Adicionar um enredo no seu idiomaJust after a jury finds Ann Grey guilty of murder, the car carrying her to prison crashes into another auto. Ann escapes and ends up in the vehicle of Tony Baxter, a lawyer who has eyes for ... Ler tudoJust after a jury finds Ann Grey guilty of murder, the car carrying her to prison crashes into another auto. Ann escapes and ends up in the vehicle of Tony Baxter, a lawyer who has eyes for her.Just after a jury finds Ann Grey guilty of murder, the car carrying her to prison crashes into another auto. Ann escapes and ends up in the vehicle of Tony Baxter, a lawyer who has eyes for her.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
- Peedles
- (as Robert Grieg)
- Casey
- (cenas deletadas)
- Steve
- (não creditado)
- Jury Foreman
- (não creditado)
- Casino Manager in Nightclub
- (não creditado)
- Matron with Ann
- (não creditado)
- Third Juror Talking to Mike
- (não creditado)
Avaliações em destaque
These two don't have a whole lot of chemistry here but they work well individually. Louise Calhere is as always fine as a sleazy underworld figure, too.
The cinematography of Charles Clarke -- not someone generally associated with film noir in later years -- is beautiful. It employs a lot of exciting shadows.
The movie is part crime drama, part romance, and a little bit comedy. My preference is for movies that stick with one or another of these genres. But "Woman Wanted" works on its own terms: It has sinister moments. It's suspenseful. And we root for the lead couple.
It sounds like the sort of movie that RKO was producing at this time, but this is MGM, and so it has a lot of fine actors, including Lewis Stone, Edgar Kennedy, and Robert Greig as McCrea's inevitable put upon gentleman's gentleman. Even with George Seitz directing, this is pretty weak stuff as screwball. While Greig is funny, everyone else takes the plot points very seriously. There were at least seven screenwriters on this, credited and not, and it loks like almost all the juice was squeezed from it. There are a lot of uncredited people attached, like producer Phil Goldstone, which makes me think no one wanted to be known for it.
Victor J.
Você sabia?
- CuriosidadesTwo years after this film was released, the state of New York passed legislation that allowed women to sit on juries. National recognition via the Supreme Court would come decades later, so it was still left to the states in the meantime. The jury in this film is comprised entirely of men.
- Erros de gravaçãoWhen the car first crashes through the front of the store, it stops in an upright position. In subsequent shots, it is tilted up at a 45 degree angle.
- Citações
Tony Baxter: Peedles! Champagne cocktails - no two ways about it.
Peedles: Yes, sir.
Tony Baxter: [to Ann] You know, two of Peedles' cocktails make you feel like, uh... like, uh...
Peedles: Like the moon in the morning mist, sir.
Tony Baxter: That's it!
Peedles: Thank you, sir.
- Cenas durante ou pós-créditosDuring opening credits, the screens listing names are all rotated about 10 degrees to the left.
- Trilhas sonorasAnchors Aweigh
(1906) (uncredited)
Written by Charles A. Zimmerman
Lyrics by Alfred Hart Miles and R. Lovell
Played on a radio in the boathouse
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Manhattan Madness
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 7 minutos
- Cor
- Proporção
- 1.37 : 1