Balas ou Votos

"Bullets or Ballots" was affected by the new motion picture Production Code introduced in 1934. The Code stipulated, among other things, that gangsters could no longer be glorified in films as had been done with "Little Caesar" (1930) and "The Public Enemy" (1931). That meant that Warners resident gangsters Edward G. Robinson and James Cagney had to come over to the right side of the law.

Cagney had done so in 1935 with "G-Men" but in 1936 was embroiled in a contract dispute with Warners and had left the lot. That left Robinson. You can just hear the brain trusts at Warners saying, "Let's put Eddie Robinson in a new crime picture only this time we'll have him go undercover so that he can ACT like a gangster while satisfying the Code by really working on the side of the law". "Bullets or Ballots" was the result.

Gangster Al Kruger (Barton MacLane) is a new order of corporate type gangster that shuns the old violent ways of the 20s. He is controlled by unseen bosses well placed in the business community. His second in command Nick "Bugs" Fenner is of the old school. When crusading newspaper reporter Ward Bryant (Henry O'Neill) is murdered by Fenner, it sets off a cry for justice. Police Captain McLaren is appointed Special Commissioner charged with cleaning up the rackets.

Detective Johnny Blake (Robinson) is a down on his luck policeman who has been exiled to an outer precinct. One day he learns that McLaren has fired him as part of his cleanup. But as we learn, Blake is really working undercover informing McLaren of the mob's plans. Blake then joins up with Kruger and rises quickly through the ranks. Fenner, meanwhile doesn't trust Blake and the two compete against each other.

As the result of the crime crackdown, the mob's earnings have dropped. Blake suggests that they move into the numbers racket which was being run successfully on a small scale by Blake's girlfriend Lee Morgan (Joan Blondell) with the aid her pick-up man Herman (Frank McHugh) and Harlem contact Nellie (Louise Beavers).

With the success of the numbers game, Fenner sees that Kruger has gone soft and is neglecting the mob's other businesses. Fenner murders Kruger and vies with Blake to take over. Blake succeeds and continues to inform McLaren of the mob's intentions. Fenner decides on a showdown and................

Robinson, who was a well educated and classically trained actor wanted to get away from gangster roles and did so whenever he could. But in spite of that, he will always be best remembered for these types of roles. Barton MacLane for once doesn't play the brutish gangster. He plays Kruger as a businessman and not a thug. Bogey on the other hand, had just made his mark in "The Petrified Forest" (1936) and was typecast for the most part as a gangster for the next five years. Joan Blondell is wasted in her superficial role as Robinson's love interest and McHugh is just along for comedy relief.

Still, "Bullets or Ballots" remains one of the all-time gangster classics.

This turned out to be a decent '30s gangster movie, not a lot different from a few others I've seen where Humphrey Bogart plays the bad guy and is the main adversary of the hero. Several films had James Cagney up against him; here it was Edward G Robinson.

Robinson plays policeman "Det. Johnny Blake," who goes underground, so to speak, by posing as a gang member to get the goods on them. (It's based on a real-life character.) Robinson, as usual, is very interesting to watch and is a tough guy BUT with a soft heart. In fact, he even feels bad about betraying the head crook because he has such principles of being a "straight shooter" that he doesn't feel right lying to anybody, even the gang leader "Al Krueger" (Barton MacLane).

Bogart plays "Nick Fenner," Al's number-one guy and is more of the villain than his boss. Joan Blondell gets second billing but that's not right because she's at least fourth in the amount of screen time and lines. There really is no real love interest in this movie; it's strictly a crime story.

When I first saw this movie, a little over a decade ago on VHS, I wasn't that impressed but last week, watching this on DVD, not only was the story better than I remembered but the picture was excellent. The blacks, whites and grays in here are beautiful. This was part of the "Tough Guys" DVD package and they did a wonderful job on the transfer.

