Maytime

This film should never be remade under any circumstance. You do not mess around with genius. Nelson Eddy and Jeanette MacDonald at their very best. When it hits the tube, I get the tissue, lay back in my recliner and watch. And on every occasion, I see something that I had missed before. There is so much love there.

Because there was nothing suitable in the opera repertoire for a baritone and a soprano to sing together! And Romberg's music wasn't used because it was too expensive; practically everything in the film score was in public domain or composed for the film. Likewise, filming in color was nixed in a cost-cutting move (though, frankly, I can't imagine how this film could be any better in color!) Movie-making is all and always about compromise.

A little research into Herbert Stothart's tonal plan for this film will help you understand it better, if understanding the technicalities will help you appreciate it more. But just enjoy "Maytime" for what it is, not what it isn't. A lovely, opulent, romance treasure. Don't be afraid to like it!

An unashamed wallow in that era where true romance took the place of stark reality, where our 'lovers' never actually got that far, and everyone went around singing - this is my favourite MacDonald/Eddy film and is absolutely delightful from beginning to end. It has its funny bits, its sad bits, its achingly romantic bits, and a worthy villain in the wonderful John Barrymore. And of course the Singing Sweethearts are at their most appealing. Lovely ...

For their third screen teaming MGM gave Jeanette MacDonald and Nelson Eddy the old Sigmund Romberg-Rida Johnson Young operetta Maytime which was originally on Broadway in 1919. They kept the libretto, but scrapped the entire score except for the famous Will You Remember duet which became one of Jeanette and Nelson's most beloved songs. In its place were some operatic arias and some public domain standards like Carry Me Back to Old Virginia and La Marsellaise. This served to make the musical part of the film tilted far more to Jeanette than Nelson.

But the plot is one of the most romantic. The film opens with a heavily made up Jeanette living as an old maid in some small town. Both the neighbor's daughter and her sweetheart confide in her. The daughter has been given a chance to study music, but that would mean uprooting herself and going abroad. The boyfriend is in love and wants to marry her.

Jeanette sighs and tells the daughter about her life that at one time she was a famous opera singer who's been living in obscurity by choice because she chose a career over true love. Of course we all know who her true love is. But she marries her manager John Barrymore and in the end Jeanette has cause to regret.

The movie's message about marrying for love is an odd one indeed to come out of Hollywood. That's one place where a whole lot of people including the two stars of this film sacrificed a lot of personal happiness for careers.

Actually in another film a year later, Jeanette and Nelson were a happily married singing team in Sweethearts. I guess the idea is you should marry for love, but if you're a singer hope your spouse can carry a tune.

Will You Remember got a second go around in the Sigmund Romberg biographical film Deep In My Heart with Vic Damone and Jane Powell doing the honors. But it's not half as good as when Nelson and Jeanette sing it.

John Barrymore turns in a fine performance as the rather tightly wrapped manager of MacDonald. For a man who was brought up in the bravura tradition of Victorian stage acting, Barrymore was capable of great subtlety in his screen roles. Watch his facial expressions, they tell you far more than any dialog will. Of course he out acts the two leads.

The other supporting performance of note is Herman Bing as Nelson Eddy's sidekick/music teacher. Maybe if Jeanette had studied with him things would have turned out better.

When the flashback sequence opens Jeanette and Barrymore are going to a palace ball where she sings for Emperor Louis Napoleon, Les Filles Des Cadiz. That sequence was later seen in Jeanette's later starring film Cairo where she plays a movie star stranded in Cairo. It was a most requested item in later concert performances.

For romantics at heart and of all ages Maytime is a must see film for you.

Leave it to the greatest movie studio of them all, MGM, to deliver to the world in l937 this unsurpassed musical joy. While all the other movies were celebrating swing and tap dance and the Big Band sound, "Maytime" comes along and when it was released, it took the world by storm. Why? Because it shows how a powerful studio massed together all of its brilliant talent onto this film. Jeanette McDonald and Nelson Eddy would never surpass their performances here. Adrian's incredible costumes for McDonald are stunning. The lush photography, set designs and decor of late l9th century Paris are mind-boggling. And of course, the unforgettable music. You listen again and again to the magnfiicent scoring and vocal arrangements and never forget them. The ultimate sequence is the fabulous "Czaritza" that comes towards the end. McDonald and Eddy are backed up by a fantastic Russian choir. The pre-production on this one movie is amazing. Years in the planning, it was originally begun in l936 as a Technicolor spectacular. But after Irving Thalberg died, Louis B. Mayer chopped the budget in half and demanded "Maytime" be shot in black and white. Whatever the outcome, this movie can enchant even anti-music lovers. Now, let's hope it appears on DVD real soon.