Camaradas

But its well done, written, played. Good story line. But 75 years is a long time.

La belle equipe or They Were Five is often praised as the highest achievement of Julien Duvivier. It's French poetic realism at its finest - a style whose most remembered representatives are: L'Atalante (1934) by Jean Vigo and Jean Renoir's La Grande Illusion (1937). When Charles Spaak had just finished the screenplay of La belle equipe the master Jean Renoir got actually very interested in it and wanted to film it, but Julien Duvivier had already bought the rights for it. One can't help but wonder how different the film might have been if Renoir would've filmed it. At least it would've gained much more reputation, but no one can no whether it would have been better, because Duvivier was a very talented filmmaker as well. La belle equipe represents the French optimism (1935-36), it's also a true national film and an interesting contemporary description of the working class.

A group of five penniless workers wander around the streets of Paris. They live in a lousy block of flats, whose landlord put the light out immediately by 9 pm. One night when they are playing cards in the darkness, a pleasant message arrives: they've just won 100, 000 Francs with the lottery. After a quick enthusiasm they realize that the amount won't last through their whole life: so they decide to buy and reconstruct a small resort out of town. Eventually wealth and fortune start to rip the group apart and unpredictable events begin to occur.

Julien Duvivier first shows the miserable life of the workers: he shows them hanging in the streets, leaning on dirty walls and hiding from cops. The happy twist seems quite surreal, but the series of events it occurs is far more interesting. As I mentioned above the film represents the optimism in France during that time: is it possible for the working class to go and work on their own outside of the society? It's quite hard to know what Duvivier thought himself because he filmed two different endings: a pessimist ending for the bourgeoisie and an optimist one for the working class, which is far more well known and often the ending distributed in Europe.

No matter what Duvivier himself thought, - is it possible in this society for the working class to stand up and do what they've dreamed of, La belle equipe is a poetic description of its time. It beautifully exhales the optimism of the short era in France before the WWII, which Jean Renoir tried to prevent with his poetic masterpiece La Grande Illusion. La belle equipe is a true national film.

La Belle Equipe / They Were Five (1936): Brief Review -

A fairly realistic take on human greed, friendship and money, which works more with the re-shot optimistic ending than the pessimistic one. Julien Duvivier's Pepe Le Moko with Jean Jabin came the next year, but fortunately, this one realistic film was saved by the negative shades of that poetic surrealism. La Belle Equipe comes out with a funny and lighthearted film first and then turns serious. Like every other known French film of that time, it has that disastrous love angle/triangle, but is survived by the idealistic endings. So, the film has two endings: the first one is pessimistic, and it's covered with jealousy and foolish romance that didn't work for me. The second one is positive, where the femme fatale is defeated by friendship, and I liked this one better. My rating will go straight half a mark down for the negative ending and half a mark up for the optimistic one that I liked (it's final). Still, there are some flaws in the film, as it drags unnecessarily despite a short runtime of 100 minutes (including both endings). Like I said, it has that foolish romance to hurt the intelligence, and it's too annoying for a revolutionary French cinema of that time. Well, that's the case with many Jean Gabin and Jean Renoir films of that time; maybe it's just me who thinks otherwise. Anyways, the film makes a fine one-time watch to learn about French ethics of the 30s, as the storyline is very close to reality. 5 friends win a lottery, and their friendship is tested while they use the money to make themselves well-settled. The performances are decent, the screenplay is a bit problematic, and Julien Duvivier's direction is strictly okay. Actually, topics like human greed and jealousy in love triangles have become dated by the mid-30s, so I don't really think there is anything extraordinary here.

RATING - 6.5/10*

By - #samthebestest.

Made at the time when the Popular Front was about to happen,"la belle équipe" perfectly captured the thirties zeitgeist.This was a very optimistic time,and no one could have forecast what would occur in the years to come:1936 Summer saw the first paid vacations .

Jean Gabin was THE French actor of this era,the one who embodied almost everything the audience was dreaming of.Here he plays an employed man,who,with five mates ,wins on the raffle :they decide to buy a guinguette (a café on the banks of the Seine river where you can drink wine and dance).The guinguettes have now completely disappeared in France but it must have been many a Parisian's dream at least till early sixties:just hear the song Gabin sings (he's not dubbed,he used to cut records all along his acting career)telling about fun "quand on s'promène au bord de l'eau" (when go for a stroll along the riverside).There's an almost identical sung sequence in "sous le ciel de Paris"(1952).The guinguettes are part of the past French cinema:Jean Renoir's "une partie de campagne" described them as if he were a painter;ditto the beginning of Jacques Becker's masterpiece "Casque d'or"(1952)which magnificently captured their atmosphere.In "voici le temps des assassins" (1956),his film noir extraordinaire,Duvivier showed a darker side of the guinguettes .

This dark side is already present in "la belle équipe" .Leftish French critics said that the optimistic ending (the team succeeds)was released in the popular theaters ,and the doomed one(the team fails) was shown in chic ones .Modern historians generally do not agree.Duvivier's choice was certainly the pessimist conclusion:it could not be any other way when you know his work,one of the most somber of the French cinema. It must have been filmed first,then the producers asked him to sweeten the screenplay:they were not completely wrong,on account of the historical background.Nowadays,French TV show the two endings in a row.

"La belle équipe" is brimming with camaraderie,joie de vivre and vie en rose.With its happy end ,it's a true oasis,a truce before the flood.Subsequent works such as "carnet de bal" and "la fin du jour" will blight all hopes.

Absolute classic masterpiece. Julien Duvivier's usual thematic (everyone's bad) is here, but stronger and faster. I have seen the two ends - optimist (not very interesting) and pessimist (very hard to find, with german undertitle, but it was the one that Duvivier wants) and the second one broke all my hopes in human race. You must absolutely find the second one, a message from an old time when french cinema was the best in the world.