Novos Ecos da Broadway

The rest of the movie is pleasant/mediocre, but Adolphe Menjou's parody of John Barrymore is fantastic. As daring as it is accurate, it makes one feel almost guilty at enjoying it so much (the movie was kicking a man when he was down in lampooning Barrymore's drunken antics and publicly disintegrating marriage). Menjou doesn't just copy Barrymore's mannerisms but has conveyed his essential noble but impish spirit, and the fun he is having is contagious--the scene in the hotel room ends on a moment of inspired hilarity, as truthful as it is loony.

This inspired impersonation had an ironic sequel: Four years later, Menjou played the Barrymore role in a remake (why?) of A Bill of Divorcement. That time he was not able to channel, in a serious way, the personality he had assumed so well in this film; it was a terrible performance.

When a craze for society singers sweeps the business, night-club singer Alice Faye finds herself out of a job, and her agent, Gregory Ratoff, out of an office. But all is not lost! Vacationing movie heart throb Adolphe Menjou is out on a toot demanding a Juliet for his Romeo, and it's Miss Faye who winds up filling the bill, despite the sneering of reporter Michael Whelan. His beat is covering all the breach-of-promise suits, and he thinks that's Miss Faye's goal in this tsimmis.

With a title that at first made me think I was going to be looking at a missing Shirley Temple movie, I found this is one where every tries to hard: the Ritz Brothers (in their feature debut), Ted Healey, and Patsy Kelly for comedy, so called, Tony martin who pops up shining a street lamp and is called upon to sing on the radio... even Menjou and Montagu Love overplay it. This leaves Miss Faye seem bewildered when she isn't singing one of the many competent but minor songs she is saddled with. Director Sidney Lanfield seems to have been overwhelmed by the comics, and there isn't much modulation going on. Still, if you like these comics -- I don't -- you'll be pleased.

Adolphe Menjou stars with Alice Faye, Michael Whelan, Patsy Kelly, and the Ritz Brothers in "Sing, Baby, Sing" from 1936. At the end of the film, there is a short section introducing the Ritz Brothers as new talents.

This film was to be an early role for Tyrone Power in the Michael Whelan part - for some reason, Sidney Lanfield had him replaced with Whelan, a bigger name. Talk about getting the last laugh.

The film satirizes the romance between John Barrymore and Elaine Barrie, a college student who later became his wife. Menjou plays the drunken actor Bruce Farraday, who decides that pretty singer Joan Warren (Alice Faye) is Juliet to his Romeo during one of her performances.

Joan has lost her job and gone to an agent (Gregory Ratoff) who decides to get Joan some publicity by advertising Farraday's interest in her.

A lot of musical numbers, with the adorable Faye singing the title song and "You Turned the Tables on Me." Tony Martin sublimely sings "When Did You Leave Heaven?"

The Ritz Brothers are heavily featured, probably a bit too much. Some of their routines are quite good and some are silly.

Menjou does a terrific job, reciting Shakespeare in the hospital and becoming enamored of bay rum and drinking it from a hot water bottle through a straw. He thinks it's a drink from South America, but in reality, when he insists on a drink, Joan's agent finds a bottle of it in the hospital.

Not much to this, but it's enjoyable.

"Sing, Baby, Sing" is a passable, sometimes alluring lightweight Fox musical starring Alice Faye, Gregory Ratoff, Patsy Kelly, Adolph Menjou, and introducing The Ritz Brothers. Faye is an aspiring singer/actress who becomes involved with a drunken Shakespearean actor Bruce Farraday(Menjou). Farraday becomes infatuated with Joan after seeing her one night in a nightclub. Joan's agent(Ratoff) sees this occasion as a way of advancing her showbiz career. Patsy Kelly provides good supporting role as Fiz, Joan's friend. The Ritz Brothers perform their often hilarious, often annoying shenanigans, interrupting the story for their routine comic acts. As the other user-comment has said, "Sing,Baby,Sing" is mainly for fans of Alice Faye. It is a good early role for Faye to shine and sparkle, but it is way below her best, most spirited musicals at Fox.

Sing Baby Sing stars Alice Faye as a good singer and dancer who can't seem to get a break on the nightclub circuit. Plucky Alice is down, but not out and she's got a madcap agent in Gregory Ratoff looking for every kind of a conceivable break for her.

An encounter with aging ham matinee idol Adolphe Menjou gives Ratoff the idea that she should get some notoriety with an association with Menjou. It works all too well as Alice's known as a golddigger from coast to coast. Ratoff then has to fix what he's started and even gossip reporter Michael Whalen also is anxious to write a retraction because he kind of likes Alice.

There's far more to Sing Baby Sing than those I've mentioned. Look at the cast and you'll see Patsy Kelly, Ted Healy, Montagu Love, the Ritz Brothers and Tony Martin there. Enough to make you want to see this film.

Montagu Love is Menjou's business manager and watchdog. Not that he doesn't need one, but in this case Love is interfering with Faye's career as well. Healy sets him up beautifully at the Kansas City railroad station with a fake wife and kids in front of reporters. Aided and abetted by Patsy Kelly.

The Ritz Brothers made their feature film debut in Sing Baby Sing and they contribute their usual monkeyshines. Sing Baby Sing got one Oscar nomination for Best Song and it's for When Did You Leave Heaven which got Tony Martin his first Hollywood notices. He wound up marrying the leading lady as we know.

Menjou's burlesquing of John Barrymore was one of many outrageous ham handed parts that Menjou made a specialty of. As for Barrymore if his attitude was anything like it was in regard to The Royal Family Of Broadway and the role of Tony Cavendish there, he probably enjoyed this film more than anyone else.

80+ years later you'll enjoy it too.