Um Garoto de Qualidade

This "GEM" of a film should be digitally remastered to preserve its cinematic integrity. The audio seems a bit "washed" and scratchy and some video portions skip and flutter a bit. This is a shame considering the quality of this fine production. Freddie Bartholomew is precious in this role and was a fine actor in his own right. There is an immediate chemistry generated between him and C. Aubrey Smith. From the outset there was no clash of generations, in fact quite the contrary, they got along swimmingly! It's just too bad that the Earl shunned Dearest right off, but I guess living alone and being lonely would take its toll on anyone, especially since his son married against his wishes. In any event, there should be more movies with actors of this caliber, especially nowadays when the world could really use a great "G" rated film without all the animation and special effects. This should be required reading in schools, if for nothing else, for the lesson in humility. GREAT FILM!!!

A nine year old Brooklyn boy nicknamed "Ceddie" (Freddie Bartholomew), beloved by all who know him due to his kindly nature, finds himself in for a most unexpected change of lifestyle when he learns he's to be heir to the estate of his grandfather (C. Aubrey Smith), a British Earl and has to move in with him. A bigger challenge for the boy to overcome though is to bring down the barrier between his stubborn, set in his ways grandfather and Ceddie's mother "Dearest" (Dolores Costello), who the Earl resents his son marrying as she's an American.

This one really grabs you by the heartstrings and doesn't let up. Freddie Bartholomew is simply wonderful as "Ceddie", wonderfully capturing his character and winning over the viewing audience's hearts in fairly short time, no easy feat for a child star. C. Aubrey Smith too is just marvelous as the crotchety old grandfather who finds his stubborn, hard-hearted, icy exterior being worn away just by being in the presence of such a terrific young lad who loves him unconditionally. Dolores Costello too was nicely cast and delivers the goods when she's called upon to do so. It's the likable performances given by these stars that make this a real winner in that we're truly made to care about these characters and what happens to them.

Two great 1930's child actors, Freddie Bartholomew and Mickey Rooney, play Little Lord Fauntleroy--Cedric Errol, and streetwise American friend Dick Tipton respectively. (Part British Ceddie fights the bullies--and Dick Tipton runs to help...they fight together. A preview of what a lot of Brits & Americans did in WWII a few years after this film!!!)

Also watch for Sir C. Aubrey Smith as the definitive hostile old Lord Dorincourt, who is charmed and warmed by his newly-met half American grandson's unconditional love. Character actor Guy Kibbee also seems made to play staunch anti-aristocrat American Silas Hobbs. If you read the book (free online), the movie fits it well!

Did you know the book LITTLE LORD FAUNTLEROY was an incredible late 19th century "hit"? Some statesmen actually credit this tale of reconciliation between an old Earl and his half American grandson with improving the then-strained 19th century British-American relationship.

Drew Barrymore's grandmother Dolores Costello Barrymore plays Cedric's charming American Mother.

While this film needs a sound and picture cleanup, it is still worth the watch!(TO YOU FILM PEOPLE--LOTS OF PEOPLE LIKE THIS OLD FILM. CAN'T SOMEONE CLEAN UP THE PICTURE & SOUND?)

They just don't make 'em like this anymore. You can take all your Culkins and Woods and Osments and roll them into one, and they still couldn't shine the shoes of Freddie Bartholemew (as Mickey Rooney does in this film). The difference, I believe, is that these contemporary performers think of themselves as CHILD actors, where Bartholemew and his contemporary Shirley Temple thought of themselves as ACTORS -- just as Rooney's character thought of himself as a BUSINESSMAN. The effect is palpable: you just can't fake being a real person. This of course is the familiar story of an American boy in the 1880's who learns he is the heir to an English earl and must go live with the old bloke, who parenthetically hates his mother, in an old castle. Needless to say, it is the earl who is transformed by the strength and purity of the boy's character, and not the intended reverse. Every scene and every line in this film is perfect, and if it is a "period piece," then I say we'd be so much better off if we could return to that "period."

Break out the insulin! This antique heartwarmer, awash in tears and goodness, is risibly sentimental, but David Selznick made it an expert entertainment as well. Plucky Freddie Bartholomew is just about irresistible as the Brooklyn boy who becomes an earl. Melting hearts left and right, he wins over his crusty grandfather, becomes a philanthropist in a sailor suit, and fights the local toughs to prove he is NOT a sissy! C.Aubrey Smith seemed born to play the venerable old gentleman, although he relies a bit too much on acting with his monocle. Mickey Rooney stands out as the loyal Brooklyn shoeshine boy. This is the film to watch if you've never actually heard anyone say, "Cheezit, the cops!"