O Lírio Dourado

However down you might be feeling, this will cheer you up. Its warm and uplifting mood will give you a big hug and put a big smile on your face. It's sentimental without being soppy making this a perfect little rom-com.

This might not be a classic but Claudette Colbert is as classic as ever. Besides being the most beautiful woman ever (as we, the enlightened ones realise!), she had that natural ability to make even the silliest role seem completely believable and real. In this, following a romance with one of those hundreds of sons of English Lords in disguise who, according to Hollywood seemed to populate America in the thirties, celebrity is foisted unexpectedly upon her. She copes with this just like any of us would - with incredulity followed by self effacement then reluctant acceptance. Her performance is so natural and so endearing.

Also, I must commend Fred MacMurray! You'd never guess that this was his first lead role - he and the divine Claudette show real chemistry. He was just one of those naturally natural actors.

The story is far from original, the humour's ok though not side-splitting but the intoxicating charm of the three leads makes this something special. The romance is cheesy and corny but it never ventures into the nauseatingly sentimental which a lot of films did back then. No, this has a healthy streak of cynicism flowing through it which adds to its realism.

Claudette Colbert was given two of Paramount's up and coming leading men in The Gilded Lily which holds up very well today because it talks about the cult of celebrity. Ray Milland and Fred MacMurray co-starred with her and in MacMurray's fifth film he became a star.

Fred's a reporter and Claudette's a secretary and they have a regular Thursday date on a bench near the main public library in Bryant Park in New York. They talk about the state of the human condition while munching on popcorn. But one fine day Claudette runs into Ray Milland who is traveling incognito in the USA, he's a titled English Earl whose got a playboy reputation and a fiancé back across the pond.

MacMurray as it were happens to spot Milland and his father C. Aubrey Smith as they're boarding the boat back for the United Kingdom. His reporter instinct takes over and he breaks the story of Milland and Colbert and overnight he creates a celebrity, 'the No Girl.'

What to do, but try and exploit this all around and Claudette working class secretary one day becomes a celebrity like Zsa Zsa Gabor, Pia Zadora, or Jessica Hahn. The cult of celebrity was just beginning back in the day and The Gilded Lily is one of the first films to deal with that phenomenon.

Though MacMurray got his big break in this film after four other films which he didn't make much of an impact, the film really does belong to Claudette Colbert. She's got some great comic moments here, getting drunk and passing out under a nightclub table while MacMurray and owner Luis Alberni are discussing putting her in his club.

Of course Claudette doesn't sing or dance or do card tricks, so what will she do once she gets there. Another great moment is Claudette taking singing lessons from an exasperated Leonid Kinskey. This might have been the inspiration for the scene where Fortunio Bonanova tries to resign from giving singing lessons to Dorothy Comingore in Citizen Kane. Of course this one is played strictly for laughs as poor Colbert tries to croak out a song.

Claudette Colbert doesn't sing or dance or do card tricks, but give her her due as one of the best screen comediennes films had back in the Thirties. She's at her very best in The Gilded Lily and what the film says about celebrities and what it takes to be one is probably more true today than back in 1935. Don't miss this one if broadcast

Claudette Colbert is Marilyn, "The Gilded Lily" in this 1935 film also starring Ray Milland and Fred MacMurray. Colbert plays a young woman who hangs out with a reporter friend, Peter, (MacMurray) as she waits to be swept off her feet. Enter Milland as Charles, a duke visiting the U.S. incognito. They fall in love, and he decides that he wants to marry her instead of his fiancée back in England. His father (C. Aubrey Smith) talks him into breaking up with the fiancé the honorable way: return to England, see her face to face, and then return to the states. Peter, who has no idea that Charles is Marilyn's dream man, gets wind of the royalty and blows their identity in the paper. Marilyn thinks Charles lied to her about his feelings and is simply returning to England to get married. When Peter realizes Marilyn fell for Charles, his paper does a scandal sheet-type job on Marilyn. Before she knows it, she's the '30s version of a Tiger Woods' girlfriend and launched into a singing career.

It's all very odd -- MacMurray acts like a total jerk, and Charles apparently assumes she's been sleeping with Peter and invites her for a weekend at an inn when she's in England doing her act. She really should have dumped both of them, but she chooses one instead.

Colbert is very beautiful, and this was a breakthrough role for MacMurray. Milland is very charming - he came up through the ranks slowly and can be seen uncredited in "The Man who Played God" in 1931.

Dated but pleasant, basically thanks to Colbert.

Get that cast... Claudette Colbert, Fred MacMurray, Aubrey Smith, Ray Milland, Don Meeks. all so good. Marilyn (Colbert) and Pete (Mac) are buddies, working in new york city. When Marilyn bumps into Charles Gray (Milland), she gets all flustered, and they spend the next couple days running around the city together. but Gray must return to england to break it off with his fiancee. Marilyn sees the photos of Lord Gray in the paper, and thinks he has lied to her... he had, but only to break it off with the one back home. another little problem that snowballs into something much bigger, since someone couldn't tell the truth to begin with. Marilyn hits it big as a singer, and now things really turn around for her. can they pick up where they left off? Aubrey Smith was always the uncle, the congressman, the wise judge. here, he's Gray's father, and wants to avoid any whiff of scandal to protect the family name. Colbert and Milland had been around hollywood a bit, but this was one of MacMurray's first credited roles. it's fun to watch it all happen. liberal use of backdrops. clearly there was a magic between Colbert and Mac. directed by Wes Ruggles.was nominated for Cimarron. he had started in EARLY silents as an actor, and carried on with directing, into the talkies. had worked with the Chaplins. his brother Charles Ruggles was hilarious in so many comedies. Watch this one. shame they don't show it very often.

... as well as his first collaboration with Claudette Colbert. MacMurray plays reporter Peter Dawes who has been thoroughly "friend-zoned" by Marilyn David (Colbert) a stenographer. Every Thursday night, the two friends meet on a secluded bench in Manhattan. They eat popcorn, tell each other about their life, and "watch the world go by." It's obvious that Peter has a crush on Marilyn, but she's set on his being her good friend.

Later, she meets Charles Gray (Ray Milland), a young man with whom Marilyn is instantly smitten. One day, Charles announces that he is going to England for business and will return. Marilyn is sad, but understanding. Later, Peter learns that Charles was hiding a secret and he's actually part of the British aristocracy. He and his father (C Aubrey Smith) were traveling in New York City incognito. Marilyn also learns that Charles was actually engaged, when she was led to believe that they would be married. Marilyn ends up giving Charles the heave ho.

All while this is going on, Peter is in the background looking out for his friend, Marilyn. He learns about Charles' deception and later does not care for how he treats his friend. Peter uses his position at the newspaper to plant some stories about Marilyn, whom he nicknames the "No Girl," and how she dumped Charles. The publicity blows up and turns Marilyn into an overnight celebrity. Her celebrity grows to the point that she's even headlining a nightclub act even though she cannot sing or dance.

This was a really sweet movie. I loved the rapport between Fred MacMurray and Claudette Colbert's characters. I didn't expect the twist with Milland's character and I always love to be surprised by a movie. The ending of the film came as no surprise, but it honestly was the only ending this film could have. I highly recommend this film to anyone who enjoys a sweet romantic comedy.