A Carga de Cavalaria Ligeira

This is Hollywood History at its best. It has nothing to do with the real Crimean War, the Battle of Balaclava, or the Charge of the Light Brigade. It has everything to do with Errol Flynn, Olivia deHavilland, Michael Curtiz, and Max Steiner. Basically, this is a quintessential Warner Bros. adventure film of 1936, one of the best of the breed.

The story starts in Southern California -- or rather, Northern India -- on the outskirts of the British Empire. This setting had been picked up and dusted off after 1935's "Lives of a Bengal Lancer", and would be recreated for "Gunga Din" a few years later, with the same locations and similar plots. Flynn leads a company of British lancers in skirmishes with the local rajah, the villainous Surat Khan -- you can tell he's the villain because of his evil goatee -- and a betrayal and a massacre leads to a mission of vengeance, which reaches its climax in Tennyson's Valley of Death in the Crimea.

Opposite Flynn is, naturally, Olivia deHavilland, without whom Flynn would be lost. Patric Knowles, who played Will Scarlett in Flynn's "Adventures of Robin Hood", is Flynn's brother; David Niven is his sidekick; and Henry Stephenson, Donald Crisp, and Nigel Bruce are the top brass. Director Michael Curtiz brings out another energetic performance from Flynn, although his character here lacks the depths of the heroes of "Captain Blood" or "The Dawn Patrol". Max Steiner's score complements the action perfectly.

"The Charge of the Light Brigade" is quite an epic production, and notorious for the number of horses killed in the battle scenes. That knowledge puts a bit of a damper on the excitement, but it also led to the safety restrictions in place today, banning trip-wires and ensuring the well-being of animals in movies; so, ultimately a good thing. No such measures were ever taken to protect history from the ravages of Hollywood screenwriters: Surat Khan and the country of Suristan never existed, nor did Flynn's 27th Lancers, and although there was indeed a charge at Balaklava, it didn't happen for the reasons depicted in this film. But Flynn and Curtiz didn't care, and neither should the audience.

In the mid 1930s and well into the 40s, Warner Brothers made many fine films starring Errol Flynn that were very high on production values and fun but also of dubious historical value. While historically speaking this is not the worst of the lot (that honor goes to SANTA FE TRAIL), this film doesn't seem to have a lot to do with the Tennyson poem or the Crimean War and in fact, much of the movie is set around the same region of the world as GUNGA DIN--around Pakistan or Afghanistan. So, assuming you aren't looking for a history lesson, the film is packed full of excellent acting, sets and fast-paced fun. Part of the reason I particularly liked it was because it teamed Errol Flynn with Olivia de Havilland--a wonderful combination that began with CAPTAIN BLOOD and lasted for seven films. So, if you like this film, check out all their other films together--especially CAPTAIN BLOOD and THE ADVENTURES OF ROBIN HOOD. Their chemistry was always excellent and it is further enhanced by such wonderful supporting actors as Henry Stephenson, Nigel Bruce, Donald Crisp and David Niven.

Director Michael Curtiz went all out in this 1936 version of "The Charge of the Light Brigade", and considering the era, he made a darn good job of it - sure, he threw history out of the window, and created a very fictitious story, but when it came to the actual Charge, it was a masterpiece of staging and direction. He was aided by that great pair - Errol Flynn and Olivia de Havilland (lovely as usual!) who kept the interest all the way through. The supporting cast was really star-studded, with Donald Crisp, Henry Stephenson, Nigel Bruce and Spring Byington, and in a very early role in his career, David Niven. If you had to pinpoint a weak link, it was Patric Knowles as Flynn's brother. But all that aside, it is a couple of hours of excitement and sheer entertainment while waiting for the Charge and what is going to happen to the nasty Surat Khan!! The remakes since, while having the benefits of far greater technical tools, falls way short of this epic.

As usual, Warner Bros. bent historical facts to provide ERROL FLYNN with some noble heroics in epics like this one and THEY DIED WITH THEIR BOOTS ON. And as in BOOTS, it takes quite a bit of fictional footage to get to the climactic charge, but it's well worth waiting for.

Flynn has a role tailor-made to his specifications, the noble hero who looks even more splendid than ever wearing a trim mustache and military uniform. The script, in a twist, has his brother (PATRIC KNOWLES), who looks enough like Flynn to be his real brother, winning over the heart of the heroine (OLIVIA de HAVILLAND) at a military outpost in India. Flynn, as Major Vickers, decides to avenge the massacre of British women and children at the fort, thus forging the orders that lead to the famous charge.

