Caminho Errado

Charley Chase recounts his experiences of his doomed trip to California with his wife and mother-in-law to his work colleagues. Apparently it was hell from the very beginning as his in-law nags and treats him like a hapless know-nothing. His wife always backs up this nagging by saying 'mother knows best'.

Listening to her advice only lands them in more trouble. After being held up by highway thieves, Charley accidentally trashes some old geezers car, refuses to pick up two apparently desperate hitchhikers (Laurel and Hardy no less) and is barred from entering California as the border patrol think he's just a hobo.

It's an amusing short, with some laugh out loud scenes. It comes to an abrupt end and I'm not sure about the spontaneous musical number, but pretty entertaining nonetheless.

Charley Chase, wife Rosina Lawrence, and mother-in-law Bonita Weber take a vacation in California. Well, they intend to, but comedy intervenes.

Chase's last short for Hal Roach is a fine one, with comics from more than 20 years in the movies coming to lend a hand; even Laurel & Hardy show up. Like many of Chase's shorts in his last season, it seems to possess a substantial subtext, as well as a substantial car-wrecking gag; certainly the way it ends, with Clarence Wilson kicking Charley through a door can be seen as a metaphor for the way Hal Roach treated him.

Chase was not through. He would go to Columbia, directing and starring, and was on his way to developing a fine style that combined his dapper, story-oriented comedy with the brutal slapstick producer Jules White championed. But even that would be cut short when he died on June 2, 1940 at the age of 46, having appeared in more than 240 shorts, seventeen movies, and directing more than 170.

For a '30's comedy this movie surely lacks laughs. The movie features very little comical moments and mostly relies on the comical situations instead. Problem is that the movie doesn't exactly feature many comical situations either.

The story is pretty weirdly connected and it mixes too many elements. The musical number feels out of place and the characters are not used to their full potential, such as Mrs. Chase and Mother-in-law, who should had been given something more interesting- and funny to do in the movie.

The movie is still sort of fun, due to its charming and gentle approach. It provides the movie with some amusing moments that are just not good or funny enough to leave a real lasting impression.

It's a comedy that still amuses, so I just really can't rate it lower than a 6 out of 10 because of that but I also can't exactly rate it any higher either.

6/10

http://bobafett1138.blogspot.com/

The time-honored story line of "On The Wrong Trek" features a family vacation gone awry due to the inclusion of an overbearing mother-in-law ("Mother knows best, dear."). What sets this story apart is the sheer likability and charm of Charley Chase and Rosina Lawrence as the husband and wife on a trip that's not going to go as planned. After many misadventures (and one hilarious episode where a good samaritan's offer of gasoline ends in his car being demolished), Charley and Rosina even provide a wonderful song and dance to a group of hobos. This comedy features gentle charm and family humor that would later become a mainstay in television sitcoms (there is even a funny cameo by Laurel & Hardy, with Chase making fun of Stan). This film is a wonderful introduction to Charley Chase, one of our most overlooked and underrated comedians.

ON THE WRONG TREK

Aspect ratio: 1.37:1

Sound format: Mono

(Black and white - Short film)

Forced to take part in a Californian driving holiday with his eager-to-please wife (Rosina Lawrence) and domineering mother-in-law (Bonita Weber), Our Hero (Charley Chase) encounters a series of crises which ruin his vacation.

Featuring a brief cameo from Laurel and Hardy (repaying a debt to star Chase, who had appeared in some of their earlier pictures), ON THE WRONG TREK follows its protagonists through Depression-era California, where itinerant workmen are dismissed as 'bums' by law enforcement officers and refused permission to cross state boundaries, and where desperate criminals stage fake traffic accidents to ensnare unwitting victims. Unfortunately, Weber isn't nearly as domineering as she needs to be, which renders Chase's reluctant obedience all the more difficult to comprehend, and most of the comic situations (including an unlikely song and dance number between Chase and Lawrence at a gathering of hobo's!) are only fitfully amusing. Chase co-directed the film with Harold Law.