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Robert Taylor after a few loan outs and small parts got his career launched in this entertaining film about some murders done on a naval vessel. Someone will stop at nothing to see that the Navy does not carry out some tests of a new naval gun.

Frank W. Wead who was the subject of John Ford's Wings of Eagles wrote this story and while there's no threat to Agatha Christie posed by Wead, still it is a most entertaining story.

There are enough red herrings in this story to be a catch for a whole fishing trip. One of the better suspects was Mischa Auer, made up as an Oriental, to play the part of a visiting Asian dignitary. No names mentioned, but he looks very suspiciously like one of the Japanese diplomats photographed at places like the London Naval Disarmament Conference. I think Spig Wead was trying to tell us something there.

We've also got a reporter who can't file his story, an industrialist trying to bribe Taylor, his girlfriend who wants Taylor to leave the Navy, and a few more. When you reach the end it won't be who you might have thought.

Murder in the Fleet was a B picture, running only 70 minutes. Very soon Taylor would be an A list star. With those looks, how could he miss?

The plot is ordinary, but the movie has snappy dialogue, excellent as opposed to wooden acting, good direction and a great cast, including Robert Taylor, Ward Bond, Una Merkel, Jean Hersholt, and Nat Pendleton. It pulls off the comedy part very well. I always like 30s movies because of the witty dialogue and fast-paced, sly insults. Watch it for that if not for the story. It's the combination of acting and dialogue that shines. Many comedies of this or any other era just don't pull it off. The quality of filming is also very good. Look for other familiar faces among the actors. You can see them while they're relatively young.

Robert Taylor is an officer aboard a US Navy ship getting ready to test some new equipment. It's all rather hectic, with strangers aboard, his girlfriend Jean Parker trying to convince him to quit the Navy and come work for her father, a competitor of the firm manufacturing the equipment offering him $25,000 to ensure it fails, and oh yeah, a murder.

It's directed by Eddie Sedgwick from an idea of his, and there's plenty of comedy, with Nat Pendleton and Ted Healy competing for the love of Una Merkel, ambassador Mischa Auer onboard, and so forth. Taylor is stiff in the role, which is a reasonable acting choice, but not terribly interesting. Spig Wead is one of the people credited for the script; this was undoubtedly intended to make sure it has the appropriate navy air, butsome one should have told the art department, because the details on the uniforms are not right. Neither is the mystery aspect particularly good. For Metro it's definitely not an A production despite the large cast, but it was inexpensive enough to show a profit, which is always a plus for the powers-that-be.

This film, made in 1935, is a true reflection of the time. There was something for everyone in this picture: patriotism, a bit if romance and romantic comedy (Una Merkel) and some slap stick. All of the actors performered well and you do find yourself wondering "who done it". OK, I could have done without so much slapstick but I recently saw a film with Crawford and Gable that had The Three Stooges! Robert Taylor, only, 24 years old at the time, was very fine, as always. He made many pictures in 1935, at the time when the studios could roll them out like hot cakes. Some, like Camille, are very famous. He was not in these films only bc he looked good. A number of other commenters here heavily panned RT. For those folks, please remember that what you see on the screen is not the persona of RT but the character he is portraying. This was not an Oscar worthy PART but he does it with such great ease you have no idea he is acting. Part of what made him so exciting on the screen was his extraordinary good looks BUT it is his acting that is the most important. Had he been a total dud in Camille, he would not have continued to have an acting career of more than 30 years....maturing as an actor as he aged, prematurely dying at age 57.

This movie makes me wonder anew how it was that Robert Taylor became such a star. It has to be his looks as his screen persona is, to me, always bland. That said, I'm glad I saw this movie. I found the best part to be the verbal sparring between Nat Pendleton and Ted Healy. Although I recognized many in the cast (especially fun seeing Keye Luke and Ward Bond), I missed reading the opening credits and quite frankly did not recognize Ted Healy and even had I seen his name, I would not have recalled the Three Stooges connection. I remember thinking during the movie "Gee, this guy is really good." So my favorite part of the movie is the one another reviewer found most annoying. Una Merkel as Toots was good but too overtly grasping and Jean Parker was inadequate to the task. I liked Parker in the Kitty O'Day movies but not in this one. The mystery itself is uninspired and basically uninteresting – the culprit was unexpected but logical.