Garras de Veludo

Perry Mason and Della Street marry at the beginning. I don't think that ever happened in the TV series.

This is a sleek, stylish movie, with good acting and chic sets.

I had forgotten that Wini Shaw was in the opening credits and was wondering who that fabulous fatale femme could be. In a dark wig she is very persuasive as the precursor to the betraying woman of film noirs, which would follow a few years later.

What a talent she was!

But I just couldn't. I was deterred by the unnecessarily complicated plot, the repetitive lame jokes - everybody sneezing is not funny!, the annoying second banana to Mason - why did he even hire this goofball?, and the scenes that go nowhere. Warren William is a charming and jocular sophisticate, but films like this were his fate so much of the time after the precode era ended. Until the Lone Wolf series of films over at Columbia in which he starred, he really never again had a role that was worthy of him.

I found Wini Shaw completely unappealing and a terrible actress here, surprising since she really convinced me she was the Island of Manhattan in Gold Diggers of 1935. The only plus of this film is that Claire Dodd got a decent amount of screen time, but then again she was basically playing the same scene over and over again, being annoyed at William for leaving her on her wedding night, and nevertheless helping him with his work.

Back to the plot - Mason is going down the wrong path for the entire first half of the movie - the audience knows this, and yet during the second half he suddenly deduces the entire thing with zero clues. Unless Warren William really was legit in The Mind Reader (1933) all along, I just don't know how he figured this out.

Well maybe Della and Perry did live happily ever after at the end. Because neither Dodd nor William ever played these roles again in the Warner Brothers series. Or maybe being Perry is like being the Dread Pirate Roberts in The Princess Bride. The old Perry just convinces everybody the new Perry is the real thing then retires.

Just one more thing - There is an episode of the Perry Mason TV show with the same name and a similar storyline that is much better than this film. I would recommend that episode.

"The Case of the Velvet Claws," made in 1936, is a Perry Mason mystery that has Della and Perry as newlyweds starting off on their honeymoon. In the TV series, and even more in the TV movies later on, there was always that unspoken love between Della and Perry - and no one knew what went on after office hours. In real life, Erle Stanley Gardner married his secretary Jeanne right before he died, I suppose so she could inherit. So in some sense, the Perry-Della thing was modeled on his real life.

The two don't get to start their honeymoon because a woman (Wini Shaw) kidnaps Perry at gunpoint. She pays him $5000 to make sure a story about to be published in a tabloid about a politician doesn't come out - because it's about him and a woman, and she's the woman. Perry later finds out she's the wife of the owner of the paper! When the owner is found dead, Perry's own client blames him for the murder.

Warren William gives his usual lighthearted, devil my care performance. Even though his portrayal has nothing to do with Perry Mason, he's a riot. Instead of Paul Drake, he has some sort of an assistant named Spudsy Drake. The exotic-looking Winifred Shaw brings class and spark to her character. Who can forget her "Lullaby of Broadway" opening in "The Gold Diggers of 1935?" She had a very special quality. For some reason, her career died. Probably Warners failed to pick up her option in 1939. A shame.

I enjoy these films, but don't confuse them with Erle Stanley Gardner's Perry Mason. He hated these movies.

Case of the Velvet Claws, The (1936)

** 1/2 (out of 4)

Fourth film in Warner's Perry Mason series once again features Warren William as the lawyer. This time out Perry is about to go on his honeymoon when a woman kidnaps him at gunpoint and asks for him to blackmail a newspaper so that her name won't be brought up in a love affair which will ruin a big politician. The bribe doesn't work but soon the woman's husband ends up dead and Mason is the suspect. This is a pretty good film that's nothing special but it makes for a quick 63-minutes worth of entertainment. The best thing the film has going for it is the performance of William who also picks up after the previous film. He's full of charm and anger this time out and those are two things William can do with ease. Sadly Allen Jenkins isn't in this one. He's replaced with a new assistant played by Eddie Acuff and he's comedy just doesn't work. The case itself is pretty good as is the ending.

After the disgraceful silliness of THE CASE OF THE LUCKY LEGS, Warren William's Perry Mason seems back on firm ground in a film that takes itself much more serious without forgetting to include healthy doses of character humor. What sets this one apart from the others is Perry & Della getting MARRIED (a development completely forgotten in the follow-up that starred Ricardo Cortez) and Perry being the #1 murder suspect, having been to see the victim moments before he was bumped-- a situation he has all too often had to get his clients out of-- including the woman's husband in this case. She had threatened both Perry and her husband with a gun, and would only NOT be a suspect to anyone watching this because it would just be "too obvious"!!

Of WW's 3 Dellas, my favorite, Claire Dodd returns after having been absent from the previous installment. All 3 Dellas in the first 4 pictures have something to recommend them, I just happen to think Dodd is the most attractive (though Genevieve Tobin's was without a doubt the FUNNIEST). Sadly, Allan Jenkins, who played in cop in ...THE HOWLING DOG and "Spudsy" Drake in eps. 2 & 3, is replaced here by Eddie Acuff, who just doesn't seem to "work". Very oddly, Olin Howard returns as Coroner Wilber Strong from ...THE CURIOUS BRIDE, after having played a different doctor in the previous film! (Did anyone at Warner Brothers care about "continuity" in this series??)

The standard routine of set-up, murder, investigation and courtroom expose so far is limited to ...THE HOWLING DOG. In WW's other 3 films, he solves the murders at a dinner party, in his office during a medical check-up, and at the hang-out of the killer before moving on to the street in front of a hotel. The only time we see the inside of a courtroom in this film is when Perry & Della get hitched-- and when she tries to have it annulled. CRAZY!!

The other point of interest for me was actress Carol Hughes (my favorite "Dale Arden" from 1940's FLASH GORDON CONQUERS THE UNIVERSE) who is almost completely unrecognizable in here due to bright blonde hair and a southern accent.

I love Warren William's Perry Mason-- I DO! And I wish he'd done a lot more of these. But I also wish he'd done more like the 1st one, where at least, despite the huge differences, I could actually recognize the format and the character of the "real" Perry Mason, instead of this rambling comedic chaos WB kept foisting on audiences!