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Colleen, A Modista

Título original: Colleen
  • 1936
  • Approved
  • 1 h 29 min
AVALIAÇÃO DA IMDb
6,0/10
476
SUA AVALIAÇÃO
Joan Blondell, Ruby Keeler, Jack Oakie, and Dick Powell in Colleen, A Modista (1936)
Comédia peculiarMusical clássicoRomance alegreComédiaMusicalRomance

Adicionar um enredo no seu idiomaThe Ames Company tries to keep Uncle Cedric uninvolved. But Cedric hires Joe and Minnie, buying her a dress shop with bookkeeper Colleen. Scandal follows when Donald is infatuated with Colle... Ler tudoThe Ames Company tries to keep Uncle Cedric uninvolved. But Cedric hires Joe and Minnie, buying her a dress shop with bookkeeper Colleen. Scandal follows when Donald is infatuated with Colleen, who makes the shop profitable.The Ames Company tries to keep Uncle Cedric uninvolved. But Cedric hires Joe and Minnie, buying her a dress shop with bookkeeper Colleen. Scandal follows when Donald is infatuated with Colleen, who makes the shop profitable.

  • Direção
    • Alfred E. Green
  • Roteiristas
    • Peter Milne
    • F. Hugh Herbert
    • Sig Herzig
  • Artistas
    • Dick Powell
    • Ruby Keeler
    • Jack Oakie
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,0/10
    476
    SUA AVALIAÇÃO
    • Direção
      • Alfred E. Green
    • Roteiristas
      • Peter Milne
      • F. Hugh Herbert
      • Sig Herzig
    • Artistas
      • Dick Powell
      • Ruby Keeler
      • Jack Oakie
    • 19Avaliações de usuários
    • 6Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos97

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    Elenco principal80

    Editar
    Dick Powell
    Dick Powell
    • Donald Ames 3rd
    Ruby Keeler
    Ruby Keeler
    • Colleen Reilly
    Jack Oakie
    Jack Oakie
    • Joe Cork
    Joan Blondell
    Joan Blondell
    • Minnie Hawkins
    Hugh Herbert
    Hugh Herbert
    • Cedric Ames
    Louise Fazenda
    Louise Fazenda
    • Alicia Ames
    Paul Draper
    Paul Draper
    • Paul Gordon
    Marie Wilson
    Marie Wilson
    • Mabel
    Luis Alberni
    Luis Alberni
    • Carlo
    Hobart Cavanaugh
    Hobart Cavanaugh
    • Noggin
    Berton Churchill
    Berton Churchill
    • Logan
    J.M. Kerrigan
    J.M. Kerrigan
    • Pop Reilly
    Addison Richards
    Addison Richards
    • Schuyler
    Charles Coleman
    Charles Coleman
    • Butler
    George Beranger
    George Beranger
    • Jeweler
    • (as Andre Beranger)
    Eddie Acuff
    Eddie Acuff
      Bobbie Adams
      • Chorus Girl
      • (não creditado)
      John Albright
      • Warren - Page Boy
      • (não creditado)
      • Direção
        • Alfred E. Green
      • Roteiristas
        • Peter Milne
        • F. Hugh Herbert
        • Sig Herzig
      • Elenco e equipe completos
      • Produção, bilheteria e muito mais no IMDbPro

      Avaliações de usuários19

      6,0476
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      Avaliações em destaque

      6SnoopyStyle

      rom-com drama musical

      Cedric Ames (Hugh Herbert) is an absent-minded wealthy businessman playboy. Most of the business is done by other people including his loyal nephew Donald Ames 3rd (Dick Powell). Cedric recklessly hires sneaky assistant Joe Cork (Jack Oakie). He falls for gold-digging chocolate dipper Minnie Hawkins (Joan Blondell). He even buys her a dress shop where Colleen Reilly (Ruby Keeler) is the bookkeeper. Donald works to save Cedric from himself.

      This is a rom-com drama musical. I'm not really taken with the drama. The Donald Colleen romance comes and goes. I like the song and dance musical although nothing really stands out. There is one or two bigger production scenes. This is fine for the musical fans.
      5bkoganbing

      Hugh Herbert Gets Away From His Keepers

      Despite the fact that Dick Powell and Ruby Keeler are the stars in their seventh and final screen pairing, the key character here is Hugh Herbert. That unfortunately is Colleen's problem.

      There are times when Hugh Herbert can be extremely funny, but a whole film really shouldn't be built around him. You can overdose on Hugh Herbert.

      In the Road to Zanzibar one of the gags, but far from the whole film involved Crosby and Hope getting involved with eccentric millionaire Eric Blore. He goes around just giving the family fortune away and sells them a diamond mine for a nominal cost. Like Herbert in Colleen, Blore has his keepers. But the whole film isn't built around him.

