O Prisioneiro da Ilha dos Tubarões

Most history buffs will like this though they may disagree with the portrayal of Dr. Mudd as being complete innocent after the assassination of Abraham Lincoln. Historians say Mudd knew John Wilkes Booth from often seeing the famous actor on the stage. However, it doubtful if he knew Booth had just assassinated Lincoln and was in flight from pursuing soldiers after breaking his leg while leaping from the Ford Theatre balcony onto the stage. It is now believed by many that Dr. Mudd allowed Booth to remain in his home overnight due to the strain put upon the recently set leg. The next morning Mudd went into town to get a newspaper and then discovered that Booth was wanted for Lincoln's murder. He was thus placed in the uncomfortable position of unintentionally harboring a murderer and if he had notified the police at that time he would never have been implicated in the tragedy. He unwisely chose not to do so and instead returned home to tell Booth to leave. The pusuing troops discovered that Booth had been at the Mudd home and the doctor was arrested and later tried. The movie does give a good presentation of the trial which was a travesty conducted by the military with orders from the authorities to convict and hang all those charged. Booth did luck out a bit by escaping the death penalty. Many legal experts now believe that the trial was illegal since the civilian courts were still functioning. But vengeance was to be extracted and what did befall Dr. Mudd could have been far worse.

One of John Ford's more under-appreciated movies is this biopic of Dr Samuel Mudd, the doctor who set John Wilkes Booth's broken leg after the assassination of Abraham Lincoln. Dr. Mudd (Warner Baxter) is convicted of being a part of the assassination and sent to a Union prison on the Dry Tortugas, a small group of islands off the coast of Florida. The prison island is surrounded by sharks, hence the movie's title. While there he endures brutal treatment and living conditions. When the prison is stricken with an outbreak of yellow fever, Dr. Mudd rises to the occasion and heroically saves lives.

It's solid entertainment directed by one of the greats with a script from Nunnally Johnson and starring a fine cast. In addition to Warner Baxter, who does an excellent job in the lead, the cast includes Gloria Stuart, Harry Carey, and Claude Gillingwater. Ernest Whitman is good as Mudd's friend (and his former slave!). John Carradine shines as an abusive Union guard ("Hiya, Judas!"). Ford's direction is superb, as one might expect, and he wrings every ounce of emotion out of each scene. While some parts of the movie are historically accurate (or at least close), it's inaccurate in many places. The primary example being the portrayal of Dr. Mudd as a complete innocent who knew nothing of Booth before the man showed up at his door with a broken leg. In reality, Mudd was a Confederate sympathizer who had met Booth on more than one occasion. It is true there is no concrete proof that Mudd knew about the assassination plot or knew that Lincoln was dead when Booth arrived at his house, but there is enough room for doubt that we still don't know the extent of his guilt or innocence to this day. But, as I always say with these biopics, I don't look to movies for history lessons but rather to be entertained. On that front, this is very successful.

This film, coming out at a time when the nation as a whole and Hollywood in particular tended to be sympathetic toward the South, presents a one-sided account of the events surrounding the Lincoln assassination of 1865. This was due to some extend by the visual impressions created by D. W. Griffith of Kentucky, especially his seminal "The Birth of a Nation" which made heroes out of the clandestine hate organization, the KKK. From a political standpoint, the South had become important as a result of many powerful congressmen and senators being from that region which by now had become the stronghold of the Democratic Party, "The Solid South." Pecuniary matters are usually the deciding factor for Hollywood, and there existed a large ticket-buying public in that part of our nation. The Civil War became The War Between the States or the War of Northern Aggression. The volatile issue of slavery was replaced with the states rights rationalization, forgetting that South Carolina and the other ten Confederate slave states withdrew from the Union so their right to own chattel would not be bothered. The right to own slaves became one of the main planks in the Confederate Constitution.

