Noite Sem Fim

Robert Young is at the department store for the first time in five years to sell it. He is distracted by some of the goods on sale and clerk Florence Rice. He is delayed when a corpse tumbles out of his private elevator and the police come to investigate.

Robert Young may have been one of the stars at MGM, but with more stars than there were in heaven, he was not of the first magnitude. In this, the shortest of any MGM feature, there are a lot of character actors to fill up its 51 minutes, and lots of gimmicks on display, but not much for the bland Young to do. Even the support wind up fairly bland, with Ted Healy as a cop, Sidney Toler as a (Caucasian) police captain, Samuel Hinds as the store's manager and Etienne Giradot as a kleptomaniac millionaire. It's undistinguished and painless.

Store clerk Eve Sutton is the lookout for her comrades as they steal from the department store. Her sister Joan Sutton reports her suspicions to her supervisor Mrs. Briggs. Store owner's son Charley Phelps is taken with Joan. When Mrs. Briggs' dead body is found, the police investigators descend upon the store and round up everybody.

Fifty minutes is not really a full film but it's not a short either. It has the form of a whodunnit in a locked room. Only it has non of the tension. The attempted comedy is not funny. If anything, it loses any tension with the bumbling cops routine and the ridiculous actions. The cops don't call for backup. They don't try to barricade the civilians in a safe room. It's a lot of bad character work as people are literally getting murdered and nobody seems to behave realistically. It needs to be a slapstick Scooby Doo whodunnit adventure if it decides to be an actual comedy.

Even though this murder mystery starts off silly, it ends up being quite a fast-paced movie with lots of action and entertaining sequences. A murder takes place in a department store, and until the murderer is discovered, everyone is locked in with a few policemen all night. There are two sisters, Florence Rice and Julie Haydon, one of whom is dating a jewelry thief, Leslie Fenton, as well as a kleptomaniac, Etienne Girardot, and both the old owner of the store and the new buyer, Paul Stanton and Robert Young. Will police chief Ted Healy be able to find out who's guilty and why?

How do you keep everyone entertained in one room of a department store? By opening up the rest of the department store, restoring a previously unused elevator, and having the lights go out! Robert Young is busy wooing Florence, but since Julie is implicated, he's got a bigger job on his hands than to score a date for Saturday night. Before long, everyone's gone from suspect to detective and have to work to prove their innocence at the expense of someone else's guilt. Check this one out if it appeals to you!

B-movies were short and relatively low-budgeted films intended as a second film in a double-feature. Usually, there was an A-movie, some more prestigious and larger-budgeted film as well as the B....along with various shorts (such as a cartoon and/or a news reel) shown at most theaters during this era. Many of them were made by small studios like Republic or Monogram and many more were made by practically microscopic studios that actually didn't own their own studio space but rented it from a larger studio and filmed mostly at night. But what many folks don't know is that the biggest studios ALSO made Bs, and "The Longest Night" is clearly a B...and it is from MGM...the largest and fanciest studio of the era.

So why is "The Longest Night" a B? Well, at only a paltry 51 minutes, this alone would make it a B-movie. But it's also a fancy B (almost a B+ film if there was such a thing), since it's cast has some A-list actors, such as Robert Young who is in the lead.

"The Longest Night" is a murder mystery. Apart from westerns this was probably the most common genre for Bs. A few of these mysteries were very good. Most, sadly, are filled with cliches and are very formulaic. Despite "The Longest Night" being a higher-budgeted B from MGM, I'd place it in the latter category...being mostly formulaic and cliched.

What are some of these cliches and formulas? Well, in this case you have the typical idiot cop investigating (Sidney Toler is particularly one-dimensional here), his even stupider sidekick (Ted Healy is practically sub-human in his stupidity and uselessness), a smart civilian who for no discernible reason is practically Sherlock Holmes (Robert Young) as well as predictable scenes, such as one where someone says "I didn't kill her, but I'll tell you who did..."....and a shot rings out and kills them!! In other words, no matter how enjoyable all this is, it's also predictable and a bit silly. This clearly is NOT a thinking person's mystery and it obviously was hastily written. On the plus side, however, the cinematography is unusually good and the film is slick looking and enjoyable. Overall, a very mixed bag.

This is the type of film that ran on late night TV in the early 50s. The difference from then to now is that this 55 minute film would been placed into a 90 minute time slot and interrupted at every reel change with 8-10 minutes of commercials. Considering that its MGM, the acting and plot are inane but production value quite good. It would be fun to have the Mystery Science Theater crew commentate.