Adicionar um enredo no seu idiomaA stock broker's best man thinks the bride-to-be and her family are just out for the groom's money, so he does everything he can to prevent the wedding.A stock broker's best man thinks the bride-to-be and her family are just out for the groom's money, so he does everything he can to prevent the wedding.A stock broker's best man thinks the bride-to-be and her family are just out for the groom's money, so he does everything he can to prevent the wedding.
- Direção
- Roteiristas
- Artistas
George Beranger
- Jewelry Store Clerk
- (não creditado)
Ralph Brooks
- Nightclub Patron
- (não creditado)
James Conaty
- Board Member
- (não creditado)
Don Downen
- Billy
- (não creditado)
John Elliott
- Sam
- (não creditado)
Eddie Graham
- Club Bar Customer
- (não creditado)
Carol Hughes
- Phyllis
- (não creditado)
Mitchell Ingraham
- Calhoun's Servant
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The nominal star attraction of "Times Square Playboy" is Warren William, but it's clear even before the halfway point that the real leading actor in this comedy of misunderstandings is Gene Lockhart, who gives a tour de force performance as a small town Joe Average who jumps to ill-informed conclusions when he and his wife come to New York City to attend the wedding of his oldest friend, business tycoon William.
Two other surprises in this 60-minute programmer are some moments of unfaked rough- housing by William and Barton MacLane (as his butler) and an extended one-take jogging scene in an actual park instead of a treadmill with back projection, which would have been more typical for a Warner Bros. cheapie of the period.
The plot, from a well-structured play by George M. Cohan, involves Lockhart's belief that the young cabaret singer William is engaged to marry (Jean Travis) is a golddigger whose family are cheats along for the ride to millions by marriage. Much farcical mayhem ensues. William gets to play a drunk scene, as he often does, and he does it as well as usual. But for sheer acting range it's Lockhart's picture.
Two other surprises in this 60-minute programmer are some moments of unfaked rough- housing by William and Barton MacLane (as his butler) and an extended one-take jogging scene in an actual park instead of a treadmill with back projection, which would have been more typical for a Warner Bros. cheapie of the period.
The plot, from a well-structured play by George M. Cohan, involves Lockhart's belief that the young cabaret singer William is engaged to marry (Jean Travis) is a golddigger whose family are cheats along for the ride to millions by marriage. Much farcical mayhem ensues. William gets to play a drunk scene, as he often does, and he does it as well as usual. But for sheer acting range it's Lockhart's picture.
Wall Street tycoon Warren William is engaged to nightclub singer June Travis, so his oldest friend from Big Bend Indiana, Gene Lockhart, comes to town with his wife Kathleen Lockhart, to be best man. But Lockhart -- Gene, not Kathleen -- is suspicious of Miss Travis, and her family, and her ex-boyfriend. He quarrels with William, then the wedding is called off.
It's an ensemble piece, but Lockhart gets a rare chance to be the de facto lead, and does a decent job in this second-feature remake of 1928 THE HOME TOWNERS. It was based on a George M. Cohan play and directed for speed by William McGann. Like many a Warner B of this period, it's adequate without being memorable.
It's an ensemble piece, but Lockhart gets a rare chance to be the de facto lead, and does a decent job in this second-feature remake of 1928 THE HOME TOWNERS. It was based on a George M. Cohan play and directed for speed by William McGann. Like many a Warner B of this period, it's adequate without being memorable.
"Times Square Playboy" is a Depression era comedy about the high life of the well-to-do. One notices that the company that Victor Arnold heads is a stock and bonds firm. This film came out less than seven years after the Wall Street collapse (October 1929) that began the Great Depression worldwide. Perhaps Hollywood was trying to send a message that things were once again healthy, or well on the way to recovery.
It was during this decade that many movies were stories about wealthy people who seemed not to have been hurt by the stock market crash. They were living the good life, especially the good night life. And, the early days of sound pictures seemed to have a fascination for New York City, Broadway and Times Square. Did the movies originate or fuel the myth that every small-town girl dreamed of escaping to the big city?
Most of the people going to the "pictures" in 1936 were in the working class. One wonders what the different thoughts might be when, in this film, the male lead buys a $40,000 bracelet for his fiancé. That would be nearly $740,000 in 2019. The average household income in the U.S. in 1936 was barely $1,000, compared to about $60,000 in 2019. So, that one bracelet then amounted to nearly a lifetime of work for the average working person.
Anyway, this is a comedy that stars some well-known actors of the day. Warren William and Gene Lockhart were seasoned film actors before this, and though William has the male lead, Lockhart has the dominant role here, with more film time. Indeed, this movie seems to be a showcase for Gene, who uses it well with displays of a range of behaviors and moods. He is on the verge of a breakdown, angry to the point of exploding. He is suspicious and amiable, and then rueful and sorry.
Lockhart plays P.H. Bancroft, a long-time best friend of Arnold's. His wife in real life, Kathleen Lockhart, plays his wife here. Lottie Bancroft has her fair share of screen time for some quality acting as well. The Arnold part is rather small for William, who usually had substantial leads. Of course, his physical workouts here detract from the acting, but look quite good as he wrestles, runs and does other workout routines with his butler, Casey (played by Barton MacLane). This reminds me of another comedy, "Hard to Get" of 1938 that stars Dick Powell and Olivia de Havilland. Charles Winninger plays her wealthy dad, Ben Richards, who has an array of physical asides with his valet and right hand man, Case, played by Melville Cooper.