Following his brutal portrayal in "The Petrified Forest," Bogart became a much more articulate and calculating killer in "Bullets or Ballots," a gangster thriller starring Edward G. Robinson as a crusading crime-buster, modeled after true-life cop Johnny Broderick, known as "the toughest cop on Broadway," who pretended to be thrown off the police force in order to infiltrate Bogart's gang and get the evidence to bring him to justice…

Bogart revealed no emotion whatever as he goes about his gun-happy chores of shooting a respected newspaperman as well as his partner-in-crime, Barton MacLane, in his characteristic double-cross…

The exciting finale found both Bogart and Robinson in a blazing showdown, an unusual ending for this period in film history, but one which Robinson had fought hard to retain...

William Keighley directed the film with a firm and fresh efficiency

Edward G. Robinson, always a fine actor, was my main reason for seeing 'Bullets or Ballots'. Well the cast in general actually were the main reason, on top of Robinson there is also another screen icon Humphrey Bogart (pre-stardom and in his first of five collaborations with Robinson) and the always emminently watchable Joan Blondell. The story also sounded interesting, as one can guess good casts and concepts always attract me into seeing a film and tend to be my main reasons for watching (completest quests being another common reason).

While not a personal favourite, a masterpiece or career-highs for all involved, 'Bullets or Ballots' is still an entertaining, taut and well executed film. It does the cast justice on the most part, most in roles playing to their strengths, and makes the most of its premise and makes an interesting story out of it. A relief on both counts, as cast and concept wastes are pet peeves of mine and have come across both numerous times in my recent film viewings, some films managing to waste both. So there has always been a bit of nervousness before watching a film that sounds good on paper as a result.

'Bullets or Ballots' doesn't really do an awful lot wrong. It may not do anything new as such and may lack the surprise factor. Would have liked the length to have been longer, with the film veering on being too short.

Although Blondell gives her role feistiness and charm, she is given little to do and the character came over as underwritten. Frank McHugh is the comic relief, and while he does his best with what he has this aspect was not completely successful, not always coming over as very funny and it doesn't always add much.

However, Robinson is terrific and his role suits him perfectly with the intensity and authority nailed. The other cast standout is oily Barton MacLane and Bogart looms ominously. The characters are generally well handled, with a tough rootable lead and villains that pose a genuine threat. William Keighley's direction is not exceptional but it does do more than just getting the job done, showing someone in control.

Visually, 'Bullets or Ballots' is slick and stylish, while the pace is tight with little if any extraneous fat which does help make the story continually absorbing. The script crackles in tautness and is lean in content, provoking thought. The action crackles even more with some exciting moments, especially a climax that is the very meaning of scintillating.

Overall, good. 7/10 Bethany Cox

Bullets or Ballots (1936)

*** (out of 4)

A hard boiled detective (Edward G. Robinson) gets kicked off the force so a gangster (Barton MacLane) hires him onto the underground. Robinson pretends to be telling them how to stay clear of getting busted but a second hand man (Humphrey Bogart) rightly suspects the detective of just being undercover. Here we have yet another gangster film from Warner and yet another winner as the film contains some very good performances, nice action and some true drama. The actual story of a cop going undercover is certainly nothing new and the film really doesn't hit on anything new but that really doesn't take away from any of the entertainment. The story this time out is also rather low key and we don't get any major action scenes but that's okay because the dialogue is strong enough as are the performances to give us the drama we need. Robinson turns in another fine performance as it's always nice seeing him play the hero. MacLane does a very good job in his role as the top guy and of course it's always fun seeing Bogart playing the second fiddle. Joan Blondell does a fine job as well even though her character, a numbers runner and friend to Robinson, is underwritten. Then for comic relief we get Frank McHugh but he too doesn't have that well of a written character. In terms of the Warner gangster films this certainly can't compare to Little Caesar, Angels with Dirty Faces or White Heat but on its own it's a nice little drama that has enough appeal to overcome its weaknesses.