The Rogues Tavern

Wallace Ford and Barbara Pepper are a pair of eloping store detectives and Ford is most proud of the fact that he does have the title of detective. When they check into an out of season inn waiting for a justice of the peace to arrive three murders occur among the guests and Ford decides to investigate. The rest take it on face value that he's law enforcement.

This is not too bad a film for a poverty row product. The cheapness of the sets even adds some value to the atmosphere the director wanted to create.

As it turns out Ford and Pepper are the outsiders in more ways than one. All the guests have been summoned to this place the way Agatha Christie summoned her victims in Ten Little Indians.

I can't reveal the murderer by praising the cast member's performance by name, but I will say the scene where all is revealed is one for the books. What a piece of scenery chewing.

Cheap though Rogues Tavern is I think you'll enjoy it.

The Rogues' Tavern (1936)

** 1/2 (out of 4)

Another film in the long line of "old dark house" or "murder-mysteries" as Jimmy (Wallace Ford) and his fiancé Marjorie (Barbara Pepper) show up at an old hotel to get married but there's no Justice of the Peace. Instead they find a dead body and a bunch of suspects and soon the threat of more deaths is hanging over everyone so Jimmy must try to solve the case.

THE ROGUES' TAVERN isn't the greatest movie ever made but it's certainly interesting enough to keep you entertained throughout its 69 minute running time. If you're familiar with these types of films then you already know that it seems there were at least a hundred of them released throughout the 1930s. Everything from killer gorillas to killer madmen to wack job women were suspects and each one always featured various objects that kept them all familiar. It could be trapped doors, the whole thunder spells and usually there was a man and woman team solving them.

This film at least has a pretty good cast including Ford. He worked in a various of film genres but he makes for a good lead her as he's quite charming and manages to hold your attention. Pepper, Joan Woodbury and Clara Kimball Young are also good in their roles. The direction here isn't anything overly special but at the film moves at a nice pace and there aren't any major issues. The ending is quite nice, although I must admit that the shot of the possible victims faces before and after the killer is identified was quite funny.

Here we are again. In an old dark house (hotel, tavern, inn), where a group of jewel robbers are hiding out. A detective and his not-so-dumb blond fiancée show up to meet a justice of the peace. Meanwhile a murder is committed. A throat torn out, supposedly by a wolf-dog, who generally is tethered outside the tavern. There is a lot of byplay, with even an invalid man coming under suspicion. Others begin to get bumped off as well. People come and go. Suspicious characters and policemen and a cast of several investigate. Make sure you think of everyone as a suspect. There is pretty good humor and a little slapstick. The detective is so dense, it makes you wonder if he could find his hat in a closet. He doesn't listen to anyone, but at times seems pretty lucid. Anyway, there is nothing new or remarkable about this film, but it is fun and the conclusion is worth the wait.

The Rogues Tavern starts out promisingly: an opening scene features a nearly silent, deliberately-paced panning shot of the hotel commons area and its various guests, all sitting quietly. The camera pauses on each face or silent group, finally closing in on Joan Woodbury reading cards and delivering a fortune to a fellow guest—a reading that ends suddenly when she turns up the ace of spades, the card of death! It's a wonderfully atmospheric setup that promises a spooky tale of hidden motives and secretive characters, possibly with a touch of the supernatural mixed in.

Alas, along come Wallace Ford and Barbara Pepper as a pair of runaway department store detectives who have apparently eloped with no better plan than to run off into the night hoping vaguely to find a justice of the peace and a hotel room (or, as Ford's character notes, if the justice doesn't show up, then they'll need two rooms).

The rest of the show isn't bad; it just doesn't move fast enough or create enough suspense to keep me from noticing that...well, for example, that Joan Woodbury is wasted for the rest of the movie. Instead of developing her character as a sort of mystic (real or phony), she is given nothing to do but just wring her hands a lot and say thing like, "We're all doomed!" Or from noticing that Wallace Ford is too confident by half in his detecting skills, and heroine Barbara Pepper is too polite to him by more than half. (Why doesn't she smack him when she's got an important clue and he tells her to leave him alone and won't listen?)

Still, there is some atmosphere to be enjoyed here. And it's not every mystery criminal who frames a friendly dog for murder. The murderer also gets in some fun evil cackles in the climactic scene when preparing to finish off the remaining guests in one fell swoop. Yes—fans of evil cackles should not miss this one.

As the other writer said, this is a "borderline Old House" film, but I feel that he under-rated it. The business about a "mad dog" doing all the killing is very unusual. Despite what he says, the "closeups of Joan Woodbury" are only done ONCE or TWICE. She is the "mystic" who is constantly predicting death to all present, and the closeups of her eyes are supposed to lend to the eeriness of the film. A VERY intersting film, if a bit melodramatic in parts! Check it out!

Norm