deserves three statues for the worse performances.
He is overcome by himself and starts dying. I just shivered.
To me, this version can't be compared to its remakes. The allure and the fascination of Hollywood have been perfectly represented here, together with an unpleasant and creepy feeling of emptiness.
Norman/Alfred is a wonderful character: frail, undignified, touchy, weak and able to love Vicki/Esther so much, with all his heart.
Fredric March brings all of it on the screen, providing one of his best performances here.
If you would like to become an actor, I believe you should watch this movie and Mr. March's way of acting. Pay attention to his eyes, his hands, his face and his moves, especially when he interrupts his wife thanking everybody for the Oscar she got and claims he deserves three statues for the worse performances.
He is overcome by himself and starts dying. I just shivered.
To me, this version can't be compared to its remakes. The allure and the fascination of Hollywood have been perfectly represented here, together with an unpleasant and creepy feeling of emptiness.
This early version of "A Star is Born" is well-performed by a good cast, and an interesting story. The basic idea is fairly simple, but filled with potential, and it is done skillfully.
Janet Gaynor and Frederic March work very well as a Hollywood couple whose careers are headed in different directions, with March's performance being especially good. The rest of the cast rounds out the picture nicely with good performances of their own. While the inside look at Hollywood is interesting in its own right, the heart of the story is the way that the couple's marriage and relationships are affected by her career taking off at the same time that his is crashing. It's the kind of story that only works with believable characters, careful writing, and convincing acting, and all of those are present here.
While overshadowed by the lavish 50's remake, this earlier version is still quite worthwhile in its own right.
Janet Gaynor and Frederic March work very well as a Hollywood couple whose careers are headed in different directions, with March's performance being especially good. The rest of the cast rounds out the picture nicely with good performances of their own. While the inside look at Hollywood is interesting in its own right, the heart of the story is the way that the couple's marriage and relationships are affected by her career taking off at the same time that his is crashing. It's the kind of story that only works with believable characters, careful writing, and convincing acting, and all of those are present here.
While overshadowed by the lavish 50's remake, this earlier version is still quite worthwhile in its own right.
this is the first version of this movie made,and the only version i have seen so far.i liked it.i thought it was touching and ironic,and also tragic.it basically tells what the movie business can do to you,and the sacrifices that are made.it also shows how disposable the industry and the people in it are.as long as you are the flavour of the week,everything seems fine.but when you're no longer useful,reality hits and things can come crashing down.that's what basically happens in this story.it's an indictment(ironically)of the movie industry,however subtle.regardless,i thought it was well done.the acting by the tow leads,Janet Gaynor,and Frederic March,as well as the supporting performances,are terrific.i also thought the writing was very good,and the movie flows very well.for me,A Star is Born gets an 8/10
When you see this masterpiece, remember that more than 65 years have passed since it debuted on the big screen. How many contemporary films will dazzle and delight in 2065?
Sure, we have seen this story before, but this was the first incarnation. Sure all films are in color today, but notice the rich, full-rigged use of color here, only a decade after talkies began. Dialogue sound familiar, well many of the lines originated here (thanks Dorothy Parker).
First caught this in the movie theatre around 1975 as this David O. Selznick production had been out of circulation. Judy Garland's troubled but ultimately engrossing and hugely entertaining remake was already familiar to me. So how does a classic compare to its first version. To me, it is one of the 1930's masterworks.
How perfect to cast Janet Gaynor in the role, an Oscar winner herself at 20 --- that child-like voice unforgettable. Fredric March, like Gaynor already a star and early Oscar recipient, world weary and helpless. The art deco, lavish production, haunting music, and scene after scene of "behind the scenes Hollywood", well they sure worked for me. "Kitsch" an old friend labeled it, but to me, memorable.
I love watching this movie --- hope you enjoy it as well.
Sure, we have seen this story before, but this was the first incarnation. Sure all films are in color today, but notice the rich, full-rigged use of color here, only a decade after talkies began. Dialogue sound familiar, well many of the lines originated here (thanks Dorothy Parker).
First caught this in the movie theatre around 1975 as this David O. Selznick production had been out of circulation. Judy Garland's troubled but ultimately engrossing and hugely entertaining remake was already familiar to me. So how does a classic compare to its first version. To me, it is one of the 1930's masterworks.
How perfect to cast Janet Gaynor in the role, an Oscar winner herself at 20 --- that child-like voice unforgettable. Fredric March, like Gaynor already a star and early Oscar recipient, world weary and helpless. The art deco, lavish production, haunting music, and scene after scene of "behind the scenes Hollywood", well they sure worked for me. "Kitsch" an old friend labeled it, but to me, memorable.
I love watching this movie --- hope you enjoy it as well.
I had not watched this movie until today, passing up each opportunity over the years to view it, as I feared it would not live up to the 1954 blockbuster starring Judy Garland and James Mason.
I was right, it does not; it far surpasses the 1954 remake. Judy Garland is my favorite all-round entertainer, favorite singer, and the songs in the 1954 movie are classic treasures, and James Mason never disappoints in any film. However, in the 1937 version the story is told more sensitively, with more shading. Janet Gaynor is perfect as the home-grown farm girl seeking to make her mark in Hollywood, and Fredric March is very convincing as the has-been who cannot cope with his declining value in Hollywood, especially since he caused much of it himself.
I had thought that I might miss the music in this earlier version, but I found after having watched it that I didn't miss it at all. The movie was engrossing from beginning to end and stood on its own merits. I was moved by this film in a way that I never had been by the later remake.
SEE this film if you love a good story; don't put it off for years the way I did. Simply, simply wonderful...
I was right, it does not; it far surpasses the 1954 remake. Judy Garland is my favorite all-round entertainer, favorite singer, and the songs in the 1954 movie are classic treasures, and James Mason never disappoints in any film. However, in the 1937 version the story is told more sensitively, with more shading. Janet Gaynor is perfect as the home-grown farm girl seeking to make her mark in Hollywood, and Fredric March is very convincing as the has-been who cannot cope with his declining value in Hollywood, especially since he caused much of it himself.
I had thought that I might miss the music in this earlier version, but I found after having watched it that I didn't miss it at all. The movie was engrossing from beginning to end and stood on its own merits. I was moved by this film in a way that I never had been by the later remake.
SEE this film if you love a good story; don't put it off for years the way I did. Simply, simply wonderful...
Você sabia?
- CuriosidadesThe first all-color film nominated for an Academy Award for Best Picture.
- Erros de gravaçãoThe Night Court Judge refers to the "commonwealth" of California, but California isn't one of the states with commonwealth status. The judge should have referred to the "state" instead.
- Citações
Grandmother Lettie: If you've got one drop of my blood in your veins, you won't let Mattie or any of her kind break your heart, you'll go right out there and break it yourself.
- Versões alternativasAlso available in black and white
- ConexõesEdited into What's Cookin' Doc? (1944)
- Trilhas sonorasCalifornia, Here I Come
(1924) (uncredited)
Music by Joseph Meyer
(variations in the score as Esther arrives in Hollywood)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Nace una estrella
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.173.639 (estimativa)
- Tempo de duração
- 1 h 51 min(111 min)
- Proporção
- 1.37 : 1
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