AVALIAÇÃO DA IMDb
6,5/10
1,8 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA woman reporter tries to prove she's just as good as any man, but runs into trouble along the way.A woman reporter tries to prove she's just as good as any man, but runs into trouble along the way.A woman reporter tries to prove she's just as good as any man, but runs into trouble along the way.
- Direção
- Roteiristas
- Artistas
Wini Shaw
- Inez Cardoza
- (as Winifred Shaw)
J. Carrol Naish
- Robert Cardoza
- (as J. Carroll Naish)
Selmer Jackson
- Joe Davis
- (as Selmar Jackson)
Miki Morita
- Fuji
- (as Mike Morita)
Ernie Alexander
- Elevator Operator
- (não creditado)
Avaliações em destaque
Bette Davis and George Brent are sort of engaged. They are also reporters on competing newspapers who keep swiping each others' stories in this fast-paced Warner Brothers movie, with the full stock company on display, in this engaging effort.
Warner Brothers worked these two actors hard in 1935. Brent made seven movies in 1935, Miss Davis five. Director Michael Curtiz also worked the script hard. He seems to pack two hours of dialogue into 82 minutes, mostly by having the actors start talking the instant the previous speaker has finished. There's tremendous chemistry between the two leads; they worked together in eleven movies. It's that chemistry that carries the movie, given a standard script; RKO seems to have made essentially the same movie twenty times to less effect.
Warner Brothers worked these two actors hard in 1935. Brent made seven movies in 1935, Miss Davis five. Director Michael Curtiz also worked the script hard. He seems to pack two hours of dialogue into 82 minutes, mostly by having the actors start talking the instant the previous speaker has finished. There's tremendous chemistry between the two leads; they worked together in eleven movies. It's that chemistry that carries the movie, given a standard script; RKO seems to have made essentially the same movie twenty times to less effect.
Bette Davis and George Brent star in "Front Page Woman," a 1935 film from Warner Brothers.
Davis and Brent, of course, were often paired, and they make a cute couple here. Davis is reporter Ellen Garfield, and Brent is ace reporter Curt Devlin. They're in love, but competitive at the same time, Ellen determined to prove herself.
Given the time period, Curt pooh-poohs Ellen's abilities, because of course as a married woman, she isn't going to be working. But she's not marrying him until she proves herself, and as far as working after marriage -- well, we'll see.
The two compete getting the story on a murder case, even listening at the keyhole during jury deliberation and both reporting opposite verdicts - and both making headlines. It's a game of oneupmanship all the way through.
Surprisingly feminist in its tone at the end, "Front Page Woman" is a fun film, with a hilarious performance by Roscoe Karns as a photographer thrown in. Always great to see Davis at any age. Here, young, blond, and vivacious, she's adorable.
Davis and Brent, of course, were often paired, and they make a cute couple here. Davis is reporter Ellen Garfield, and Brent is ace reporter Curt Devlin. They're in love, but competitive at the same time, Ellen determined to prove herself.
Given the time period, Curt pooh-poohs Ellen's abilities, because of course as a married woman, she isn't going to be working. But she's not marrying him until she proves herself, and as far as working after marriage -- well, we'll see.
The two compete getting the story on a murder case, even listening at the keyhole during jury deliberation and both reporting opposite verdicts - and both making headlines. It's a game of oneupmanship all the way through.
Surprisingly feminist in its tone at the end, "Front Page Woman" is a fun film, with a hilarious performance by Roscoe Karns as a photographer thrown in. Always great to see Davis at any age. Here, young, blond, and vivacious, she's adorable.
Ellen Garfield (Bette Davis) and Curt Devlin (George Brent) are combative reporters at rival newspapers who are in a relationship. She faints during an execution and he tries to cover for her. She gets into trouble after he files the same story to both papers. They continue their back and forth banter while she refuses to marry him. They start following the same story of a Broadway murder mystery.
The first notable aspect is that she's not a good reporter for the first part of the movie. I'm surprised that a woman wouldn't be fired or at least demoted to wedding announcements after fainting. Nevertheless, the dialogue is snappy. The leads especially with Davis are fun. It's light except for the murder. My only complaint is that this movie needs more time with the leads together. They should be investigating as a team but trying to scoop each other in print.
