Casado com Minha Noiva

A film with four stars of this magnitude was an event in 1936 and, indeed, it still is in 2004. Though the subject matter is slight and the acting is not too terribly taxing on the affable quartet, it was well-thought-of-enough to rate a Best Picture Oscar nomination. Tracy plays a newspaperman whose own wedding plans are interrupted by the fact that his paper has mistakingly run a libelous story about the daughter of one of his competitors. Loy, as the daughter, slaps a $5 million libel suit against Tracy's newspaper which, if won, will sink it. Since he knows he will lose, he rehires former employee Powell, who he feels will be able to charm Loy into an indelicate situation, thus rendering her reputation spoiled enough to cost her her libel suit. Part of the scheme, however, to make it seem legitimate is to marry off Powell to his own fiance (Harlow.) It is here that the film gets a lot of its laughs as desperate-to-wed Harlow finds herself getting married......but to the wrong man! Powell and Loy get most of the sparkling dialogue and sophisticated repartee, but contemporary audiences are likelier to get a kick out of mouthy, hilarious Harlow. Her comedic gifts (and her ample physical assets) are on prime display, notably when the judge says it's safe to kiss the bride and in a later scene where Powell is learning to fly-fish. All of the stars do very well and each gets a chance to rub up against the others. Powell and Loy are a legendary pairing with 14 films to show them off. Tracy does a slick job and shows his versatility. They are aided by a stable of amusing character actors, the type of people Hollywood was famous for and can no longer provide with regularity. (Today, almost any character actor that scores a hit is thrust into his/her own TV show, TV talk show or lead role in a film!) The film offers both wit and slapstick, wrapped up in some gorgeous sets and costumes. (The MGM gloss is fully in place.) Sadly, the light that was Harlow would be dimmed in just a year after this, but audiences are still able to enjoy her fine work in films like this.

... and it definitely is a roadmap on how to make a film that is interesting to adults and feels authentic during the production code era. And that was needed because for the first three or so years after the production code began to be enforced, the studios released some real stink bombs.

The New York Star prints a story that calls out socialite Connie Allenbury (Myrna Loy) as a home wrecker. The story turns out to be false, and Connie Allenbury sues the Star for five million dollars, which if awarded would cause th paper to go under.

The Star's managing editor Warren Haggerty (Spencer Tracy), once he unsuccessfully begs Connie to drop the suit, comes up with a plan to show her up as a homewrecker in another situation entirely, thus hoping to either get her to drop the suit at that point, or putting her in a position to lose the suit by reputation. He gets reporter and lady's man Bill Chandler (William Powell) to marry Warren's fiancee, Gladys (Jean Harlow) in what the three of them know to be a sham marriage. Bill is then supposed to woo Connie, after which his "wife" will burst in on them and accuse Connie of busting up her home. Complications ensue when Bill really does fall for Connie.

William Powell makes this movie with his combination of urbane charm, facial expressions, great comic timing, and something he rarely gets to show off - a real talent for slapstick comedy. Of course he and Myrna Loy always had great chemistry together, and another great tribute to his acting is that the script calls for the relationship between his character and his "wife" to seem strained - it does - when he and Jean Harlow were the actual real life couple in this film. Spencer Tracy is actually fourth billed at this point, but he's only been at MGM for a year and is still playing "the hard guy" at this point, and he has been playing similar roles for about five years. That will all change with "San Francisco".

Highly recommended and great for repeat viewings.

This movie is over 70 years old but is far better than what mostly comes out of the film industry these days. The picture is genuinely funny and all the performers are excellent. In brief a newspaper who have libeled a lady need to get her legal action against them stopped to prevent the newspaper going out of business so they devise a plot to set up their victim. There are all sorts of comical twists and turns and plenty of good gags and amusing moments. The movie is very well directed, has an excellent script and the voters here on IMDb have got the high mark exactly right. Well done to Turner Classic Movies for showing this on their channel:

8/10

Man oh Man. Harlow, Tracy, Powell and Loy in one film. There truly were more stars at MGM than in the heavens. This is one of the best screwball comedies of the 30's maybe only out done by My Man Godfrey. The script funny as heck even by todays standards. The acting top of the line. Tracy was great at comedy it's great that MGM allowed him to do one every know and then. Loy is Loy classy, sassy, funny and witty. Powell at the zenith of his game and Harlow glows and steals the film. Harlow marching around in a wedding dress is a hoot. It's hard to believe that within a year Jean Harlow would be dead. If it's on TCM or you see it in a video store grab it and see what a screwball comedy really looks like

In the best movies of the thirties, the stars are glib (in the best way) and glamorous. Libeled Lady is blessed with a clever script that serves up fastballs that the cast handles adroitly. And I have to credit the amazing wardrobe by Dolly Tree, made all the more remarkable as she was responsible for the wardrobes of 23 films in 1936. Loy's wardrobe, in particular, is impeccable.

This was the 5th in the series of William Powell/Myrna Loy pairings. They were cranking them out at a rate of about 2 per year during this period, so you might think that the chemistry between them would be stale or formulaic. But in Libeled Lady, the chemistry is fresh and the relationship between their characters is not just another Thin Man performance.

Then there are Spencer Tracy and Jean Harlow. Tracy is adept at the machine-gun delivery required by this (screwball) comedy, and Harlow just shines, showing more depth of character and emotion than she is sometimes given credit for. After Libeled Lady, she only acted in two films, so the screen never saw what greater depths of performance she might have achieved. (She died of uremic poisoning during the filming of Saratoga Trunk)

The plot involves a newspaperman (Powell), good at the con, who ingratiates himself to a wealthy young woman (Loy) and her father in order to set her up for a blackmail situation. She suspects his motives, but he manages to pull her in. Plenty of plot curves ensue, adding humor and more character development.

I particularly liked the fishing scene. Without much dialogue it advances the plot, provides some laughs and shows that Dolly Tree can even make Myrna Loy look sexy in fishing gear.