Adicionar um enredo no seu idiomaJust after a jury finds Ann Grey guilty of murder, the car carrying her to prison crashes into another auto. Ann escapes and ends up in the vehicle of Tony Baxter, a lawyer who has eyes for ... Ler tudoJust after a jury finds Ann Grey guilty of murder, the car carrying her to prison crashes into another auto. Ann escapes and ends up in the vehicle of Tony Baxter, a lawyer who has eyes for her.Just after a jury finds Ann Grey guilty of murder, the car carrying her to prison crashes into another auto. Ann escapes and ends up in the vehicle of Tony Baxter, a lawyer who has eyes for her.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
- Peedles
- (as Robert Grieg)
- Casey
- (cenas deletadas)
- Steve
- (não creditado)
- Jury Foreman
- (não creditado)
- Casino Manager in Nightclub
- (não creditado)
- Matron with Ann
- (não creditado)
- Third Juror Talking to Mike
- (não creditado)
Avaliações em destaque
The story's played in fairly light-hearted fashion and is occasionally amusing, especially when the fetching O'Sullivan plays hide-and-seek with McCrea's feisty fiancée (Ames) in his apartment. Also, relative unknown Robert Greig scores humorously as the butler Peebles. Then too, director Seitz manages to helpfully cover up much of the murky narrative with fast pacing. However, it surprises me that ritzy MGM didn't come up with better projection screens for the action shots behind both boats and cars. All in all, the movie fails to rise above programmer status, even though the two leads show how ready they are for bigger and better things.
These two don't have a whole lot of chemistry here but they work well individually. Louise Calhere is as always fine as a sleazy underworld figure, too.
The cinematography of Charles Clarke -- not someone generally associated with film noir in later years -- is beautiful. It employs a lot of exciting shadows.
The movie is part crime drama, part romance, and a little bit comedy. My preference is for movies that stick with one or another of these genres. But "Woman Wanted" works on its own terms: It has sinister moments. It's suspenseful. And we root for the lead couple.
"Woman Wanted" comes off as a light film because of the interjected comedy supplied by Robert Grieg, who plays Tony's butler, a sweet scene in an empty diner between Tony and Ann, and Tony's efforts to hide Ann from his fiancée Betty (Ames). It's a pleasant enough film because of the cast, but there really isn't anything special about the plot.
The revelation here is the beautiful Ames. I've seen untold thousands of films, not just ones I've reviewed on IMDb, and this was the first time I'd seen her. Her beauty was very much of the young Crawford or Loretta Young, and she was a good actress. Unfortunately she died when she was 39, having left films 7 years earlier to become a commentator and devote herself to bond rallies and war charities. Looking around the Internet, there are certainly people who appreciate her great beauty and sense of style.
You can see O'Sullivan, McCrea and the rest in better films. This is a nice chance to see Adrienne Ames.
Victor J.
Another fun scene takes place in a closed diner where the now two fugitives, Ann and Tony, take shelter following a chase by mobsters during a thunder storm. Ann finds some apple jack and proceeds to get looped. Tony pretends to be the cook when the gangsters arrive and serves them hamburgers that he and Ann intended to eat. The local constable shows up after the hoods leave. He gets pie-eyed too.
This is one of those neat little films where loose ends get tied much too soon making for a fairly abrupt ending, as if the writers ran out of ideas and decided to wrap things up quickly. Still a very watchable comedy drama with some great acting thrown in to make it even more entertaining.
Você sabia?
- CuriosidadesTwo years after this film was released, the state of New York passed legislation that allowed women to sit on juries. National recognition via the Supreme Court would come decades later, so it was still left to the states in the meantime. The jury in this film is comprised entirely of men.
- Erros de gravaçãoWhen the car first crashes through the front of the store, it stops in an upright position. In subsequent shots, it is tilted up at a 45 degree angle.
- Citações
Tony Baxter: Peedles! Champagne cocktails - no two ways about it.
Peedles: Yes, sir.
Tony Baxter: [to Ann] You know, two of Peedles' cocktails make you feel like, uh... like, uh...
Peedles: Like the moon in the morning mist, sir.
Tony Baxter: That's it!
Peedles: Thank you, sir.
- Cenas durante ou pós-créditosDuring opening credits, the screens listing names are all rotated about 10 degrees to the left.
- Trilhas sonorasAnchors Aweigh
(1906) (uncredited)
Written by Charles A. Zimmerman
Lyrics by Alfred Hart Miles and R. Lovell
Played on a radio in the boathouse
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Manhattan Madness
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 7 min(67 min)
- Cor
- Proporção
- 1.37 : 1