Pequena Clandestina

Shirley Temple gets to speak Chinese! It's not enough work for her to sing, tap dance, memorize lines when she's not even old enough to read them, and look adorable. She has to learn a foreign language, too. In Stowaway, she's a young girl in Shanghai whose missionary parents die. She accidentally bonds with a wealthy playboy on vacation, Robert Young, and while he's busy getting drunk with his buddy Eugene Pallette, Shirley accidentally smuggles herself on board the same cruise ship. There, she meets Alice Faye, who's engaged but not in love. Do you think Shirley might get to play matchmaker?

Unarguably, the best line from Stowaway comes out of Arthur Treacher's mouth. He's Robert's hilarious valet, and after what he thought was a romantic evening with his employer and Alice, he asks where to lay out Robert's pajamas. "The same place you put them last night," Robert snaps back, clearly frustrated. "Oh dear, I'm so sorry, sir," Arthur says. As much as this is a children's movie, it also has jokes that will make the grown-ups chuckle and leave the kids confused. A side plot involves Alice's fiancé and his overbearing mother, Helen Westley. It will bore the kids, but anyone old enough to deal with in-laws will find it hilarious.

There used to be a running joke in my household. I used to say, "Robert Young? Ew, he's so smug." My mom would be horrified: "But he's Father Knows Best! He's Marcus Welby, M.D.!" The reason why I always thought Robert Young was smug was because I'd only ever seen him in Stowaway. He plays an entitled playboy, and to be honest, he's a little smug. However, I've since learned he was simply acting, and that in other movies, he's not smug at all.

Stowaway is really cute. If you haven't seen this Shirley Temple classic yet, rent it. You'll be treated to the sweet curly top singing "You've Got to S-M-I-L-E" and "Goodnight, My Love," as well as Alice Faye singing "One Never Knows, Does One." And, as an extra treat, Shirley Temple finally gets to dance with Fred Astaire! I'm sure audiences were frustrated that RKO and Fox couldn't compromise so that the two most beloved dances couldn't combine on the screen, but in Stowaway, Shirley dances with a stuffed dummy who looks like Fred. So cute!

"Stowaway" may not be the best of the Shirley Temple movies, mostly because the character of the man who adopts her is too devil-may-care for the viewer to think he has the necessary heart of gold to become a surrogate father, but it is still an endearing and delightful film. Contrary to what another reviewer wrote, Shirley does NOT play a "street child" in China, rather, she is the orphaned child of Christian missionaries who is being sent home to America by her careful guardians (both American and Chinese), when a horrible series of events leads to her becoming lost. This portion of the movie is quite realistic, as with many of the most affecting Shirley Temple films, and sets the necessary tragic background against which her bravery and good cheer will shine. "Stowaway" is also notable for a stage turn in which Shirley does a credible impersonation of Al Jolson, which is a great deal of fun for fans of the period's celebrities.

Believe it or not, Shirley Temple has got herself a Chinese name ("Ching Ching") and lost in Shanghai. The god of luck is looking down favourably on her, though, and she happens upon "Tommy" (Robert Young). She befriends him, takes a nap in his car and next thing is the eponymous lass on a Transpacific liner heading to the USA. He is a decent cove and agrees to take her under his wing but with their destination looming, an orphanage for her beckons! Unmarried men can't adopt. Meantime, "Susan" (Alice Faye) is also on the boat and also takes a shine to the little girl - and to her minder, too! She's engaged to the rather wimpish "Richard" (Allan Lane) though and her mother (Helen Westley) wants no truck with "Tommy" - so, yep - you've guessed it - it falls to the curly-haired star to do a bit of fixing so that true love will blossom and she will hopefully be spared being in a real version of "Annie". The instantly recognisable dulcet tones of Eugenie Pallette help keep things on an even keel and Temple delivers with her usual and natural charm. On that last point, she always comes across as charismatic and never precocious, and here there's a germ of chemistry between her, Young and Faye. Messrs. Revel & Gordon have provided a few gentle numbers to allow Temple to show off some of her nimble dancing and the writing some entertainingly bilingual dexterity. It's light-hearted and characterful fun, this, and though you'll probably never remember it, it's enjoyable.

STOWAWAY (20th Century-Fox,1936), directed by William A. Seiter, places child star Shirley Temple in shipboard story set in China for her fourth and final 1936 film release. It consists of everything from adventure, romance, music and doses of comedy. The precocious Temple even gets to speak Chinese as well as recite ancient Chinese proverbs. Other than that, she's supported by a strong cast headed by Robert Young (on loan from MGM) and Fox's own songstress Alice Faye, very well on her way in becoming the studio's top attraction.

