Balas ou Votos

"Bullets or Ballots" is a good 'cops and robbers' movie from Warner Bros., headquarters for gangster pictures in the 30's. It has all the gangster stars on the lot - Humphrey Bogart, Edward G. Robinson, George E. Stone, Barton McLane and a score of well-known character actors. It also features Joan Blondell, everybody's sweetheart in Warner films of the time.

The 'racket' here switches from protection to the numbers game, and has Robinson as a racketbuster cop going undercover to unearth McLane's bosses. Robinson is a tough cop with the underworld's respect, although it is humorous to see him intimidate guys a foot taller than he is. Anyway, he infiltrates and the story unfolds in the expected manner, but as only Warner Bros. could tell it. Not a lot different from others of its type but the flashy cast puts this one over. If you haven't seen it and you are a fan of the genre, do so.

Bogart, Blondell, and Robinson! and comedian Frank McHugh. all star cast! it's 1936, and mobster Al Kruger is running the local rackets, dark activities, many illegal. when the leader of the crime fighting task force is knocked off, Johnny Blake thinks he ought to get involved and try to fix things. but it's complicated. when the cops nose around, the muckity mucks in the syndicate lean on Kruger. to counter the stepped up crime activity, the cops also step up their crime fighting. interesting turn... in this one, Joan Blondell is also running some numbers game. unusual role for her. and some "twists", which aren't really surprises at all. we've seen some of these tricks so often, that we've come to expect them. Some of the story is actually based on the history of rackets in the various sections of NYC, as you will see in the Trivia section. it's pretty good. directed by william keighley, who had directed some great films: Man who Came to Dinner, Bride Came COD, Robin Hood.

The ridiculous title aside, this is an OK gangster film with more gab then guns, although there is an edge to the execution and display.

The script is interesting in a behind the scenes kind of way that lets us in on the money machines and political corruption that is Warners trademark of message movies. The attraction here is the two stars and the modern fascination with these actors and their tough guy personas and they don't disappoint.

This film is more sanitized and sterile then the best of the gangster films (as the newly defined Hays Code forced tricky gymnastic presentations of the seedy and the sultry). But the studio professionals were up to the task and a "new" type of underworld uncovering emerged on the screen. For better or worse.

"Bullets or Ballots" was affected by the new motion picture Production Code introduced in 1934. The Code stipulated, among other things, that gangsters could no longer be glorified in films as had been done with "Little Caesar" (1930) and "The Public Enemy" (1931). That meant that Warners resident gangsters Edward G. Robinson and James Cagney had to come over to the right side of the law.

Cagney had done so in 1935 with "G-Men" but in 1936 was embroiled in a contract dispute with Warners and had left the lot. That left Robinson. You can just hear the brain trusts at Warners saying, "Let's put Eddie Robinson in a new crime picture only this time we'll have him go undercover so that he can ACT like a gangster while satisfying the Code by really working on the side of the law". "Bullets or Ballots" was the result.

Gangster Al Kruger (Barton MacLane) is a new order of corporate type gangster that shuns the old violent ways of the 20s. He is controlled by unseen bosses well placed in the business community. His second in command Nick "Bugs" Fenner is of the old school. When crusading newspaper reporter Ward Bryant (Henry O'Neill) is murdered by Fenner, it sets off a cry for justice. Police Captain McLaren is appointed Special Commissioner charged with cleaning up the rackets.

Detective Johnny Blake (Robinson) is a down on his luck policeman who has been exiled to an outer precinct. One day he learns that McLaren has fired him as part of his cleanup. But as we learn, Blake is really working undercover informing McLaren of the mob's plans. Blake then joins up with Kruger and rises quickly through the ranks. Fenner, meanwhile doesn't trust Blake and the two compete against each other.

As the result of the crime crackdown, the mob's earnings have dropped. Blake suggests that they move into the numbers racket which was being run successfully on a small scale by Blake's girlfriend Lee Morgan (Joan Blondell) with the aid her pick-up man Herman (Frank McHugh) and Harlem contact Nellie (Louise Beavers).

With the success of the numbers game, Fenner sees that Kruger has gone soft and is neglecting the mob's other businesses. Fenner murders Kruger and vies with Blake to take over. Blake succeeds and continues to inform McLaren of the mob's intentions. Fenner decides on a showdown and................

Robinson, who was a well educated and classically trained actor wanted to get away from gangster roles and did so whenever he could. But in spite of that, he will always be best remembered for these types of roles. Barton MacLane for once doesn't play the brutish gangster. He plays Kruger as a businessman and not a thug. Bogey on the other hand, had just made his mark in "The Petrified Forest" (1936) and was typecast for the most part as a gangster for the next five years. Joan Blondell is wasted in her superficial role as Robinson's love interest and McHugh is just along for comedy relief.

Still, "Bullets or Ballots" remains one of the all-time gangster classics.

Bullets or Ballots (1936)

*** (out of 4)

A hard boiled detective (Edward G. Robinson) gets kicked off the force so a gangster (Barton MacLane) hires him onto the underground. Robinson pretends to be telling them how to stay clear of getting busted but a second hand man (Humphrey Bogart) rightly suspects the detective of just being undercover. Here we have yet another gangster film from Warner and yet another winner as the film contains some very good performances, nice action and some true drama. The actual story of a cop going undercover is certainly nothing new and the film really doesn't hit on anything new but that really doesn't take away from any of the entertainment. The story this time out is also rather low key and we don't get any major action scenes but that's okay because the dialogue is strong enough as are the performances to give us the drama we need. Robinson turns in another fine performance as it's always nice seeing him play the hero. MacLane does a very good job in his role as the top guy and of course it's always fun seeing Bogart playing the second fiddle. Joan Blondell does a fine job as well even though her character, a numbers runner and friend to Robinson, is underwritten. Then for comic relief we get Frank McHugh but he too doesn't have that well of a written character. In terms of the Warner gangster films this certainly can't compare to Little Caesar, Angels with Dirty Faces or White Heat but on its own it's a nice little drama that has enough appeal to overcome its weaknesses.