      In this film the family business is run by Dick Powell for Herbert who is his uncle and Herbert's sister Louise Fazenda. They've hired a keeper in Berton Churchill who breaks away from his usual stuffy banker type and here is the essentially decent, but eternally put upon keeper.

      Herbert gets involved with a couple of sharpies, Jack Oakie and Joan Blondell who take advantage of this nut job to rake in some big bucks. Ruby Keeler is the bookkeeper at a dress shop that Herbert buys for Blondell and the Powell/Fazenda/Herbert family are now guarantors of all the debts owed and accruing.

      Harry Warren and Al Dubin wrote some nice songs for the film that did not boast any hits at all. Dick Powell never even bothered to commercially record any of them. The finale had dancer Paul Draper cleverly worked in to partner with Ruby while Powell sang. It was always a problem with them as a team, Ruby's flat singing and the fact you'll notice Powell never danced in any of their films.

      Colleen is pleasant enough entertainment, but the Powell/Keeler combination was definitely on the wane here.
      6TheLittleSongbird

      Pleasant if bland final collaboration with Ruby Keeler and Dick Powell

      Of Ruby Keeler and Dick Powell's collaborations together, 'Colleen' is, along with 'Shipmates Forever', their weakest. This is not in any way saying that it's bad, because it isn't.

      It's just that the pair did make much stronger films, that had more memorable songs and much better choreographed dance numbers, especially '42nd Street', 'Footlight Parade' and 'Goldiggers of 1933'. 'Dames' is also great fun, and 'Flirtation Walk' has enough charm and likability to make up for the flawed story.

      There are numerous pleasures here. Joan Blondell and Jack Oakie come very close to stealing the film. Blondell is a bundle of joy with a natural screen presence and irresistible charm and Oakie is a lot of fun. Their scene together is a sheer delight and for me the highlight of 'Colleen'.

      Keeler and Powell themselves don't disappoint either. Powell sings beautifully and is very likable, and while singing is not a strong suit of hers (and that to be honest is putting it mildly) Keeler fares better at dancing than in a few of her previous films and also has the charm and likability factor. While none of the songs are hits, they are still very pleasant and more than listenable, certainly deserving of better dance direction.

      Didn't care for Hugh Herbert personally. He does have some amusing moments, but it just felt too much of The Hugh Herbert Show and, while some parts are entertaining, his broad and effete style of comedy did get tiresome. The script has the odd nice moment, but overall it's pretty feeble. The story is both silly and flimsy, yes even for a musical comedy.

      One always says that musicals shouldn't be judged for their stories but it does depend though on how well executed the rest of the elements are, and 'Colleen' was an example of one where some things were done well and others left wanting. Paul Draper is like agreed a minor Fred Astaire without the elegance or grace, and he shows severe limitations as an actor, even in his dance with Keeler Keeler outperforms him by a country mile.

      Lastly, the choreography and dance direction were seriously uninspired and leaden, am aware that you can't have Busby Berkeley all the time but the dance direction and how things were choreographed had such a lack of imagination that they were crying out for his involvement.

      All in all, pleasant if bland. Watchable, but this should have been a better swansong collaboration overall for Keeler and Powell. 6/10 Bethany Cox
      8MikeMagi

      Breezy entertainment

      I was surprised to see how many IMDb contributors gave this movie a thumbs down. The story isn't any more substantial than a few dozen other romantic comedies of the time. But it moves along at a merry pace, especially when the cast takes over an ocean liner. And there are enough plot twists to keep it rolling. Dick Powell is his usual easygoing self. Ruby Keeler is surprisingly good --for an actress who had more than her share of detractors. Hugh Herbert dithers amusingly. And even Joan Blondell scores as a woman on the loose. Add some stylish production numbers-- with the usual bevy of toe-tapping chorus girls led by Keeler and Paul Draper -- and you've got a pleasant 90 minutes or so.
      7lugonian

      Love Among the Millionaires

      COLLEEN (Warner Brothers, 1936), directed by Alfred E. Green, reunites the musical team of Dick Powell and Ruby Keeler for the seventh and final time. Powell plays Donald T. Ames, the nephew Cedric Ames (Hugh Herbert), an eccentric millionaire whose wife, Alicia (Louise Fazenda), suspects him of philandering around with other women. He encounters Minnie Hawkins (Joan Blondell), a chocolate dipper working at the Itsey-Ditsey Nut Chewsie, becomes impressed with her, buys a dress shop where she gets to be in charge of the establishment. While investigating the books of the dress shop, Donald meets and becomes infatuated with Colleen Reilly (Ruby Keeler), the bookkeeper. Instead of closing up the shop, Donald agrees to keep it open for as long as Minnie behaves herself, but Minnie, the fortune hunter as she is, pretends to be interested in Cedric (who plans on adopting her as his daughter), and two-times him with Joe Cork (Jack Oakie), Colleen's steady boyfriend. Romance blossoms between Donald and Colleen, but further complications follow before things get under way on board an ocean liner.