All of it is strictly meant to entertain, offering political background of a confusing sort to give an idea of the events surrounding the charge. While all of it has been falsified for the sake of providing a screenplay that makes Flynn the noblest of heroes, there is no denying the epic sweep of the derring do and romance.

Flynn and screen partner de Havilland make a handsome couple and they are supported by a fine bunch of actors from Hollywood's British film colony, notably Patric Knowles, David Niven and Donald Crisp. Max Steiner has provided one of his best military background scores that gives added dimension to the exciting battle scenes.

For Flynn fans, this is a must see. For anyone expecting to see an historical account of the Charge, better tune in to the History Channel for that sort of stuff. But as entertainment, CHARGE OF THE LIGHT BRIGADE delivers the goods and should make Flynn and de Havilland fans happy.

Errol Flynn, riding high with the spectacular success of CAPTAIN BLOOD, re-teamed with co-star Olivia de Havilland and director Michael Curtiz in this epic tale, owing far more to Rudyard Kipling's prose than Tennyson's poem, or any attempt at historical accuracy. As one of several 1930s Hollywood forays into India during British rule (GUNGA DIN, LIVES OF A BENGAL LANCER, and WEE WILLIE WINKIE are other memorable examples), the films are often criticized today for 'whitewashing' British rule, and ignoring the plight of Indians, who were treated as 'second-class' citizens of the Empire. While this argument is valid, these films were produced as 'entertainments' at a time when America, still suffering from the Depression, craved escapism, not social commentary.

Flynn, with his trademark moustache restored, is Major Geoffrey Vickers, dashing British Lancer, who, as the film opens, saves the life of Indian ruler Surat Khan (played by veteran screen villain C. Henry Gordon) during a tiger hunt. While Khan despises the British, he has a blood debt to Vickers, which must be honored.

Between assignments, Vickers tries to be the devoted fiancé of beautiful Elsa Campbell (de Havilland), but in a twist from the usual Flynn/de Havilland teamings, she actually loves his brother, Perry (Patric Knowles, who would later play 'Will Scarlet' in ROBIN HOOD). The love triangle subplot is the least effective part of the story; fortunately, these interludes don't last long!

Courting favor with the Russians (represented by Stalin look-alike Robert Barrat), Khan gambles, correctly, that the British would never consider him capable of murdering women and children, so his attack on an undermanned Chukoti, and the subsequent massacre of all the inhabitants (save Vickers and Campbell, thus fulfilling his blood debt), creates a furor that rocks India, and a evokes a vow of revenge from Vickers and the Lancers, who'd lost all of their loved ones. Khan flees the country, joining his Russian allies in the Crimea.

Just in time to fulfill the title, the Lancers are reassigned to the Crimea, and discover that Khan is located with the cannon emplacements on the Balaclava Heights. Arranging to get his brother safely away from the action, Vickers forges orders to have the Light Brigade attack the Heights, and 'The Charge' begins...

While the Charge (created by second unit director "Breezy" Eason) is one of the most incredible scenes ever recorded on film, with hundreds of horsemen galloping in formation 'to the guns', there was a deadly price for the spectacle; the buried explosives and trip wires used to create realistic cannon blasts injured many horses, resulting in a large number of animals having to be 'put down'. Humane societies nationwide (and Flynn, himself, who was appalled by the needless slaughter) raised such an outcry that standards were established barring cruelty to animals, which are still in effect today.

Besides Flynn's heroic performance (yes, that really IS him, leaping a cannon on horseback), Donald Crisp, Henry Stephenson, and J. Carrol Naish (as an Indian) provide memorable support. And watch for a young David Niven, as Vickers' doomed fellow officer. Flynn and Niven were great friends, sharing a cottage in Malibu (nicknamed 'Cirrhosis-by-the-Sea', because of their wild parties), and their final scene together is far more poignant than any Flynn/de Havilland moments in the film!

While flawed, historically, and unquestionably bloody, THE CHARGE OF THE LIGHT BRIGADE retains its position as a 'classic', and proved to the WB that Errol Flynn was not just a 'one hit wonder'. Great things were ahead for the young star!