O Grande O'Malley

This film is about an above the board policeman who learns that having a little heart along with the necessity to do what is right goes a long way. Bogart is playing a small but significant role as the well meaning every day Joe that gets caught up in the circumstances of poverty. Still the show is all O'Brien's as we see him go through a range of emotions from start to finish. Worth watching.

"The Great O'Malley," directed by William Dieterle, was Bogart's second film with Pat O'Brien, a man he deeply respected as a person and as an actor… In this very predictable movie, O'Brien was a too zealously cop whose attachment to the letter of the law alienates friends as well as enemies…

Bogart was an honest family man who was forced to turn to crime in order to provide for his family after O'Brien arrested him for a minor offense and caused him to lose a job opportunity…

Bogart had an excellent chance to show some versatility by turning from his earlier carefree attitude into one of frustration and bitter hatred, and he carried it off rather effectively

A first-rate movie in every sense. I recently watched it for the first time in decades and was I was every bit as impressed with it as I was the first time I saw it. Pat O'Brien was great, and you very seldom see a young child turn in a performance that's nearly as good as the one by Sybil Jason in this film. It's a shame that more people aren't aware of this movie, but, of course, a lot of great films, such as this 1937 gem, become forgotten about over time. Let's just hope that more people get to see it. It's on You Tube. And I don't mind saying that I got pretty emotional at times. I highly recommend it!

I didn't mind at all that this was predictable and formulaic-- I like the sappy stuff. Who's a better Irish cop than Pat O'Brien? And it's a treat to see early Ann Sheridan and Bogart. The Production Code guaranteed that justice, and not just the letter of the law, would be done.

I noticed that Father Patrick was played by Father Sheridan, but it appears that he was no relation to the lovely Ann. He had quite a long career in films, beginning with silents in 1915.

It was really a cheap shot for Warners to release a publicity tagline such as "a Hot-Headed Irish Cop Comes to Grips with a Cold-Blooded Killer..." to rope in audiences who'd be expecting a crime thriller instead of a heart-warming tale of a mean cop's redemption.

Heart-warming is fine with me.

Thinking about The Great O'Malley put me in mind of an episode of NYPD Blue in its final season. Andy Sipowicz has been just appointed sergeant and the point of the whole series was watching Dennis Franz as Sipowicz grow as a human being. There's a scene in this particular episode where Sipowicz as sergeant mediates out a dispute when a young rookie cop collars a truck driver who was trying to make a delivery on a crowded street and was double parked. The driver protested the ticket and the cop arrested him and we see the driver in handcuffs.

Sipowicz basically tells the young patrolman to enforce the law, but with a little discretion, after all this is some poor working stiff, not serial criminal. And in the end the driver is cut loose and presumably the patrolman will use a little more tact in the future.

In the title role in The Great O'Malley is Pat O'Brien who's a walking rule book, so much so no one can stand being around him. But one day just like in NYPD Blue, he stops some guy for speeding on his first day to report to a new job. He detains him so long that the man loses that job.

Which leads to Humphrey Bogart just plain losing it and committing a robbery just to gain enough money to feed his wife and daughter. Of course that results on wife Frieda Inescourt and daughter Sybil Jason staying on relief which is what welfare was called back in the day.

None of this makes any impression on the officious Great O'Malley, but O'Brien happens to make the acquaintance of Inescourt and Jason and between the two of them, manage to soften him up a bit. Even O'Brien's girlfriend Ann Sheridan likes the change in him.

Later on he gets a chance to really make it up to Bogart, going quite a bit above and beyond in his job as a policeman.

The Great O'Malley is a typical Warner Brothers Depression era product from the working man's studio. Both Pat O'Brien and Humphrey Bogart do fine jobs, especially Bogart who at that time was playing mostly gangsters. Here he's a decent, but desperate man and really registers in the role that was a change of pace for him.

This film is not run too often, hopefully TCM will broadcast it and soon.