Dinheiro do Céu

Pennies from Heaven 1936 is a great film and has a wonderful scene with Louis Armstrong singing "Skeleton in the Closet" while chasing a skeleton all around the room. It works great for school kids on Halloween.Does anyone know if this movie is available on VHS or DVD for sale? If so where can I purchase it? Please email me

How innocent the movies were 70 years ago! But innocent doesn't mean without cool: Bing is the paragon of smooth, then or today. And what a vehicle for several excellent pop songs: "Pennies From Heaven", of course, but also "So Do I", "Let's Call A Heart A Heart" and even "One, Two, Button My Shoe". Of course the plot is no more sophisticated than Bellini's operas, but who's really watching it for the plot when it's bel canto?! And you have to love the interplay between Bing and Louis Armstrong - and while you're watching Louis, that's Lionel Hampton playing the drums rather than vibes tonight - not many remember that he first started on the drums before moving to the vibes. I mean, what's not to like here? Check this thing out, you'll love it. Even the graphics on the hand-painted "The Haunted House Cafe" sign are fun!

Pleasant if meandering Bing Crosby vehicle casts him as a man unjustly jailed who is given a note to deliver by a condemned man. Out of prison, he tracks down the Smith family in New Jersey and discovers a lonely girl (Edith Fellows) who lives with her destitute grandfather (Donald Meek). On opening the note they realize the condemned man has left them a house. Crosby ambles along with them and becomes part of the family, much to the dismay of a nosy social worker (Madge Evans). Somehow it is decided that they will open a restaurant in the house and thus provide a steady income to satisfy the social worker. No one seems unduly concerned about school or the fact that a total stranger has moved into the household.

Not a lot of logic here but Crosby and Fellows are quite good. Evans seems a little ill at ease with her character. Meek is always good. Louis Armstrong shows up as a chicken thief and bandleader/singer at the restaurant. Nana Bryant is another social worker. George Chandler is a harried waiter. Nydia Westman has a nice scene as a maid with Crosby. Harry Tyler is the cheating ring-toss man, and Tom Dugan plays daredevil manager.

Not a great film but it has a few pleasant songs, including the title number, and Crosby continues his screen persona of easy-going and decent. Fellows is quite good as the sometimes bratty girl. Evans is very pretty--too bad she did get better films and parts.

I was ten years old and this was one of Bing Crosby's earliest films. Oh how I used to enjoy all his films! I believe this is the first film he did with the great Louis Armstrong. What a joy and thrill to all that great music; same for Birth of the Blues.

Bing Crosby plays a drifter serving a stretch in prison when he's asked by a condemned inmate to deliver a letter to the family of the man the inmate killed ("Anybody that can sing sappy, sentimental songs in prison wouldn't double cross a guy taking his last walk"). When he's released, he fulfills his promise and delivers the letter to a family of two -- a befuddled old man and his precocious granddaughter. He takes an immediate liking to these two and wants to help them, even though he would also like to get back on the road. He also finds himself at odds with a pretty social worker whose job it is to see the young girl is properly cared for.

An enjoyable bit of fluff with nice comedy and some mild tugging at the heartstrings. Crosby is likable and has a good chemistry with everybody he shares the screen with. He croons several tunes, including the title one. Child actress Edith Fellows is wonderful here, never cloying but just the right amount of corny to be appreciated. Donald Meek is fun as the grandfather. Madge Evans has a thankless role she does her best with. Louis Armstrong is terrific in a small part. Love the haunted house and carnival scenes. It's not a challenging movie but it is a pleasant one. Fun for the whole family, as they say. It should also hold some interest for those who like Depression-era material (Townsend Plan, anyone?). Crosby fans will, of course, love it.