Morte a Distância

"A murder is committed at the Forest Park Planetarium during a lecture by the celebrated Astronomer, Professor Ernst Einfeld (Lee Kohlmar). The fatal shot is fired in semi-darkness while a distinguished audience observes the stars projected on the dome above them. A hardboiled homicide detective (Russell Hopton) trades verbal jabs with a wisecracking gal reporter (Lola Lane) as they attempt to unravel the mysterious killing," according to the DVD sleeve's synopsis. In a very dull manner.

The "gal reporter" character played by Lola Lane was, in part, writer Jerry Siegel's inspiration for Superman's Girl Friend, "Lois Lane"; however, Ms. Lane's later "Torchy Blane" characterization is a more accurate reference point. Perhaps, "Death from a Distance is most notable as featuring the penultimate performance of George F. Marion (as Jim Gray), who so memorably played the father of Pauline Lord (1921), Blanche Sweet (1923), and Greta Garbo (1930) in Eugene O'Neill's "Anna Christie".

*** Death from a Distance (9/17/35) Frank Strayer ~ Russell Hopton, Lola Lane, George F. Marion

Routine whodunit distinguished by unusual setting-- an observatory with a big window on the stars. So who shot Dr.Stone while a gallery of spectators sat entranced by a ceiling of stellar lights. Detective Mallory is doing his best to find out, but it's all rather puzzling with no apparent motive. Then too, comedy relief from Det. Regan's no help, while feisty girl journalist Palmer wants a scoop no matter what. So how will it all turn out, which amounts to the "why" as much as the "who".

Too bad actress Lane doesn't get more screentime. She's a lively presence that picks up the often bland proceedings. In fact, her snappy lines aimed at Mallory remain a highlight. Then too, Prof. Einfeld and fumbling flunkie Jim lend some color to an otherwise rather bland male cast. Unfortunately, director Strayer adds nothing in the way of atmosphere, usually an important element in a whodunit. Here it would have been easy given the exotic setting. At the same time, few scenes take place outside the observatory. I wish that crucial setting were credited by IMDB. Looks to me like the giant telescope had to be real, and my guess would be Mt. Palomar Observatory also located in southern California.

Anyway, the novel touches remain about the only reason to catch up with this uneven indie production.

The setting is the real central figure in this film. A murder is committed during a planetarium show held for a group of well known scientists. A hard boiled detective and an impulsive female reporter set out to solve the crime. Actually, she just seems to get in the way and must be regularly lectured by the big guy. The problem is that no one has the ability to have committed the crime. A series of diversions and set ups take place, trying to lure the real criminal out. There are professional jealousies at work which will hopefully result in an Achilles' heel. The story is slow and drawn out and the characters are often silly and stereotypical. Still, I found myself watching it carefully because I wanted to know how the murder was committed. if your not too fussy and don't mind a period piece, it's not too bad.

Death from a Distance features a murder at a planetarium. As most of the film's action takes place in the one large room, it's probably a good thing that the room contains a large telescope and a ceiling painted with stars, a setting unique enough to remain somewhat viewable for 70 minutes. The lead characters are not as unique—Russell Hopton is the police detective investigating, Lola Lane the girl reporter getting in his way. Hopton and Lane do their best to put some life into their roles, but the bits of witty banter they are given are somewhat few and far between.

The other characters fare little better. Most lively is Lee Kohlmar as Professor Einfeld, who is supposedly one of the three greatest scientists in the world and is therefore rather unkempt and absent-minded but ultimately sharp enough to aid in solving the mystery. There are, of course, also a dumb assistant detective, a couple of scientists with shady pasts, and a curator. (By the way, Einfeld also speaks in a European accent and has a messy shock of hair. Ein-what?)

The murder device is cleverly conceived, I have to say. However, the detective work and the uncovering of clues are all somewhat hazy. Ultimately, Death from a Distance lacks snap, but the mystery is at least deep enough to keep us watching until the end.

Marred on a DVD transfer by a poor soundtrack that makes some dialogue unintelligible, "Death from a Distance" is a 1935 B crime story that has some good acting along with the inevitable cliches that reflect the times.

A doctor is shot to death during a planetarium lecture. The killer is in the room and the audience is there when the cops arrive, a wisecracking homicide lieutenant in charge. A pretty gal reporter tangles with the cop and her investigative skills are equal to her blatant flirting.

In 71 minutes the story moves by small leaps and not great bounds to a clever uncovering of the killer. Some potted astronomical theory is central to solving the case.

Every stereotype from that era is present: smart detective and dumb as dishwater detective, hardboiled city room editor and ambitious female reporter, gentle Viennese scientist and the "Hindu," a man with a past. And there's more.

This movie won't make either the AMC or TCM channels, not in a century of retrospectives. It's available for as little as $5.99 and as a glance backwards into the time when the Hollywood studio giants co-existed with producers of second-rate features, "Death from a Distance" is a minor treat. But it's a treat nonetheless.

6/10 (for its genre and period).