      A silly comedy that somehow works,COLLEEN brings back Powell and Keeler to familiar surroundings made famous from their earlier collaborations (GOLD DIGGERS OF '33 and DAMES), as a romantic couple surrounded by gold digger(s), an eccentric millionaire with scatterbrained wife, along with plenty of song and dance. It's not the usual backstage story. The production numbers this time just happen on screen with a bright score composed by the then popular Harry Warren and Al Dubin, which happened to be one of those rare cases where they failed to produce a single song hit. The score includes: "I Don't Have to Dream Again" (sung by Dick Powell, followed by singing and dancing models in a musical fashion show hosted by Keeler, highlighted with a tap dancing story by Paul Draper and Keeler); "The Boulvardier From the Bronx" (sung and performed amusingly by Jack Oakie and Joan Blondell as they dine in a Chop-Suey joint); "An Evening With You" (sung by Powell to Keeler as they take a stroll through the park); "You Gotta Know How to Dance" (sung by Keeler/danced by Keeler and Draper, and sung briefly by Powell), followed by a short reprise of "An Evening With You" sung by Powell to Keeler on deck of the ship.

      Watching the ten minute finale of "You Gotta Know How to Dance," choreographed by Bobby Connolly, this number at times has the feel to the Fred Astaire and Ginger Rogers production number of "The Continental" from their 1934 hit, "The Gay Divorcée" (RKO), which finds the camera following a group of dancers in long shot range and average shot towards its main focus of Keeler and Draper. Paul Draper, in his movie debut, is an unusual dancer (and bad actor whose participation in the plot is thankfully limited), with a much different style to Astaire's. However, he doesn't have that grace and elegance that made Astaire so popular and likable, which probably explains why Draper's film career was so short-lived. Draper's tapping at times drowns out the Vitaphone Orchestra underscoring in the two production numbers opposite Keeler.

      Also seen briefly in a large cast of Warners stock players are Marie Wilson as Mabel (sharing one short scene near the film's opening opposite Herbert); J.M. Kerrigan as Colleen's father; Berton Churchill as Cedric's lawyer; and Luis Alberni as Carlo, the dress designer. As for Joan Blondell, who spends much of the time going about Bink-eyed and speaking in a dead-pan manner, it's Hugh Herbert who nearly walks away with the story since the main focus is on him instead of Colleen.

      COLLEEN, an overlooked musical, is quite amusing and entertaining, offering Keeler an opportunity to sing and dance more than she ever did on screen in the past. However, her dancing opposite Draper has become no threat to the song and dance team of Astaire and Rogers. COLLEEN is worth viewing through once whenever presented on Turner Classic Movies.

      One final note: Let's hope that someday COLLEEN goes through a restoration process since the audio can be slightly distorted and picture covered with acid spots that's quite noticeable near the conclusion. (***)

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      Enredo

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      Você sabia?

      Editar
      • Curiosidades
        Seventh of eleven feature films starring Joan Blondell and Dick Powell released from 1931 to 1941. They would be married from 1936-1944.
      • Citações

        Joe Cork: Say, Pop, I got a terrific idea last night.

        Pop Reilly: Yeah, so did I; but, there wasn't a drop in the house.

      • Cenas durante ou pós-créditos
        After the main titles, most of the principals (Powell, Keeler, Oakie, Blondell, Fazenda, Wilson, and Alberni) and introduced and sing about what they're going to do in the picture that follows. The exceptions are Herbert (who giggles) and Draper (who tap dances)
      • Conexões
        Edited into Six Hits and a Miss (1942)
      • Trilhas sonoras
        Boulevardier from the Bronx
        (1936) (uncredited)

        Music by Harry Warren

        Lyrics by Al Dubin

        Sung and danced by Joan Blondell and Jack Oakie

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      Detalhes

      Editar
      • Data de lançamento
        • 21 de março de 1936 (Estados Unidos da América)
      • País de origem
        • Estados Unidos da América
      • Idioma
        • Inglês
      • Também conhecido como
        • Colleen
      • Locações de filme
        • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, Califórnia, EUA(Studio)
      • Empresa de produção
        • Warner Bros.
      • Consulte mais créditos da empresa na IMDbPro

      Especificações técnicas

      Editar
      • Tempo de duração
        • 1 h 29 min(89 min)
      • Cor
        • Black and White
      • Mixagem de som
        • Mono
      • Proporção
        • 1.37 : 1

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