Suzy

This was a decent film. Though this is not the best film that any of the actors ever did. The plot is fairly predictable but it is okay.

Franchot Tone's fake accent was amusing and seemed to come and go. While I much prefer Jean Harlow in comedy she does well enough with drama. Cary Grant was okay but why they cast him as a Frenchman I'll never know.

My main gripe with the film was using 1930's clothes for a film that was supposed to take place during World War I. While it is not that obvious with the men's clothing, but the women's clothing really stands out. Not having period clothing really takes away from the film. You would think that a wardrobe person or the producers or director or someone would have caught how out of place the clothing is.

I greatly enjoyed this--the second of seven films from my 'Jean Harlow: The 100th Anniversary Collection' put out by Warner Archives, unfortunately not with anything in the way of DVD extras (except for a cool, unadvertised set of postcards), and only three of the films were remastered. So it was as if they were perhaps celebrating her, say, 99th birthday and not going all-out like they could and should have, since she DID single-handedly save the studio from bankruptcy three years prior.

I like the way filmmakers back then didn't care if a French actor was playing an Irish inventor and an English actor was portraying a French pilot. THESE days, there'd be sheer, unadulterated hell to pay.

It was a really strange mix of genres, to get absolutely everybody into the seats. I could just see the pitch at the board meeting now: '1914 period piece romantic-comedy mixed with wartime spy thriller and musical'. But Harlow knocked it out of the ballpark, just like she always did. Supertrooper right to the very end.

In my mind "Suzy" is one of the best performances by Jean Harlow, who is in virtually every scene, and who manages to underplay her role as America's sex goddess. She isn't helped by the ridiculous Irish accent of Franchot Tone nor the so-called French aviation ace played by Cary Grant with his normal British accent. Not withstanding the problems with the accents, Grant is as delightful as he always was in these 30s comedies, although this particular film is a mix of comedy, romance, and drama. Perhaps this is the only real problem with the film – in an attempt to be comedy, romance, and drama the writers give short shift to each of the elements. The comedy isn't all that funny, the drama doesn't keep you on the edge of your seat, and the romance won't win your heart. But what this film does deliver is a great performance from Harlow in one of her last films.

first, to comment on the other comment - I think Franchot Tone's Irish accent was entertainment enough, without Cary attempting a French one!

Anyway, I really enjoyed this film. There's no amazing, original plot and the acting is a little clunky in places, but its all done with such enthusiasm you can't help but love it!

It starts out quite formulaic - showgirl seeks rich husband, finds fake rich man etc - but the leads are so gorgeous you go with it, and then the plot takes a turn (not too subtle, but thats OK).

Once we follow our heroine to Paris, and meet Cary, it really picks up, and there's another clichéd whirlwind romance, followed by call up.

To say more would spoil the plot (though you'll spot every 'twist' a mile off anyway) but its just 'a rollicking good ride', with 3 excellent stars, and a fun script.

Just sit back and enjoy!

An entertaining, well-made WWI-era romance, SUZY features a standardly-scripted but winningly-executed love triangle, with some espionage and spy action thrown into the mix. In the title role, Jean Harlow (who was arguably MGM's biggest female star at the time) gives a refreshingly natural and totally believable performance, and really carries the film with her considerable charm and screen presence. Franchot Tone and Cary Grant may draw some criticism for utilizing improper accents, but both actors contribute solid performances as the men in our heroine's life – Tone is touching as the idealistic charmer who truly loves Suzy, and Grant is shockingly effective cast against type as smooth-talking but treacherous heel. The movie is further enhanced by the quiet strength of Lewis Stone, whose genteel toughness as Andre's father creates a moving relationship with Harlow as his neglected daughter-in-law.

As a WWI period piece, the studio faced the obvious challenge of redressing the soundstages to reflect the 1914 setting, and the MGM artisans contribute their usual high standard to the film. SUZY features the typical MGM gloss, although the budget does appear to be a bit more limited than the studio usually lavished upon a vehicle for one of their biggest stars. The sets and costumes are up to the usual MGM standard for the time, with Harlow's stunning figure showcased in several beautiful Dolly Tree gowns (even if the style is unarguably more 1936 than it is 1914). The film makes extensive use of various stock footage, notably Howard Hughes' 1930 classic HELL'S ANGELS, most of which is reasonably incorporated into the finished film and succeeds in enhancing the film's scope.

The film is based on Herbert Gorman's novel (which I haven't read), and the film's characters are very well-developed by the strong performances of the cast – which gives the central love triangle more tension and pathos when compared to many similar and also leaves Suzy's relationship with the Baron as poignant as that of the love affair with either suitor. The film only wobbles a bit in the final third as too many coincidences involving the espionage subplot begin to pile up, and a slightly preposterous conclusion prevents the film from being a total classic (with four credited screenwriters, perhaps there were too many cooks in the kitchen). SUZY is absolutely terrific when it's focus remains on it's strong characterizations and the relationships of it's leads. Director George Fitzmaurice does an expert job of keeping the whole film on track, and provides us with many breathtakingly beautiful moments – my favorite of which is a particularly lovely scene with Grant singing a few lines of the Oscar-nominated song "Did I Remember" to Harlow.