What -- No Spinach?

After Popeye, Wimpy was the most popular character in E.C. Segar's "Thimble Theater" comic strip, but in the Fleischer and Famous Studio cartoons, he was usually just a bit player. This film marks the one time he took center stage.

And it's 100% Wimpy. It takes place in a diner, Wimpy's favorite hangout in the strip. The only difference is that here, Wimpy is an employee, not a patron, but he's still trying to filch free hamburgers from the proprietor, Bluto (who is more or less subbing for Rough House, the greasy spoon cook from the strip). When Popeye enters and orders a roast duck, Wimpy tricks the two into fighting so that he can pilfer some food.

Bluto's a bit more aggressive than Popeye, but they're not playing hero and villain this time, just two straight-men for J. Wellington Wimpy, the comic compilation of the worst traits of W. C. Fields, Stan Laurel, and Oliver Hardy.

It's clear from the film why the cartoonists preferred the more action-oriented Popeye, but it's nice to know that they gave Wimpy his due at least once.

...and in which the star is none other than J. Wellington Wimpy.

It's a wonderful change-of-pace cartoon and lots of fun to see the great hamburger moocher as the center of attention.

Popeye and Bluto are clearly playing the role of straight men to Wimpy's shenanigans.

Wimpy is on no one's side. Just as long as he gets his hamburger. Only in one cartoon, the equally oddball "Hello, How am I?" does this characteristic, at least superficially, make him take on the role of villain.

Very uncharacteristic Popeye cartoon and extremely funny. Too bad Wimpy didn't get a chance to be a star more often.

Bluto runs a greasy spoon. For some reason, Wimpy is hanging around, eating up all the profits. When he sabotages all the efforts of his boss, Popeye, a customer, is furious. Soon he and Bluto have it out. There are great sight gags and it is quite original.

The man reason that the early Popeye cartoons were popular was that the characters were depicted as ordinary working-class types in everyday urban surroundings, which many in the Depression era could identify with. This more or less ended when Paramount bought out the series in the early 1940's and put their own take on it.

Very popular among viewers were the asides mumbled by the voice of Popeye Jack Mercer. The quick-witted Mercer would often ad-lib these asides randomly. Some needed to be edited out, because they wouldn't get past the censor, but most were left in as-is. Mercer continued to voice Popeye, except when overseas during World War 2, until his death in 1984.

Gus Wickie was the voice of Bluto in about 20 of the early cartoons. When the Fleischer brothers moved from New York City to Florida, Wickie decided to stay in The Big Apple, where could more-easily find work as an entertainer.

In this cartoon, and others in the series, Wickie was also allowed to ad-lib asides, which were also popular with the public. Neither Wickie's predecessor, William Pennell, nor his successor, the talented Jackson Beck, opted much for the same ad-libbing,

Also, the character of Wimpy had a more prominent role in this cartoon than in others during the era.

The interaction and dialog between the three is among the best in the series.

It's Bluto's restaurant. Wimpy is the short order cook, but he's too eager to eat the hamburgers. Bluto catches him and puts the hamburger in his safe. Popeye comes in and orders a roast duck. Wimpy changes the order to hamburger and tries to eat it himself. Bluto stops Wimpy and finally gives Popeye his roast duck. Wimpy still tries to do some stealing. When Popeye refuses to pay, he gets into a fight with Bluto.

This Popeye cartoon is most interesting for making Wimpy the villain. Popeye and Bluto are simply the victims of his antics and some misunderstandings. His addiction to hamburgers is the true villain of the piece and that's an interesting take.