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'B' crime drama from Warner Bros. that stars John Litel, Gordon Oliver, Mary Maguire, and Ann Sheridan, to say nothing of a great supporting cast. The plot has awesomely-named racketeer Gat Brady (Litel) sent to Alcatraz where he feuds with a former criminal associate, while trying to keep his daughter (Maguire) out of danger. Oliver plays the lawyer who puts Gat away but winds up trying to help him. Sheridan is Gat's moll with a heart of gold.

Litel's not a perfect fit for a rough gangster type but he manages to make it work. Sheridan does well in one of many forgettable pictures she made before becoming a big star. Oliver and Maguire are fine, if unimpressive. The rest of the cast includes a bunch of recognizable faces like George E. Stone, Dick Purcell, Ben Welden, Addison Richards, Vladimir Sokoloff, Janet Shaw, Charles Towbridge, Peggy Bates, and Veda Ann Borg. It's a good pic for what it is - a relatively short, fast-paced programmer with a good cast playing out a familiar story as best they can. The scene depicting convicts going through an early version of a metal detector was pretty fascinating to me. This movie's not going to change your life or anything but there are worse ways to kill an hour.

You may think this story is about the criminal racketeer and mastermind Garrett Sloane aka 'Gat' Brady (John Litel) who is sent to the big house on a five (5) year stretch but the story is really about the district attorney George Drake (Gordon Oliver) who put Gat away. Gat is not looking for trouble while trying to do his five (5) year stint initially in Leavenworth and with good behaviour he may get out in half that time to spend the rest of his life with his loving daughter Flo Allen (Ann Sheridan). But a disgruntled and former criminal named Red who has it in for Gat gets under Gat's skin which leads to a bit of an unexpected scuffle to which Gat is sent to Alcatraz prison where he will surely spend his entire five (5) year stint since any chance for getting out early with good behaviour has vanished.

Gat's instigator Red, isn't done yet either, and so he follows Gat to Alcatraz only to get a knife shoved in his back to which he takes his dying and last lying breath and unfairly claims it was his nemesis Gat who stuffed the knife in his breath just before he dies.

Surprisingly it is the district attorney George Drake who comes to Gat's defense and reluctantly Gat accepts Drake's pro bono offer to represent him at his murder trial. Of course George Drake is smitten by Flo Allen, but his intentions are sincere for his love for Flo Allen and his conviction to get her racketeer father Gat out of Alcatraz and off of the murder charge of Red to which he is truly innocent.

I won't spoil the ending but to say that love conquers all and the two men Gat the racketeer who is Flo Allen's father, and George Drake the district attorney who is madly in love with Flo Allen who sincerely loves both men, her father and her fiance all may just find happiness after much sorrow.

Not a lot happens in the first twenty minutes. Then, they get gat brady (john litel) on income tax charges from hidden money. He's sent off to prison, and his girl flo (sheridan) moves into brady's flat to keep an eye on his daughter. But when a thug tries to kidnap the daughter, the thug ends up in jail with brady. Then, brady gets framed for a murder, and must prove his innocence. (although he probably shouldn't have made threats in front of the warden!) some scenes which may or may not really be alcatraz.... it had just opened a couple years before. Movie is okay... a pretty early, realistic look at prison life. And a viable story, for the most part. Directed by bill mcgann. Was nominated for stolen life, but also worked on key largo and treasure of the sierra madre. Story by crane wilbur.

Produced by Warner Brothers, this prison action movie is of course a good film, offering to Dick Purcell one of his most important roles, at least from my point of view, before he played in Republic serials and so many other B or grade Z pictures. But the main flaw of this film is the predictable plot, no surprise in the end. Too cheesy for me, especially from Warner Brothers whom with I was more used to grittier, tougher stories. The wrongly accused fellow trying to prove his innocence has always annoyed me, bored me. But it remains interesting to purchase, no problem. So don't miss this one if you have the opportunity to get it.

Mobster moneyman Gat Brady is found not guilty of racketeering after a juror has been bribed. His daughter Annabel Sloane gets kicked out of school after her father's identity comes to light. He hires Miss Tolliver to be her teacher. Gat gets hit with tax evasion and the judge hits him even harder. There is an attempt at kidnapping Ann and Red Carroll is convicted of the crime. He is sent to Leavenworth which happens to be where Brady is imprisoned.

This is very much a ripped-from-the-headlines episode based on the Al Capone conviction. Of course, they have changed it a lot. There is a problem in this movie. It's trying to make Brady the rooting interest when he isn't that in the beginning. He does nothing great for redemption but the prison section is still compelling. I guess Ann is meant to humanize him but it's not enough. All in all, it's a functional crime B-movie with good criminal intensity.

