Adicionar um enredo no seu idiomaAn American boy turns out to be the long-lost heir of a British fortune. He is sent to live with the cold and unsentimental lord who oversees the trust.An American boy turns out to be the long-lost heir of a British fortune. He is sent to live with the cold and unsentimental lord who oversees the trust.An American boy turns out to be the long-lost heir of a British fortune. He is sent to live with the cold and unsentimental lord who oversees the trust.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias no total
- Mrs. Cedric 'Dearest' Errol
- (as Dolores Costello Barrymore)
- Sir Harry Lorridaile
- (as E. E. Clive)
- Rev. Mordaunt
- (as Ivan Simpson)
Avaliações em destaque
This is David O. Selznick's wonderful & lavish retelling of the classic children's story by Frances Hodgson Burnett. Much effort was put into getting the details just right. Sentimental? Yes, but honest sentiment, with emotions straight from the heart.
Freddie Bartholomew & marvelous Sir C. Aubrey Smith are picture perfect in their roles as young Fauntleroy & his grandfather. There may never be a finer male child actor than Master Bartholomew and Sir C. was the epitome of the English aristocratic tradition. Two champion scene-stealers, they work together beautifully.
The rest of the cast is both extensive & uniformly excellent: Dolores Costello Barrymore, Henry Stephenson, Guy Kibbee, Jessie Ralph, Una O'Connor, Constance Collier, E. E. Clive, Lionel Belmore, Eily Maylon & Mickey Rooney. Film mavens will spot uncredited appearances by Mary Gordon as a churchgoing villager & Leonard Kibrick as one of Fauntleroy's Brooklyn tormentors.
Sir Hugh Walpole, the celebrated English novelist, wrote the screen adaptation.
Although heavy with sentimentality, Cromwell has done an excellent job of cutting out all the terrible wordiness of the novel. (Burnett writes as though she is being paid by the word and puts in way to many adjectives.) The story is well told and the scenic effects are good for their time. Unfortunately the film has not aged well and some scenes have darkened with time. Perhaps an enterprising admirer will trouble to restore this film. IF they do, hopefully they will also restore the missing scenes so the film runs its full length.
A discount film hawker (Front Row Video, Canada) has the nerve to sell copies of the film (claiming a running time of 1:42) that are so butchered, that two conversations are cut right in the middle with a change of scene. Digiview Productions who states on the front cover "Sometimes the price we pay is too high" and charges only a dollar for their DVD version, has been caught with their foot in their mouth. They only charge a buck, but even that is too much for the hacked up 92 minute version of the film they sell.
For purists, I urge you to find a complete copy of this well done film. THe only way you can enjoy something is to see all of it.
Classic and the best version based on known novel by Frances Burnett with elitist and sincere interpretations from Bartholomew , Aubrey Smith , Rooney , enough to make the creaky ancient tale actually works . Freddie Bartholomew had starred ¨Anna Karenina¨ and ¨David Copperfield¨ but his greatest success resulted out to be this film . Dolores Costello , married to John Barrymore , plays the lovable mummy in an affected and forced acting . Sir C. Aubrey Smith is magnificent as the bitter-grumbler and unsentimental count . Una O'Connor , as always , plays a maid with her ordinary gestures and grimaces . For comic relief , as usual , appears Mickey Rooney giving a hilarious and sympathetic acting . This was originally made in black and white with an excellent cinematography by Charles Rosher but there is also available in computer-colorized version and the musical score was composed by the classical musician Max Steiner . Director John Cromwell worked a lot with the great and powerful producer David O. Selznick and seems largely to have been content to follow his instructions , though he was always loath to allow too much sentimentality as happens on the sometimes heavily relationship between mother-son and grandfather-grandson . Due to the demise of O.Selznick , this movie is now in the public domain . The picture was remade for television in 1980 by Jack Gold with Alec Guinness and Rick Schroder and in 1976 by Paul Annett and 1995 with George Baker . The motion picture was immensely successful in America and around the world , it is actually an authentic and charming classic movie .
This is one of Freddie Bartholomew's best roles, and he seems pretty natural in the part of Fauntleroy. The adult cast features some very good performances. Dolores Costello is a good choice as the gentle 'Dearest', Henry Stephenson is well-cast as the faithful Haversham, and C. Aubrey Smith seems the very embodiment of a bad-tempered Earl.
But perhaps the best performances come from Guy Kibbee and a young Mickey Rooney, as Cedric's American friends. Their camaraderie in their scenes with Bartholomew works particularly well, and they figure in some of the movie's best moments.
The story is just the familiar old tale, with young Cedric leaving his humble but cozy existence in Brooklyn to go to England, where he must contend with his grandfather's coldness towards his mother and with other challenges. But it's the kind of story that's easy to watch over again when it is told the right way.
Você sabia?
- CuriosidadesRussell Birdwell worked on publicity for the film and devised a canvas sign stretching two miles of Washington Blvd. in Los Angeles, from the studio, past MGM towards the ocean. There had never been such a large sign advertising anything before and the feat was reported in newspapers worldwide.
- Erros de gravaçãoWhen Ceddie writes the note telling the estate manager not to evict Mr. Higgins, Lord Dorincourt folds the letter and puts his eye monocle in. Just as he hands the note to Mr. Mordaunt, the shot changes to wide view and Lord Dorincourt no longer wears the eye monocle.
- Citações
Earl of Dorincourt: [gazing down at Cedric, asleep] If anyone had ever told me I could be fond of a child, I wouldn't have believed them. I always detested children - my own more than most - but I'm fond of him... and, oddly enough, he's fond of me. You know, Havisham, I'm not popular - I never was - but he's fond of me, never was afraid of me, always trusted me. Yes, Havisham, he'd've filled my place... better than I've filled it. He'd have been an honor to the name.
- ConexõesFeatured in Max Steiner: Maestro of Movie Music (2019)
- Trilhas sonorasJingle Bells
(1857) (uncredited)
Music by James Pierpont (uncredited)
In the score a bit at the beginning
Principais escolhas
- How long is Little Lord Fauntleroy?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Little Lord Fauntleroy
- Locações de filme
- George Lewis Mansion - 1051 Benedict Canyon Drive, Beverly Hills, Califórnia, EUA(Lord Dorincourt's castle's gatehouse)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 42 min(102 min)
- Cor
- Proporção
- 1.37 : 1