AVALIAÇÃO DA IMDb
7,2/10
12 mil
SUA AVALIAÇÃO
Desaparecida há sete anos e supostamente morta, uma mulher volta para casa no dia do segundo casamento do marido.Desaparecida há sete anos e supostamente morta, uma mulher volta para casa no dia do segundo casamento do marido.Desaparecida há sete anos e supostamente morta, uma mulher volta para casa no dia do segundo casamento do marido.
- Direção
- Roteiristas
- Artistas
- Indicado a 3 Oscars
- 3 vitórias e 3 indicações no total
Jean Acker
- Postponed Case Witness
- (não creditado)
Murray Alper
- Yosemite Bartender
- (não creditado)
Leon Belasco
- Waiter - Pacific Club Poolside
- (não creditado)
Joe Cabrillas
- Phillip
- (não creditado)
Bill Cartledge
- Page Boy Paging Burkett
- (não creditado)
Chester Clute
- Shoe Salesman
- (não creditado)
Corky
- Corky the Dog
- (não creditado)
Avaliações em destaque
Cary Grant makes this the best of the numerous versions of the script -- later attempted as SOMETHING'S GOT TO GIVE (Marilyn Monroe's last film) and remade as MOVE OVER, DARLING.
Just the expressions Grant has on his face make this worth watching. It's a delightful look at him in a classic comic predicament -- a man who thinks his first wife is dead discovers on his honeymoon night with his second wife that wife #1 is still amongst the living. The next complication: she has spent 7 years with another man -- and Grant gets to do his best as the jealous husband.
This is just plain funny.
Just the expressions Grant has on his face make this worth watching. It's a delightful look at him in a classic comic predicament -- a man who thinks his first wife is dead discovers on his honeymoon night with his second wife that wife #1 is still amongst the living. The next complication: she has spent 7 years with another man -- and Grant gets to do his best as the jealous husband.
This is just plain funny.
A curious one that leaves a mildly bitter taste in the mouth. It's funny alright (but never hilarious), and the acting from - and chemistry between - Irene Dunne and Cary Crant is exquisite as always. But the film's fundamental problem is that none of the characters are particularly likable. Throughout the film three of the four main characters take their turn to behave despicably, yet the new wife - a woman who's merely unpleasant - is the villain of the piece; constantly the butt of jokes and fair game for ridicule even though she's done absolutely nothing to warrant it. At times it's like watching two spoilt brats from the Hamptons bullying their visiting second-cousin from the Bronx.
The script is also strangely stunted, best witnessed in the scenes before the judge. They really should have been classic screwball moments - the ingredients were there - yet between the lengthy silences and repetitive parrot-dialogue it falls almost completely flat. The gaping plot holes and poor script continuity can't be forgiven either, even allowing for the fact the film's seventy years old.
Don't get me wrong, I laughed, and I enjoyed myself, and I thought it was a decent film. It's just that the character's actions don't stand up too well under scrutiny.
The script is also strangely stunted, best witnessed in the scenes before the judge. They really should have been classic screwball moments - the ingredients were there - yet between the lengthy silences and repetitive parrot-dialogue it falls almost completely flat. The gaping plot holes and poor script continuity can't be forgiven either, even allowing for the fact the film's seventy years old.
Don't get me wrong, I laughed, and I enjoyed myself, and I thought it was a decent film. It's just that the character's actions don't stand up too well under scrutiny.
This is not my favourite screwball comedy of all time or anything, but I did really enjoy it. It is compared to The Awful Truth, and I will say I do prefer The Awful Truth, and while people may find this blasphemous I preferred 1963's Move Over Darling too.
Where the film doesn't quite succeed is that it felt a little too short, the film's end takes a little too long and felt misplaced and there are some moments in the middle where the film drags a bit.
However, it looks good, is well directed, is well scored, while the story is great, the screenplay a lot of fun and the performances from Irene Dunne, Gail Patrick and especially Cary Grant are fun. In terms of casting, the only weak link is Randolph Scott, not that he was terrible or anything but he is very underused seeing his role feels I agree more of a cameo than a fully-fleshed out character. So overall, good but not great, worth seeing for Grant. 6.5/10 Bethany Cox
Where the film doesn't quite succeed is that it felt a little too short, the film's end takes a little too long and felt misplaced and there are some moments in the middle where the film drags a bit.
However, it looks good, is well directed, is well scored, while the story is great, the screenplay a lot of fun and the performances from Irene Dunne, Gail Patrick and especially Cary Grant are fun. In terms of casting, the only weak link is Randolph Scott, not that he was terrible or anything but he is very underused seeing his role feels I agree more of a cameo than a fully-fleshed out character. So overall, good but not great, worth seeing for Grant. 6.5/10 Bethany Cox
At first, I must say that this movie doesn't exceptionally stand out from the whole bunch of screwball comedies produced in the times of Great Depression in the USA. The first part of My Favorite Wife may be even called boring, due to a very slow narrative process and lack of any specific action. Of course, it's just an introduction to the plot and the viewer has to believe that in a moment something extraordinarily funny and crazy will happen. And it does, along with the entrance of, fantastic as always, Irene Dunne. The story presented in this movie is so ridiculous that it will make you laugh just reading about it.
