Três Pequenas do Barulho

THREE SMART GIRLS (Universal, 1936), directed by Henry Koster, gives indication as a movie set in a classroom revolving around three intellectual students competing in keeping their names on the honor roll or dean's list. Though it does present three school age teenagers as major attractions, it's basically an uplifting story serving as a promotion for three bright stars in the making: Barbara Read, Nan Grey and "Universal's Newest Discovery," Deanna Durbin. Aside from her special billing in the opening credits, Durbin acquires enough attention and close-ups to come as no surprise which one of the "three smart girls" is to become an overnight sensation.

The story introduces three teenage sisters, Kay (Barbara Read), Joan (Nan Grey) and Penny (Deanna Durbin) living together in the country home in Switzerland with their mother, Dorothy (Nella Walker) and housekeeper, Martha (Lucile Watson). Through a newspaper article, the girls find, to their displeasure, that their New York millionaire banker father, Judson Craig (Charles Winninger), whom their mother divorced ten years ago, intends to marry, Donna Lyons Binnie Barnes), a young socialite he affectionately calls "Precious." Donna, along with her mother (Alice Brady), it turns out, are actually fortune hunters after Craig's money. Because this news has hurt their mother, who still loves him, Penny suggests paying Daddy a visit to break up this union. With "Mummy" remaining in Switzerland, the girls, accompanied by Martha, take the next boat to New York, after which they surprise both Daddy and his future bride-to-be while dining in an exclusive restaurant. A series of schemes and mishaps follow, including the hiring of Count Arisztid (hilariously played by Mischa Auer), a drunken unemployed Hungarian gigolo, to woo Miss Lyons. Along the way, the elder sisters encounter young men of interest, Bill Evans (John King), who manages Craig's investments; and Lord Michael Stewart(Ray Milland).

Reportedly a huge success for Universal, earning an Academy Award nomination as Best Picture of 1936, it shows how important it was for both studio and 14-year-old Deanna Durbin. Being her feature film debut, with only the musical short, "Every Sunday" (MGM, 1936) opposite Judy Garland, to her credit, Durbin turned out to be one smart girl for this production. Energetic, vibrant and talented in the singing category, she opens the film singing "My Heart is Singing" while rowing the sailboat with her sisters. "Someone to Care for Me" (by Gus Kahn, Walter Jurman and Bronislau Kaper) started off earlier with Binnie Barnes attempt to sing while entertaining her guests, in turn serving Durbin to advantage singing it to her father (Winninger). Durbin's final number is the classical piece, "Il Bacio" where she sings in a police station for the police chief (John Hamilton).

With other capable performers in the cast, Ernest Cossart co-stars as Craig's manservant, Binns; Charles Coleman (Stevens, the butler); Franklin Pangborn (The Jeweler); and Hobart Cavanaugh (Wilbur Lamb, one of Craig's assistants).

One of the most revived Durbin films to air on commercial television during the 1960s, THREE SMART GIRLS turned up quite frequently on cable channel American Movie Classics (1993-1996) before shifting over to Turner Classic Movies where it premiered January 14, 2007. Prior to that, THREE SMART GIRLS did get further exposure when distributed to home video in the 1990s. Interestingly, when displayed to DVD a decade later, it became a companion piece with a much latter Durbin musical, SOMETHING IN THE WIND (1947) instead of its sequels, THREE SMART GIRLS GROW UP (1939) and HERS TO HOLD (1943). As popular as the original turned out to be, with its blend of music, comedy and sentiment, the sequels were equally successful, though virtually forgotten due to limited television revivals or hard to find VHS copies.

THREE SMART GIRLS not only opened a whole new career for Deanna Durbin, but marked the beginning of a whole new cycle of teenage movies later carried on by Judy Garland and others over where Durbin actually got her start, Metro-Goldwyn-Mayer. (***)

Deanna Durbin, then 14 and just under contract to MGM, made a short feature in 1936 which paired her with Judy Garland, a year younger, in the first film for both of them. Louis B. Mayer then decided he didn't need two competing young singers, placed his bet on Garland and let Durbin go. Universal immediately signed Durbin, rushed her into Three Smart Girls and rewrote the screenplay to pump up her part. She's billed last, but with the typographic equivalent of neon lights around her name. Universal was convinced Durbin would be a smash, and they were right. Three Smart Girls is less a musical and more a screwball comedy, and Durbin, 15 when the movie was released, carries it with aplomb. She's Penny Craig, and she and her older sisters, Joan and Kay, are determined to save their father, who had divorced their mother, from the clutches of an elegant gold digger with a fierce mother. They talk their way from Switzerland, where they live, to New York City, where their father lives. They plan not just to break up their father's wedding but to reunite their father with their mother, who after ten years apart still loves the guy. Is there any doubt that Durbin will sing a song or two in her warm, luscious soprano? Nope. Is there any doubt the girls will succeed...with Kay and Joan finding love and matrimonial material along the way? Nope, again. Years later Durbin was quoted as saying that she couldn't keep playing little Miss Fixit forever. She was right, of course, but in Three Smart Girls, her first feature movie, she has little Miss Fixit down pat. Durbin is funny, determined, resourceful, energetic and, of all things, natural. Her personality is so genuine that it makes this comedy -- a mix of farce, confusion, good intentions and cheerful avarice -- downright endearing.

