Terror no Texas

In this Lone Star production, John Wayne is a sheriff who is tricked into thinking he killed his best friend and that selfsame friend was part of a robbery of an express company.

So distraught is Wayne over this that he quits the sheriff's job and becomes a desert prospector. In these scenes the Duke with that growth of beard on him looks a whole lot like his character Tom Doniphan in The Man Who Shot Liberty Valance.

Wayne does a major reclamation job on himself after he rescues Lucile Browne from a stage holdup. Browne is the best friend's daughter.

Of course in the end the Duke does find out who are the real culprits with the help of some grateful and friendly Indians. How the Indians get into it, you have to watch Texas Terror.

Texas Terror is set in a more modern version of the west. The stage is actually a large sedan and the people out here use telephones. Kind of like the settings of most later Roy Rogers westerns.

Gabby Hayes is on hand as well as the former sheriff who steps back into his job when Wayne quits and LeRoy Mason who was in so many of these Lone Star films for Monogram as well makes a convincing villain as always.

Wayne portrays a Texas sheriff at around the turn of the 20th century who is framed for the murder of his best friend. His best friends daughter finds out about what is believed to be The Sherriff's brutal act, yet Wayne finds out the truth and brings the real killers to justice. Kudos to the Duke!

No need to repeat the plot. This matinée special has a number of interesting features. Reviewer jayraskin1 is right—this is one of the young Wayne's better performances since he has to run a gamut of emotions from shame to anger. He's actually a better actor than these two-reelers required, and I wouldn't be surprised this was a feature where the great John Ford caught Wayne's potential before elevating him to the A-class in Stagecoach (1939). Then too, I enjoyed the old flivver chugging down the road. Sure, there are some questionable anachronisms like the antique telephone. But it's fun and revealing to see these early editions of everyday modern contraptions. Also, the milking contest is a charming hoot, expertly done by the two characters playing the yokels. I wish I could say the same for the leading lady who at one point declaims like she's center stage doing Shakespeare.

But wonder of wonders, catch an apparently well-groomed George (Gabby) Hayes in several scenes where, dare I say it, he looks almost handsome! I'm still wondering about that and whether I should have any more 12-packs while enjoying these oaters. Speaking of visual oddities, is that about ten seconds of a subjective camera in the movie's first part when the scene goes all blurry as though we're peering through the blurry eyes of the leading lady (I believe it was hers and not mine!). If so, it's one of the few subjective shots in a genre not known for arty effects, to say the least. Anyway, I'm glad Lone Star popped enough money to put the larger than usual cast including extras into the piney mountains east of LA. The locale may not be the scenic Sierras, but it sure beats the scrubby hills of city outskirts. All in all, it's a better-than- average entry for fans of the Lone Star- Wayne series.

John Wayne is the local sheriff and in his attempt to stop some would be robbers, he believes that he has killed his best friend,, he is very distraught and winds up quitting his job, and becoming a hired ranch hand in the desert, in the meantime , he helps some Indians with their day to life and problems,, George "Gabby Hayes,, plays the old sheriff , who now has to take the job of sheriff since Wayne quit.. Leroy Mason plays the villain as usual, and does a pretty good job with it. as the film moves on , one of the people he is helping a young girl, who he knows very well is the daughter of his friend,, the man who he believes he has killed, will she find out that he had something to do with it,, in the meantime he has to stop some horse thieves, and eventually it will all lead back to who shot his best friend,, and interesting watch,, not a great western,, but not a bad one either,, middle of the road , maybe a little better.

I've seen this a few times now, but this was the 1st time on DVD with new digital music added to pep it up. Unfortunately it doesn't pep it up, it simply makes you wonder what the producers of the video release were thinking of in messing about with the original soundtrack. They wouldn't have been allowed to ruin 'Frankenstein' with senseless and incongruous dramatic chords sprinkled throughout, so why cheapies like this? This was a budget release, why couldn't they have spent any spare cash on eliminating the frame wobble?

Big John's in good form, with lots of noble deeds to do and the usual Lone Star chases on horseback back and forth across California (not Texas) in 1934. In a case of mistaken identity the heroine says to him that she "doesn't know words vile enough to express her contempt for him". Sadly todays heroines would have no such problem! Nice to see Gabby Hayes just after his last shave!

A good film for fans of the genre, not even marred by the shortness (49 minutes on this DVD) - Wayne made so many of these you'll be lucky to live long enough to see 'em all!