Bulldog Drummond Reaparece

Weaker entry in the Bulldog Drummond series, with John Howard in the role. Usual funny banter and antics, but not much plot. Barrymore gets something to do as the inspector, swapping disguises to follow Drummond, Algy, and Tenny on a wild goose chase (mostly in circles; perhaps the budget was tighter than usual) to rescue poor Phyllis, who is being held captive by people who want to lure Drummond to his doom. For those keeping score, in this one, Drummond is planning to ask Phyllis to marry him and Algy is worried about missing the baby's christening. It's fun to see Algy and Tenny dressed up as fisherman to blend in at The Angler's Rest, but little of it rises above silly.

Although I saw an edited version Bulldog Drummond Comes Back there was still enough there to enjoy. Especially enough of J. Carrol Naish and Helen Freeman as ruthless a pair of brother and sister villains you'll ever find.

These two have it for Drummond played by John Howard. He was instrumental in having Freeman's husband captured and executed in France and they've now captured Howard's long suffering Tess Truehart type fiancé Louise Campbell. But they don't kill her outright nor do they kill Howard. Naish and Freeman are enjoying toying with him like a pair of feral cats with a wounded mouse. Howard refers to Freeman as Lady MacBeth and she's that big a schemer.

Butler E.E. Clive and cricket friend Reginald Denny are in on the chase, but John Barrymore as Scotland Yard's Inspector Neilson is ordered out. You don't tell Scotland Yard what to do however.

The only real flaw in this Reginald Denny who in most films is amusing as Drummond's silly twit of a friend. But in Bulldog Drummond Comes Back he's downright annoying.

Bulldog Drummond Comes Back is a pretty good B film from Paramount Studios and while Howard is no Ronald Colman he gives a good account of himself in all his Bulldog Drummond films.

During the 1920s-1950s, there were TONS of different actors who played the lead in the Bulldog Drummond films--too many. In fact, because of this massive turnover, the series never really caught on with the public. However, at least for a while, John Howard was able to provide some stability--appearing as Drummond in seven films. While none of these films were terrific, they were generally better than the other films of the series.

This one finds Drummond about to get married--for the thousandth time! In fact, that was a huge running joke with many of the Drummond films--he was always just about to get married when disaster strikes in the form of some mystery. Here, Drummond cannot get married because his fiancée is kidnapped! It seems there is a strange couple who say they are doing this to destroy Drummond because he was responsible for the capture of their loved one! What makes this different from many of the Drummond films is that his fiancée is not a passive victim--she often goes out to try to solve the mystery herself and seems to love the excitement of the Drummond lifestyle!

Overall, a decent addition to the series and interesting and worth seeing. Not the best of the Howard films (the villains and their cause seem weak), but also certainly not the worst. Average, but good for B-movie mystery/suspense fans (like me).

Bulldog Drummond's in love and ready for marriage. But that'll have to wait because his fiancée has been kidnapped by the brother and widow of an executed criminal Drummond put behind bars. The kidnappers intend to torture Drummond by making him follow a series of clues that lead him into dangerous situations. He must rely on his friends to help him figure out the clues and stay alive in the process.

John Howard's first Bulldog Drummond movie. Many actors played the character over the years (three in 1937 alone) but no one played him more than Howard. He would play Drummond for a total of seven films, all in the span of two years. Interestingly, despite playing the title character, Howard isn't top-billed. That honor goes to John Barrymore, who plays Bulldog Drummond's friend Colonel Nielsen. Barrymore's career was in a poor state at this time and he needed work. You would never know it from his performance as he's a lot of fun to watch. A little hammy at times but that's to be expected with him. John Howard isn't quite as lively as Ray Milland was in the role but he's good in a serviceable B hero kind of way. Reginald Denny continues on as Drummond's sidekick Algy and E.E. Clive as Drummond's butler Tenny. Both are entertaining. Helen Freeman and J. Carrol Naish make good villains. Louise Campbell plays Drummond's love interest Phyllis for the first of three films. She reminds me a little of Maureen O'Sullivan, which is not a bad thing. It's an enjoyable B detective picture. Nothing more special than that but it doesn't have to be. I happen to like these types of pictures. It's an entertaining way to pass an hour.

This is the tenth Bulldog Drummond film, and the first starring John Howard, who was to make the character his own in memorable fashion. John Barrymore gets top billing, despite the fact that he is in only a supporting role, but then that's stars for you! Barrymore plays Inspector Neilson, which he was to do for two more films, but he looks tired and world-weary, in fact as if he had been on a binge the night before (which is not unlikely). Barrymore dons some excellent disguises during the film, with false noses and moustaches and odd accents, which must have delighted him. We have almost as much fun with them as he does. The boring Louise Campbell plays Phyllis Clavering, who is always about to marry Drummond but constantly being prevented from doing so by some new crime erupting, or being kidnapped, or whatever. (The next year the more exciting Heather Angel was to resume this role, which would be a great improvement.) E. E. Clive and Reginald Denny as Tenny the Butler and Algy respectively, are here again (having missed the intervening film with John Lodge as Drummond), and are as marvellous as ever. This film has an extra dimension of interest. The wonderfully sinister villains played here by J. Carroll Naish and Helen Freeman not only kidnap Phyllis but put Drummond, upon whom they seek revenge, through an ingenious 'treasure hunt' ordeal, where they leave him coy notes which he has to decipher quickly, and also gramophone records where he is given instructions on where to go and what to do next. This is certainly an excellent added layer of intrigue to a mystery story, and is a story device which should be used more often in films. It all becomes really interesting as we follow the frustrated Drummond from rendezvous to rendezvous, as he is 'given the runaround' with the clock ticking. There are of course comic moments, and a great deal of quaintness is on hand at the seaside tavern where you walk in, order your beer, choose a gramophone record and put it on the Victrola which is sitting on the bar. Never saw that before! The earliest form of jukebox! This is a particularly good Drummond movie, and is well worth watching.