Legião Negra

Very unusual movie for Humphrey Bogart, made a few years before he would become a headline star for WB. He plays a machine shop worker who takes for granted that he will become his shop's new foreman because of his seniority. But when they give it to an educated young Polish-American instead, Bogie becomes resentful and angry. This leads him to joining up with a hate group known as the Black Legion, which is basically the KKK. The Black Legion has a pledge that has to be heard to be believed, so make sure you pay attention to it.

Strong performance from Bogie, as well as a great supporting cast that includes Ann Sheridan, Dick Foran, Joe Sawyer, John Litel, Samuel S. Hinds, and more. A lot of people seem to pick on the movie for not being strong enough in its message, despite the fact that they can't point to any other movies from the period that were even brave enough to try this much. They did what they could do. It's a powerful movie, even if it seems watered down by today's standards. But today we aren't exactly living in the age of subtlety, are we?

Humphrey Bogart is first-rate in this thinly disguised story of the Ku Klux Klan and how it plays on the fears and prejudices of the poor and uneducated (and how it's run by the well-to-do and educated, a point often missed by reviewers). Bogart plays a factory worker who was expecting a promotion, only to see it go to a "foreigner" (in this case, a Pole--and, by implication, a Jew, which is where the Klan gets involved). Angry, resentful and worried about his future, Bogart gets caught up in a racist, Klan-like group called the Black Legion, which, in the manner of all fundamentalist right-wing terrorist groups, proclaims its patriotism and its "defense of God and country" against "dirty foreigners." The interesting thing about this film is that it really doesn't blame Bogart's character for what eventually happens; he's just a pawn in the political agenda of the right-wing business and political interests who actually control the group. Warner Bros. was known for its muckraking films, and this is one of its better ones. It took guts for Warners to make this type of picture during this particular period in American history; there was a strong resurgence of Ku Klux Klan activity all over the country--there was even a Klan parade, with thousands of hooded marchers, that passed directly in front of the White House in Washington, DC--and lynchings and racial murders were skyrocketing, especially in the South. While maybe not as strong as some would have liked, the picture still radiates the Warner Bros. passion for the underdog, and they did a good job here. Strong performances by the principals, tight direction by Archie Mayo and the usual Warner Bros. grit make for a first-rate film. Highly recommended.

The Black Legion is significant in the career of Humphrey Bogart. This film is the first time he played the lead in an "A" feature. The film is also a great showcase for his acting talents.

In this film Bogey's character, Frank Taylor, moves from a happily married family man, to a man filled with hate and finally to a man remorseful for the trouble he has brought upon himself and others.

When Frank Taylor loses an expected promotion to a "foreigner", he becomes disillusioned and is coerced by a co-worker (Joseph Sawyer) into joining a secretive hate and Klu Klux Klan like organization called The Black Legion. Despite pleas from his wife (Erin O'Brien-Moore) and best friend (Dick Foran), Taylor continues his terrorist activities leading to the inevitable tragic consequences.

The subject of prejudice and hate organizations in a major studio production was quite daring for the 30s, given the introduction of the Production Code only a few years earlier. It still delivers a powerful message today.

The Black Legion remains one of the best of Bogey's early films.

In order to fully appreciate this movie, a person needs to understand what the United States was like back in the 1930s. America was in the midst of the most severe depression it had ever known, with approximately 25% of the workforce unemployed at one time. That said, here we have Humphrey Bogart playing the role of Frank Taylor, who has worked at his job for many years, is well-liked, and happy. He is fortunate to have a good wife named "Ruth Taylor" (Erin O'Brien-Moore) and an adoring son. Unfortunately, because a Polish immigrant gets a promotion he thought was rightfully his, he angrily joins a secret society known as the Black Legion--and things take an immediate turn for the worse after that. Now, rather than reveal any more, I will just say that this turned out to be a pretty good movie with Humphrey Bogart beginning to establish himself as the superstar he eventually became. One interesting aspect of this film is that he got to deviate from his typical "tough guy" role and showed a bit more emotion in this film. Additionally, even though Ann Sheridan (who played Ruth Taylor's next-door neighbor) gets more credit, I thought Erin O'Brien-Moore gave a truly excellent performance. The film was well-directed, had a decent supporting cast, and the original story was nominated for an Academy Award. Not only that, but the National Board of Review selected it as the best film of 1937. In short, this was a very good movie for its time, and I think anyone who gives it a chance will be glad they did.

1937's "Black Legion" tells a story of a man's involvement with what amounts to the Klan without coming out and calling it that. Humphrey Bogart stars as Frank Taylor, a working man who loses a bid to become foreman when a foreign-born man gets the job instead. The Legion is right up Taylor's alley, reinforcing his belief that his woes are all the fault of the foreign-born. He gradually gets more immune to the violence as he gets in deeper and deeper with the Black Legion. It really is a very good vehicle for Bogart's acting talent as his morality gradually unwinds. The sermon at the end seems a little tacked on, much like a similar scene in 1933's "Wild Boys of the Road", but it doesn't detract too much from the overall film.