The rest of the cast are fine. The screenplay seems choppy in places, and the technical quality isn't very good. The plot is familiar but has a nice twist. The story is just so-so, but those who enjoy older films should find this one palatable. Those who are hooked on the adrenalin flows in many modern films will probably be bored.
It was during this decade that many movies were stories about wealthy people who seemed not to have been hurt by the stock market crash. They were living the good life, especially the good night life. And, the early days of sound pictures seemed to have a fascination for New York City, Broadway and Times Square. Did the movies originate or fuel the myth that every small-town girl dreamed of escaping to the big city?
Most of the people going to the "pictures" in 1936 were in the working class. One wonders what the different thoughts might be when, in this film, the male lead buys a $40,000 bracelet for his fiancé. That would be nearly $740,000 in 2019. The average household income in the U.S. in 1936 was barely $1,000, compared to about $60,000 in 2019. So, that one bracelet then amounted to nearly a lifetime of work for the average working person.
Anyway, this is a comedy that stars some well-known actors of the day. Warren William and Gene Lockhart were seasoned film actors before this, and though William has the male lead, Lockhart has the dominant role here, with more film time. Indeed, this movie seems to be a showcase for Gene, who uses it well with displays of a range of behaviors and moods. He is on the verge of a breakdown, angry to the point of exploding. He is suspicious and amiable, and then rueful and sorry.
Lockhart plays P.H. Bancroft, a long-time best friend of Arnold's. His wife in real life, Kathleen Lockhart, plays his wife here. Lottie Bancroft has her fair share of screen time for some quality acting as well. The Arnold part is rather small for William, who usually had substantial leads. Of course, his physical workouts here detract from the acting, but look quite good as he wrestles, runs and does other workout routines with his butler, Casey (played by Barton MacLane). This reminds me of another comedy, "Hard to Get" of 1938 that stars Dick Powell and Olivia de Havilland. Charles Winninger plays her wealthy dad, Ben Richards, who has an array of physical asides with his valet and right hand man, Case, played by Melville Cooper.
The rest of the cast are fine. The screenplay seems choppy in places, and the technical quality isn't very good. The plot is familiar but has a nice twist. The story is just so-so, but those who enjoy older films should find this one palatable. Those who are hooked on the adrenalin flows in many modern films will probably be bored.
This was the second filming of George M. Cohan's 1926 comedy about Warren William inviting his long-time friend, Gene Lockhart, to be best man at his wedding. Lockhart perceives that his fiancée, June Travis, and her family are gold diggers taking William for a ride, so he proceeds to wreck the relationship. Gene Lockhart has the best role, the best lines and the best performance. The only trouble with the movie is that it takes too long for William to set Lockhart straight. It would have been a better movie if William tried more forcefully at first but failed because Lockhart constantly interrupted him. As it is, there are enough pauses to make me think he didn't try just to extend the running time, which is a short 62 minutes anyway. It's clearly director William McGann's fault. But Lockhart is great as the supreme conclusion jumper and buttinsky, and this movie is still much better than the 1940 remake. I'd love to see the first 1928 version, also a talkie.
You might notice a credit error: Craig Reynolds is credited onscreen with the character name of Joe Reynolds, but he is called Joe Roberts throughout the movie.
You might notice a credit error: Craig Reynolds is credited onscreen with the character name of Joe Reynolds, but he is called Joe Roberts throughout the movie.
This is the sort of rare movie I like to see turn up. It isn't hilarious. It isn't a film noir -- and when a new noir turns up I get very excited.
But here we have Warren William, never my favorite, doing a bang-up job.
His character has fallen for a nightclub singer. She has a large family, who seem to be involved in his life too. Enter his friend from times gone by: "Pig Head" Bancroft. He is to be best man at the wedding.
Pig Head sizes this crew up on his own. Let's say he adds two and two and comes up with four and a half. It's great fun seeing things resolve themselves.
This is not a cast of big names. It's a lot of character actors. And they do a splendid job!
But here we have Warren William, never my favorite, doing a bang-up job.
His character has fallen for a nightclub singer. She has a large family, who seem to be involved in his life too. Enter his friend from times gone by: "Pig Head" Bancroft. He is to be best man at the wedding.
Pig Head sizes this crew up on his own. Let's say he adds two and two and comes up with four and a half. It's great fun seeing things resolve themselves.
This is not a cast of big names. It's a lot of character actors. And they do a splendid job!
Você sabia?
- CuriosidadesThe Times Square Playboy (1936) screenplay was based on the Broadway production of "The Home Towners" by stage legend George M. Cohan, which opened at the Hudson Theater on August 23, 1926 and ran for 64 performances.
Working titles were Broadway Playboy, The Gentleman from Big Bend and His Best Man. It was produced and distributed by Warner Bros. The film's art direction was by Esdras Hartley, and uncredited costume design by Orry-Kelly.
- Erros de gravaçãoCasey (Vic's butler/judo instructor) when the entire group is enjoying a toast with champagne, is the first to throw his glass at a door and have it shatter in celebration. When it hits, the floor beneath the door is already littered with broken glass.
- Citações
P.H. Bancroft: Here's mud in your eye!
- ConexõesFeatured in MsMojo: Top 10 Funniest Bloopers from Classic Hollywood Movies (2023)
- Trilhas sonorasLooking for Trouble
(uncredited)
Music by M.K. Jerome
Lyrics by Joan Jasmyn
[Beth aka Fay Melody (June Travis) sings the song in her nightclub act]
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Broadway Playboy
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 2 minutos
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1
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By what name was Times Square Playboy (1936) officially released in Canada in English?
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