"The Prisoner of Shark Island" presents the Southern view of history. It also conveniently omits the incriminating evidence against Dr. Mudd, that he knew Booth well. In fact, he was the one who had introduced Booth to a leading conspirator, John Surratt. After setting Booth's leg, Booth did not leave the Mudd house but stayed the night and was ably assisted by Dr. Mudd. Evidence indicates that Mudd knew much more than he ever admitted about Booth and the assassination conspiracy. The murder of Lincoln occurred in the federal district of Washington, D.C., not in a state, hence the reason for the military tribunal. Needless to say, the conduct of the trial would have been much different had it been a civilian rather than a military one. The fact that the one who pulled the trigger, Booth, was killed before coming to trial also muddied the water.

The part of "The Prisoner of Shark Island" that sticks with history best is Dr. Mudd's heroic efforts to combat disease at the prison. This justifiably led to his pardon by President Andrew Johnson.

The acting, direction, and cinematography are first rate. Written by a Southerner, Nunnally Johnson, the historical facts are a bit skewed but otherwise the script is a good one. If the viewer keeps an open mind, this is a very entertaining picture.

On 09 April 1865, John Wilkes Booth (Francis McDonald) breaks his leg after the assassination of President Abraham Lincoln (Frank McGlynn Sr.). He flees with an accomplice and once in Maryland, they seek medical treatment with the country Dr. Samuel Alexander Mudd (Warner Baxter) that does not know that his patient has murdered the president.

Dr. Mudd is arrested by the army for helping John Wilkes Booth and together with seven other suspects, they are sent to a military court without civil rights. Dr. Mudd is a scapegoat and sentenced to life imprisonment in the hopeless prison in the Dry Tortugas, in Gulf of Mexico. When the prison is isolated due to a yellow fever epidemic, Dr. Mudd helps the guards and the other prisoners to cure the disease.

"The Prisoner of Shark Island" is a great biographical drama by John Ford, telling a tale of injustice and recognition of a nation with a family man that is sentenced to a life sentence in a devil's island of the Nineteenth Century in Gulf of Mexico. The story is engaging and supported by magnificent performances and direction. My vote is eight.

Title (Brazil): "O Prisioneiro da Ilha dos Tubarões" ("The Prisoner of Shark Island")

Having jumped from THE TALL TARGET to PRINCE OF PLAYERS, you can now turn to this excellent film by John Ford. It's star Warner Baxter has had a very unfair posthumous reputation. He was the second actor to win the Academy Award for best actor for the role of the Cisco Kid in IN OLD ARIZONA (1928), and was overused in Hollywood for the next seven years. As a result, most of his movies were duds. This, and the fact that his Oscar was partly based on a fake-Mexican accent, downgraded a fine acting reputation. It should be remembered that he was the first actor (before Alan Ladd and Robert Redford) to portray Jay Gatsby on the screen. His credits include his tragic, war-weary French army officer in THE ROAD TO GLORY, Alan Breck Stewart in KIDNAPPED, and Dr. Mudd in this film. But most people recall him as Julian Marsh, the struggling, ill producer in FORTY-SECOND STREET, who tells Ruby Keeler, "YOU HAVE TO COME BACK A STAR!"

Historically Mudd's innocence is still up in the air - he had met Booth the previous fall and winter when Booth was going through southern Maryland, studying possible escape routes. But Mudd was a doctor, and (whether or not he knew Booth that April 1865 night)was bound by the Hippocratic Oath to treat him for his broken leg. It really was the image of a southern (and pro-Confederate) doctor treating the leg of the man who shot Lincoln that annoyed Northerners. It is that which convicted Mudd, unfair as it really is.

While Ford's direction, and the performances of Baxter and the cast hold the film well together, Ford does get the atmosphere of hate that permeated the trial of the Conspirators - look at the sequence of witnesses Arthur Byron produces against Mudd at the trial, and how Byron instructs the army officers (who are under him and Secretary of War Stanton) to ignore Baxter's sensible outburst ("Would John Wilkes Booth have intentionally broken his leg to see me?!"). John Carridine's performance is fine, but what is not mentioned is that his sadism against Mudd is based on his fanatical devotion to Abraham Lincoln. There is great subtlety there. Also, after Mudd beats the Yellow Fever epidemic, Carridine is the first soldier to sign a petition for Mudd's release.

It is not a great film, but it is a fine one for all that. Now, if only a modern John Ford can do the definitive movie about that other tragedy of the conspiracy trial: the judicial murder of Mary Surratt.