It seemed like another regular wedding for Mr. Nick Arden (Cary Grant) and his new wife Ellen (Gail Patrick). His first wife is presumed dead after drowning somewhere far at sea seven years ago, and he wants to be form a happy relationship with a new woman. Guess what happens when Ellen Arden (Irene Dunne) suddenly shows up at their doorstep more alive than ever – all hell breaks loose and Nick becomes involved with two women at the same time. Additionally, his two wives (how grand it sounds) aren't particularly fond of each other and start to make Nick's life much harder than he imagined. And if this wasn't enough, somewhere on the road Nick meets Steve Burkett (Randolph Scott), a handsome man, with whom Ellen was stranded on a deserted island for seven long years. Level of jealousy goes through the roof, and the real 'fun' starts for all people involved in this ludicrous affair. Finally, Nick has to decide, who to choose, as it may seem that from a point of having two beautiful women at once he will ultimately be left all alone.
The movie provides a great amount of laughs, due to many amusing one-liners and gags, especially on the part of Cary Grant's perfect sense of humorous acting abilities. Every screwball film, in which he stars abruptly becomes much more entertaining, because of his irrefutable acting manners and charisma, so important for a funny leading man. And he does it differently every time. Even though the movies may seem similar, the portrayals of characters that he presents always have other specific comedic feels to it.
And the relationship that he forms with Irene is brilliant; you can sense that deep emotional attachment coming from their characters in every scene. Maybe seven years have passed, but the flame in their hearts still burns. They can't argue that their need to be together is so strong that it will surpass anything.
All in all, I can't call it My Favorite Screwball, but I certainly might recommend it to anyone, who is need of a light-hearted American comedy that may provide a positive shock in the sense of absurdity and amount of laughs that come with it.
It seemed like another regular wedding for Mr. Nick Arden (Cary Grant) and his new wife Ellen (Gail Patrick). His first wife is presumed dead after drowning somewhere far at sea seven years ago, and he wants to be form a happy relationship with a new woman. Guess what happens when Ellen Arden (Irene Dunne) suddenly shows up at their doorstep more alive than ever – all hell breaks loose and Nick becomes involved with two women at the same time. Additionally, his two wives (how grand it sounds) aren't particularly fond of each other and start to make Nick's life much harder than he imagined. And if this wasn't enough, somewhere on the road Nick meets Steve Burkett (Randolph Scott), a handsome man, with whom Ellen was stranded on a deserted island for seven long years. Level of jealousy goes through the roof, and the real 'fun' starts for all people involved in this ludicrous affair. Finally, Nick has to decide, who to choose, as it may seem that from a point of having two beautiful women at once he will ultimately be left all alone.
The movie provides a great amount of laughs, due to many amusing one-liners and gags, especially on the part of Cary Grant's perfect sense of humorous acting abilities. Every screwball film, in which he stars abruptly becomes much more entertaining, because of his irrefutable acting manners and charisma, so important for a funny leading man. And he does it differently every time. Even though the movies may seem similar, the portrayals of characters that he presents always have other specific comedic feels to it.
And the relationship that he forms with Irene is brilliant; you can sense that deep emotional attachment coming from their characters in every scene. Maybe seven years have passed, but the flame in their hearts still burns. They can't argue that their need to be together is so strong that it will surpass anything.
All in all, I can't call it My Favorite Screwball, but I certainly might recommend it to anyone, who is need of a light-hearted American comedy that may provide a positive shock in the sense of absurdity and amount of laughs that come with it.
I agree that Move Over Darling is a very good remake of My Favorite Wife, but Doris Day and James Garner, much as I like them, cannot reach the level of sophistication of Grant/Dunne. Randolph Scott does nothing to detract from the picture. Certainly no more than Chuck Connors does in the same role in Move Over Darling. The courtroom scenes with Grant and Granville Bates as the judge are superior, and Donald McBride as the hotel clerk is exceptional. Cary Grant's facial expression on the elevator when he first sees Dunne after 7 years is so memorable that I can still remember it 35 years after first seeing it. If you are a Grant fan, you have to see this movie.
Você sabia?
- CuriosidadesCary Grant and Randolph Scott, who play rivals in this film, lived together on and off between 1932 and 1944.
- Erros de gravaçãoWhen Ellen has her first hot shower in seven years, she wears a bathing cap rather than washing her hair in the shower.
- Citações
Nick Arden: I came here with my wife... hum... my bride really. Now my wife, not my bride... my wife... Why should I bore you with details?
Hotel clerk: I won't be bored.
Nick Arden: Listen, it's just simple as A B C.
Hotel clerk: Don't tell me you got someone in B?
- Cenas durante ou pós-créditosRather than the normal "The End" title as the movie concludes, "Good Night" is drawn in cursive handwriting.
- ConexõesEdited into Marilyn: Something's Got to Give (1990)
- Trilhas sonorasJingle Bells
(1857) (uncredited)
Written by James Pierpont
Played as part of the score when Cary Grant dons his Santa Claus costume
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- How long is My Favorite Wife?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Mi mujer favorita
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 28 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was Minha Esposa Favorita (1940) officially released in Canada in French?
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