Durbin carries the movie with ease. It's a lot of fun watching her hold her own against the likes of Binnie Barnes as Donna Lyon, the woman with her hooks in Penny's rich father, played by Charles Winninger, who was no slouch at stealing scenes, either. Alice Brady, who played the dithering matron in My Man Godfrey, plays Donna Lyons' mother, who is even more of a gold digger than her daughter. The last of the accomplished farceurs is Ray Milland as Lord Michael Stuart, who through a contrived and amusing mix-up is mistaken for Mischa Auer.

Three Smart Girls holds up well as a light-weight and amusing comedy of manners and mix- ups. So does Deanna Durbin as a brand-new star, who with her huge success saved Universal's bacon.

This charming, funny movie combines Deanna Durbin's numerous talents with a far-fetched but enjoyable story, a set of interesting characters, and a cast and settings that make it all work. It combines the feel of the old screwball comedies with a little of the pace of a vintage musical, and a dash of commentary on family life. The combination works well, and is not as easy as it looks, as is so often demonstrated by the numerous gauche, hammy "family comedies" of more recent years.

Although she was quite young at the time, Durbin already had quite a singing voice, and she also had the kind of stage presence that allows her young character to take command of a scene in ways that would otherwise seem forced. She and the other two of the "Three Smart Girls" make a winning and energetic set of heroines. The rest of the cast members do well, too, and several of them have some very good moments. Charles Winninger makes the indecisive father very believable, Ray Milland's smooth, slightly exaggerated performance fits in nicely, Mischa Auer steals a number of scenes, and Binnie Barnes keeps her "other woman" character from being a stereotype.

Despite having a short career, Deanna Durbin left behind several very pleasant, enjoyable pictures that are worth the trouble to find for fans of classic cinema. This early feature is particularly charming.

Although she is little known today, Deanna Durbin was one of the most popular stars of the 1930s, a pretty teenager with a perky personality and a much-admired operatic singing voice. This 1937 was her first major film, and it proved a box-office bonanza for beleaguered Universal Studios.

THREE SMART GIRLS concerns three daughters of a divorced couple who rush to their long-unseen father when their still-faithful mother reveals he may soon remarry--with the firm intention of undermining his gold-digger girlfriend and returning him to their mother. Although the story is slight, the script is witty and the expert cast plays it with a neat screwball touch. Durbin has a pleasing voice and appealing personality, and such enjoyable character actors as Charles Winninger, Alice Brady, Lucile Watson, and Mischa Auer round out the cast. A an ultra-light amusement for fans of 1930s film.

Gary F. Taylor, aka GFT, Amazon Reviewer

Deanna Durbin, Nan Grey and Barbara Read are "Three Smart Girls" in this Universal film from 1936, which introduces Deanna Durbin to film audiences. It also stars Ray Milland, Mischa Auer, Charles Winninger, John King, Binnie Barnes and Alice Brady. It's a sweet story about three young women, now living in Switzerland with their divorced mother, who hear their father (Winninger) is marrying again. Not having seen him in 10 years and knowing their mother still loves him, they board a ship to America, with the help of the housekeeper/nanny, determined to stop the wedding. Realizing that the intended, called "Precious" (Barnes) is nothing but a gold-digger aided and abetted by her mother (Brady), they arrange for her to be introduced to a wealthy Count. This is arranged by their father's accountant (King). The man he chooses is a full-time drunk (Auer), but the girls mistake him for an actual wealthy count (Milland). What a mess.

This is a delightful film, not cloying or overly sugary at all, with some nice performances, particularly by Auer, Milland, Barnes and Brady. The young women are pretty and all do good work. The emphasis, of course, is on young Durbin, who is a natural actress and a beautifully-trained singer. In fact, her voice as a youngster is much more even than it would be as an adult - she has no trouble with the high notes, as she did later on because she put too much weight in the middle voice. She sings a delightful "Il Bacio" in a police station.

One of the nicest things about the film is to see the father, played by Charles Winninger, not want his children around - until he sees them and gets to know them. Barnes as the gold-digger isn't all that young, but the girls' mother looks way up there, so the inference probably was the older man seeking his youth with a younger, more glamorous woman. In fact, he finds the youth he was seeking in his daughters.

Universal gives Durbin the big star buildup here - she has the final shot in the movie. Ray Milland at this point was still paying his dues, and it will probably be a surprise even to film fans how young and attractive he is.

Very entertaining and of course, this led to a sequel and big stardom for Deanna.