Below-par Warner's B movie. True, this is a mostly decent production, with Litel, railroaded into Alcatraz by a judge who doesn't care about plea bargains. He gives one of his solid performances. However, most of the lines spoken by other actors are declaimed rather than spoken and the juvenile leads are truly awful.

While Warner Brothers of the 1930s was known for its big stars and prestigious films, they also made B-movies...as did all the major studios. Sure, there were the tiny studios that made nothing but cheap Bs, but so did all the studios....and "Alcatraz Island" is a B from Warner. When I say 'B', I am talking about a shorter feature film meant to round out a double-feature. These Bs were quickly made and often not particularly good compared to the A pictures-- though there were plenty of Bs that were amazingly good. "Alcatraz Island" isn't amazingly good...but it is enjoyable.

The film is about a 'nice' gangster, Gat Brady (John Litel). While he's larcenous, he's swell otherwise and wouldn't hurt a fly. However, when he's caught for tax evasion, his charmed life goes south VERY fast. He's sentenced to a lengthy term in Leavenworth (despite the nice DA's recommendation for leniency). However, after this occurs, the evil gangster Red Carroll tries to kidnap Brady's young daughter but is soon caught. Oddly, they sent him to Leavenworth as well and allowed him access to Brady. Not surprisingly, they soon get in a fight and Brady is sent to the tough new prison, Alcatraz. So soon Carroll deliberately gets himself sent to this tough prison so he can continue to make Brady's life a living hell. And, when Carroll is stabbed in prison, his death bed confession is that Brady did it...even though he didn't. So how will the nice DA help Brady in this predicament?

The story is mildly interesting but several story elements make little sense--especially in that final courtroom scene. Additionally, the final dialog is amazingly preachy. Yet, despite these problems, the acting and production values are exceptional for a B. Overall, entertaining as long as you don't think about the plot too much!

Lousy story and dialogue to go along with moderate to poor performances, most notably Maguire, make this B movie more like a D or F!

The attempted kidnapping scene is written and directed so poorly that it seems like a 12 year old boy did it!

The courtroom finale is beyond belief phony, but it all gets wrapped up nicely so that the running time is short enough for any double feature.

Ann Sheridan stands out as a movie star here, even if those around her don't!

Alcatraz Island (1937)

** (out of 4)

This Warner "B" picture isn't well known today and it's not really any good but I guess you can give it credit for being the first film to take place on Alcatraz (which was built three years earlier). The story has a racketeer (John Litel) being railroaded into prison where he eventually catches up with the man who tried to kidnap his daughter. After being him he's sent to Alcatraz where they eventually meet again and this time the kidnapper is killed but the racketeer must try and prove his innocence even though everyone knows he hated the guy. Like the gangster drama, the prison film was usually a very good one for Warner but that's not the case here as the film, even at 64-minutes, is just too dull to be that entertaining. McGann's direction really drags things down as there's never any energy in the film and things remain pretty slow from start to finish. The screenplay by Crane Wilbur also doesn't do much as we get a pretty familiar story of a criminal wanting to do good for his new relationship with his daughter yet he keeps getting into trouble all of which is due to either someone else or someone trying to frame him. The movie follows the typical guidelines of a prison drama but the screenplay just doesn't have any edge, soul or even any real surprises. The final five minutes takes place in a courtroom and how everything ends is among the worst endings I've ever seen and something that I'm sure Ed Wood would laugh at. I wasn't too impressed with Litel in his role but at least Ann Sheridan makes a good impression in her supporting bit. Mary Maguire, Gordon Oliver and George E. Stone round out the cast.

No need to recap the plot. The movie's a surprisingly flat crime drama from hard edge Warner Bros. There's very little to comment on since the acting, directing, and staging are so colorless and pedestrian, to say the least. To bad that the male leads-- Litel, Oliver, and Purcell-- fail to inject any needed spark to heighten the proceedings. In fact, no one in front or behind the camera appears particularly motivated. Note in passing, how mildly racketeer Brady is portrayed (never killed or hurt anybody) so that his eventual reform goes down easily. That's Production Code Hollywood again taking the easy way out-- no awkward moral threads left dangling. Too bad actress Sheridan is given no chance to demonstrate her patented brand of sassy spunk. But I guess that would come later, and a good thing for the studio. Then too, it looks like the only glimpses we get of the real Alcatraz are by air, which are not very atmospheric. Anyway, this is WB's normally expert gangster department operating at snoozer level despite the promising title.