Assim é Hollywood

This film is enjoyable to watch mostly because of the performances of Tully Marshall and Leslie Howard. While Marshall is in a smaller role, it's hilarious seeing him playing the old and nasty guy who is the head of a mega-corporation--and the way his son and grandson react to him. Marshall has never been funnier--and the same can also be said for Howard. Howard is in his element playing a very stuffy but funny guy--one of his best.

The film begins at a meeting of the board. Marshall learns that his corporation owns a failing movie studio and he's not sure whether they should sell it or keep it--so he dispatches Howard to investigate and makes him the temporary head of the studio. Soon, however, it becomes obvious that Howard is ill-prepared for this job. Although he's great with economics and figures, he doesn't know people. Many of his employees run all over him and he barely notices that one of them (Joan Blondell) is infatuated with him. Can he somehow work all this out or will the studio be sold to the highest bidder?

The film has some nice supporting actors. In addition to Marshall and Blondell, you've also got Humphrey Bogart in a VERY unconventional role as the head of programming. All in all, the stars did a nice job. And, it didn't hurt that the script was quite witty and fun. All in all, a nice little parody of the studios--with many of their foibles roasted here in this cute film. Worth seeing.

Fast and snappy spoof of the studio system from the bottom looking up, as stand-in Joan Blondell guides a newcomer to "who's through in Hollywood". Bogart has a good supporting role as a boozing producer who has to salvage an unwatchable gorilla epic. Not a classic, but very enjoyable for its energy.

A snappy, very funny spoof of the studio system by Tay Garnett, starring Leslie Howard as a rigid, conservative accountant who manages to take over a failing movie studio; Joan Blondell plays Howard's confidant and partner, a former child star now working as a stand-in for an overrated glamour queen Marla Shelton. Humphrey Bogart turns in a likable supporting role as the mean movie producer. Admittedly, some of the stuff are a bit weary and tiresome, but the camaraderie between Howard and Blondell and the brief spoof on Shirley Temple are enough to make "Stand-In" thoroughly enjoyable.

This is a satire on big business types who let a perfectly viable business (in this case, a film studio) fail for their own profit, leaving all the "little people" in the lurch. The words "capital" and "labor" even get bandied around! A few years ago modern viewers might have found this boring, but with today's economy, people may find that they can relate to it better than they expected! Besides that, it's an interesting "behind the camera" look at Hollywood, 1930s style.

Leslie Howard is great as the sheltered accountant who comes to Hollywood to see what's up with his bank's film studio, Joan Blondell is also great in her usual breezy, funny style as the former child star now working as a stand-in for a famous actress. There's also a youngish Humphrey Bogart as a film producer. I really wonder if Howard and Blondell did those ju-jitsu throws themselves, and if those outdoor scenes really were shot in downtown Los Angeles! Quite funny and definitely recommended!

When a Hollywood studio called ¨Colossal Productions¨ is threatened with bankruptcy , the bank sends a shy efficiency expert (Leslie Howard) to save it from financial ruin . A former child star (interestingly cast Joan Blondell) falls in love with the stuffy as well as head-in-the-books accountant , who wants to learn why his firm's movie studio is losing money . Meantime , there appears Bogart playing a drunken filmmaker in love with star Shelton . Soon Leslie discovers there's a scheme to sabotage ¨Colossal¨ and sell it to the unscrupulous Ivor Nassau (effective Henry Gordon). While , the studio is shooting a failed film titled ¨Sex and Satan¨ starred by Cheri (Marla Shelton) .

A high-grade as well as amusing comedy on Hollywood low-life filled with laughs , fun happenings , sentiment and funny events . This is an intelligently made picture blend of satire , humor and farce . The main actors play such an amusingly made movie that spectators will appeal too much . Nice acting by Leslie Howard as a hard-working , timid and stiff accountant expert on mathematics . Humphrey Bogart is well cast in his first comedy role playing a drunk producer at a quite amazing character . This is an absolute gift for fans of Howard and Bogart to watch them step outside their ordinary genres . Special mention to delicious Joan Blondell as likable and fiery stand-in actress called Lester Plum ; she bares some resemblance Marie Osborne, a child actress in the silent era who returned to the film industry in the 1930's as an extra and stand-in . Good support cast such as Alan Mowbray , Marla Shelton , Henry Gordon , Jack Carson and uncredited Charles Middleton . The former silent film star in the boarding house , desperate for a small role in a film, is played by Mary MacLaren, a former leading lady of the silent film era who, by the time this film was made, was working as an extra . Atmospheric musical score by Heinz Roemheld . Adequate and evocative cinematography by Charles Clarke .

This lavishly and highly budgeted motion picture was well produced by Walter Wanger , being professionally directed by Tay Garnett , a good Hollywood craftsman . Tay entered films in 1920 as a screenwriter . After a stint as a gag writer for Mack Sennett and Hal Roach he joined Pathe, then the distributor for both competing comedy producers, and in 1928 began directing for that company . Garnett garnered some attention in the early 1930s with such films as Bad company (1931) and Way Passage (1932) , but his best work came in the mid-'30s and early 1940s with such films as S.O.S. Iceberg (1933) , China seas (1935), Slave Ship (1937) and Trade Winds (1938) . His best known film would have to the John Garfield/Lana Turner vehicle : The postman always rings twice (1946), although his version of A Connecticut Yankee in King Arthur's Court (1949) was a well-deserved critical and commercial success as well . Other successes were the followings : Bataan (1943) , The cross of Lorraine (1943) , Soldiers Three (151) , The Black Knight (1953) , and , of course , this ¨Stand-in¨ , among others . As ¨Stand-in¨results to be a treat for Humphrey Bogart and Leslie Howard enthusiasts .