The first notable aspect is that she's not a good reporter for the first part of the movie. I'm surprised that a woman wouldn't be fired or at least demoted to wedding announcements after fainting. Nevertheless, the dialogue is snappy. The leads especially with Davis are fun. It's light except for the murder. My only complaint is that this movie needs more time with the leads together. They should be investigating as a team but trying to scoop each other in print.
In this film, Bette plays Ellen Garfield, the sole female reporter for The Daily Star. Bette's character is engaged to Curt Devlin, portrayed by the ever reliable George Brent. Brent's character is also a reporter at the rival newspaper. Brent keeps pressuring Davis to marry him, but she won't until he admits that she is as good a "newsman" as he is. It seems that Brent, along with all the other men in this film, feel that Davis couldn't possibly be a good reporter, because she's a woman. As per usual in these types of films, Davis sets out to "scoop" her fiance and not only prove to him that she's a good newsman, but also prove to her employer and herself.
Davis and Brent both arrive at the scene of a fire to get the story for their respective newspapers. Davis' story ends up being a fluffy writing piece about the fire. Brent's story on the other hand, involves a missing persons case that results from the fire. Of course, Davis' employer is furious that her story is nothing and Brent found an angle that no other newspaper found. Davis is close to being fired, but she promises her employer that she'll come back with a new story, something really great and exclusive.
The remainder of the story involves Davis and Brent both investigating the same missing person case and trying to "out-scoop" each other at every turn. Davis has to continually deal with chauvinistic comments from her fiance and colleagues which only fuels her desire to prove them all wrong.
I thought this was a really fun film and enjoyed how the story and mystery progressed. While Brent is never exciting, I thought he was fine in this film and was a good foil for Davis. I can see why she made so many films with him--he was never going to outshine her. Perhaps this is why she didn't get along with male co-stars like Errol Flynn.
Davis and Brent both arrive at the scene of a fire to get the story for their respective newspapers. Davis' story ends up being a fluffy writing piece about the fire. Brent's story on the other hand, involves a missing persons case that results from the fire. Of course, Davis' employer is furious that her story is nothing and Brent found an angle that no other newspaper found. Davis is close to being fired, but she promises her employer that she'll come back with a new story, something really great and exclusive.
The remainder of the story involves Davis and Brent both investigating the same missing person case and trying to "out-scoop" each other at every turn. Davis has to continually deal with chauvinistic comments from her fiance and colleagues which only fuels her desire to prove them all wrong.
I thought this was a really fun film and enjoyed how the story and mystery progressed. While Brent is never exciting, I thought he was fine in this film and was a good foil for Davis. I can see why she made so many films with him--he was never going to outshine her. Perhaps this is why she didn't get along with male co-stars like Errol Flynn.
10whpratt1
Greatly enjoyed this Betty Davis film which I had never viewed and found Davis at her very best in appearance and in a very light hearted role she portrayed as Ellen Garfield. I believe Davis was around 27 years of age when she appeared in this film and she was very charming and had a good supporting actor, George Brent, (Curt Devlin) who was a star reporter for his newspaper and was in competition with Ellen Garfield to get the big scoop or headline stopper for their respective newspapers. This couple were also love birds who had intentions to get married only under certain terms they agreed upon together, a sort of contest that would lead to some very important big steps in their lives. Veteran actor Roscoe Karns, (Toots O'Grady) was the photographer for Curt Devlin and gave a great supporting comical role through out the entire picture. This is a very enjoyable 1935 Classic film and I believe that Davis and Brent both gave outstanding performances. Enjoy.
Você sabia?
- CuriosidadesOne of eleven films Bette Davis starred in with George Brent.
- Erros de gravaçãoWhen Robert closes the French doors of the brightly lit and gated elevator at the 48 Kingston building, you could see the silhouette of the gates being shut and also as the elevator begins its ascent. But as the elevator is shown passing each floor, the gates are no longer seen. Additionally, when the elevator stops, the doors open immediately and Robert quickly exists the elevator without any signs of him pulling the elevator gates open nor are the gates even seen.
- Citações
Ellen Garfield: You make me so mad I could... well, I could spit!
- ConexõesFeatured in AFI Life Achievement Award: A Tribute to Bette Davis (1977)
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Front Page Woman
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 22 min(82 min)
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1
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