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"Ruggles of Red Gap" is one of Leo McCarey's greatest masterpieces, a witty and trenchant commedia dell'arte, based on a 1915 play by Harry Leon Wilson. It stars the charismatic Charles Laughton as the well-mannered, eccentric English manservant Marmaduke Ruggles who is hilariously Americanized in an American Wild West town of Red Gap, Washington. Ruggles is the devoted servant of the Earl of Burnstead, George Van Bassingwell (Roland Young), who unfortunately loses his efficient servant in a poker game to a wealthy American cattle baron Egbert Floud (Charles Ruggles). Marmaduke leaves his master and moves to Red Gap, where he opens a restaurant and learns to admire the wild west and American mannerisms.

Charles Laughton is nothing short of perfection in one of his wittiest and warmest roles. His extraordinary recital of Lincoln's Gettysburg address to a barroom of speechless cowboys, along with Roland Young and Leila Hyams hysterical rendering of "Pretty Baby," is unforgettable. A must-see!

Marmaduke Ruggles travels to Red Gap, Washington (circa 1908) after the Floud family wins him in a poker game. Ruggles, afraid he will not adjust to wild western life, has his fears come true. When he arrives in town, the citizens think he is a retired British Army officer, and Ruggles has to go on pretending to be something he is not. Originally believing that all he can ever be is a valet, he gets the idea of opening the town's first restaurant with the help of the widow Judson. However, the return of Ruggles' former employer (the Earl of Burnstead) may make Ruggles think of going back into servitude, making think of what Lincoln said is true about all men being equal. While what I wrote seems to play like a drama, don't be fooled it is quite a witty comedy with Laughton giving one of his most best (and surprisingly) best performances actually doing much of it with facial expressions & body language. Everyone else in the cast gives great stereotypical acting jobs, and the script gives plenty of chances for everyone, especially thanks to McCarey's lively direction. Best scene is obviously Ruggles reciting the Gettysburg address in the saloon, another driving point in the film's theme of all men being created equal. Rating, 9.

I thought I saw everything until I saw Charles Laughton do comedy. His range is phenomenal. In one film he is playing Captain Bligh, and here he plays a shy, insecure British butler who ends up out west. Some scenes, although subtle, are hilarious. Laughton, besides being an actor, gave performances in oral reading and recital. Here he does a recital of the Gettysburg Address that is just fantastic. I mean, who would think something every grade school kid had to memorize could be moving. But it is. This movie is for anyone who really appreciates a truly gifted actor.

Charles Laughton was an incomparable actor (did anyone else ever go over the top as much as he did, yet still give brilliant performances?), and he's at the peak of his form in this classic. Laughton is just right as the staid butler who is won in a poker game by a couple from the Old West, circa 1908. Everyone is excellent--Mary Boland and Charlie Ruggles were one of the more popular screen couples of the day, and you'll see why--but it is Laughton who steals the film. His recitation of the Gettysburg Address is a demonstration of his mastery. It should fall flat, but it plays beautifully. See it.

It's my favorite movie. I love it beyond all reason. I have it on VHS (need DVD NOW!) as well as a still reproduction of Charles Laughton in the title role. I named one of my cats Ruggles. In other words, my recommendation is high! That said, I don't want to oversell it. While it contains some admirable themes about throwing off tradition and becoming your own person, it's above all a charming character comedy distinguished by Leo McCarey's signature style of improvisatory naturalism (particularly in comparison to the usual run of mainstream fare). Jean Renoir's famous quote about McCarey being one of the few directors who understood human beings (or words to that effect) is made clear here.

While there's plenty of broad humor, my favorite scenes involve smaller, character-centered moments, such as the sly little courtship scene in which a piano-playing Leila Hyams coaches a smitten Roland Young as he attempts to accompany her on drums.

It's full of colorful characters, priceless dialogue and emotionally involving story arcs. Seek it out -- if you like it one-tenth as much as I do, you'll consider your time well spent.