The story begins in Sanchow, China, where orphan Barbara Stewart, better known as "Ching-Ching" (Shirley Temple), is now the ward of a missionary couple (William Stack and Helen Jerome-Eddy). As bandits come to attack the city, Sun Lo (Philip Ahn), loyal friend of Barbara's deceased parents, places her and her dog on a boat with Chang (Willie Fung) as her guide, bound for Shanghai where she is to be left under the care Sun-Lo's brother. After Chang takes off with her money to go gambling, Ching-Ching wanders off in Shanghai looking food and a soup bone for her dog. While there she encounters Tommy Randall (Robert Young), an wealthy American playboy on an extended cruise, wanting to purchase a Dragon's Head in a souvenir shop, and having a difficult time communicating with the proprietor. After helping him with the Chinese-English translations, Tommy decides to take the little girl along with him to see what he can do for her after learning she's a wandering orphan. Afterwards, the two become separated, a rain storm finds Ching Ching seeking shelter in the trunk of Tommy's sports roadster where she and her dog fall asleep. During that time, Tommy's car is transported on board ship. Hours out of port and sailing through the China seas, Ching-Ching awakens, pops out of the roadster and finds herself a stowaway. Afraid of being arrested, she hides out in the state room of Susan Randall (Alice Faye), a young girl traveling with her future mother-in-law, Mrs. Hope (Helen Westley) to meet her childhood sweetheart and fiancé, Richard (Allan Lane) stationed in Bangkak, Siam on an engineering job. After encountering the child, Susan informs the good-natured captain (Robert Greig) she'll be responsible for her. Their union leads to Ching-Ching's reunion with Tommy, and the attraction of the young couple she's befriended, thus causing the meddlesome Mrs. Hope to send for her Richard before things get too involved. Situations do become complex when the captain, learning the child has no living relatives, to do his duty by sending Ching-Ching to an orphanage once the boat docks in Singapore, and having her separated from Tommy and Susan.

A very involving yet good-natured story of how fate steps in when a lost child encounters strangers along the way and becoming involved in their lives. In true Temple tradition, songs numbers are cleverly worked into the story as added attractions. With music and lyrics by Mack Gordon and Harry Revel (otherwise noted), the motion picture soundtrack is as follows: "Goodnight, My Love" (Sung by Shirley Temple); "Goodnight, My Love" (sung by Alice Faye); "Please" by Leo Robin and Ralph Rainger (sung by Chinaman imitating Bing Crosby); "You Got to S.M.I.L.E." (sung by Temple); "One Never Knows, Does One? (sung by Faye); and "That's What I Want for Christmas" (sung by Temple) by Irving Caesar and Gerald Marks.

Although Temple introduces the film's best song, "Goodnight, My Love," it's Faye's rendition that comes off best. Her only other number, "One Never Knows" finds her memorably standing alone in her stateroom with the moonlight and reflections of the China seas as the backdrop. Faye and Young make a fine pair in what was to become their only collaboration on screen. As for Shirley, she stops the show midway as a participant in a Chinese "Major Bowes" talent contest telling everybody in song they got to "S.M.I.L.E," followed by her imitations of Al Jolson, Eddie Cantor, and doing the Ginger Rogers dancing bit opposite a Fred Astaire look-alike dummy. How convenient to have all those props available and everything else done to perfection without any pre-planning. Yet for Temple movies such as this, entertainment's the key factor. Nothing else matters.

Other members in the cast include the familiar faces of Eugene Palette as The Colonel; Arthur Treacher as Randall's butler, Adkins; Astrid Allwyn as Kay Swift; J. Edward Bromberg adding some amusing bits as Judge J.D. Booth in the Reno sequence.

When STOWAWAY used to air on local television back in the 1960s and 70s, this 87 minute feature would be placed into a 90 minute time slot. To make room for commercial breaks, certain scenes were either altered or completely cut, notably an extended scene in Hong Kong where Temple and Young find themselves arrested and placed in jail due to a misunderstanding involving a Chinese woman's missing child.

Complete prints to STOWAWAY became available in the late 1980s through CBS-Fox Video, as well as in the colorized format on both VHS and DVD. Cable television history consists of the Disney Channel (1980s); American Movie Classics (1996-2001, Turner Classic Movies (TCM premiere: January 3, 2013); both in black and white formats; AMC colorized after 2007); and on the Fox Movie Channel.

STOWAWAY is a fun and agreeable film that should still be of interest to viewers of all ages, thanks to the knowhow and ever presence of Temple and company. One never knows, does one? (***)

Fleeing from bandit-ridden China, a cute & incredibly precocious little orphan accidentally becomes a STOWAWAY on a luxury liner. Once aboard, she proceeds to charm (nearly) everyone in sight, while working to bring about the marriage of two lonely Americans.

Shirley Temple switches on her megawatt smile & captures the viewers' hearts once more in this pleasant, crowd pleasing movie. Amply displaying the charm which made her Hollywood's box office queen for years, Shirley gets to sing, dance, and even speak quite a bit of Chinese.

Robert Young & Alice Faye appear as the romantic leads, and they do a good job, but ultimately they are just so much grist for Shirley's mill. Little Miss Temple always found her stiffest acting competition coming from the character performers and this film features some fine examples: Helen Westley as a dreadful mother-in-law in-waiting; wonderful Arthur Treacher as Young's comic butler; Eugene Palette, boisterous as a perpetually inebriated American; Philip Ahn as a faithful friend of Shirley's family; Willie Fung as the negligent boatman who spirits her to Shanghai; J. Edward Bromberg as a no-nonsense judge; and Robert Greig as the kindly ship captain.

20th Century Fox obviously pumped a good deal of money into this film and the production values show it. The scenes in China are particularly well done, although the use of rear projection during Shirley's walk near the Shanghai waterfront is all too obvious.

Shirley sings 'Goodnight My Love,' 'That's What I Want For Christmas' & 'You've Gotta S-M-I-L-E To Be H-A-double P-Y'. During the performance of this latter song Shirley mimics Al Jolson, Eddie Cantor & Ginger Rogers. Originally, she also impersonated Mae West but that segment was considered too hot and excised.