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IMDbPro

Folies Bergère de Paris

  • 1935
  • Approved
  • 1 h 22 min
AVALIAÇÃO DA IMDb
6,5/10
361
SUA AVALIAÇÃO
Maurice Chevalier, Walter Byron, Merle Oberon, and Ann Sothern in Folies Bergère de Paris (1935)
ComédiaMusicalRomance

Adicionar um enredo no seu idiomaAn entertainer impersonates a look-alike banker, causing comic confusion for wife and girlfriend.An entertainer impersonates a look-alike banker, causing comic confusion for wife and girlfriend.An entertainer impersonates a look-alike banker, causing comic confusion for wife and girlfriend.

  • Direção
    • Roy Del Ruth
  • Roteiristas
    • Rudolph Lothar
    • Hans Adler
    • Jessie Ernst
  • Artistas
    • Maurice Chevalier
    • Merle Oberon
    • Ann Sothern
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,5/10
    361
    SUA AVALIAÇÃO
    • Direção
      • Roy Del Ruth
    • Roteiristas
      • Rudolph Lothar
      • Hans Adler
      • Jessie Ernst
    • Artistas
      • Maurice Chevalier
      • Merle Oberon
      • Ann Sothern
    • 13Avaliações de usuários
    • 3Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 3 vitórias e 1 indicação no total

    Fotos13

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    Elenco principal99+

    Editar
    Maurice Chevalier
    Maurice Chevalier
    • Eugene Charlier…
    Merle Oberon
    Merle Oberon
    • Baroness Genevieve Cassini
    Ann Sothern
    Ann Sothern
    • Mimi
    Eric Blore
    Eric Blore
    • Francois
    Ferdinand Munier
    Ferdinand Munier
    • Morrisot
    Walter Byron
    Walter Byron
    • Marquis René de Lac
    Lumsden Hare
    Lumsden Hare
    • Gustave
    Robert Greig
    Robert Greig
    • Henri
    Ferdinand Gottschalk
    Ferdinand Gottschalk
    • Perishot
    Halliwell Hobbes
    Halliwell Hobbes
    • Monsieur Paulet
    Georges Renavent
    Georges Renavent
    • Premier of France
    Phillip Dare
    • Victor
    Frank McGlynn Sr.
    Frank McGlynn Sr.
    • Joseph
    Barbara Leonard
    Barbara Leonard
    • Toinette
    Olin Howland
    Olin Howland
    • Stage Manager
    Mary Adair
    • Ensemble
    • (não creditado)
    Richard Allen
    • Bartender
    • (não creditado)
    Lois Bailey
    • Ensemble
    • (não creditado)
    • Direção
      • Roy Del Ruth
    • Roteiristas
      • Rudolph Lothar
      • Hans Adler
      • Jessie Ernst
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários13

    6,5361
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    Avaliações em destaque

    71930s_Time_Machine

    Maurice Chevalier in a fabulous Jessie Matthews type movie

    I had no idea this would be as good as it was. I had thought that the only musicals worthy of watching were Busby Berkley's famous four: 42nd STREET to DAMES, Fred and Ginger's at RKO and Jessie Matthews' at Gaumont-British since everything else was just a cheap, unimaginative copy. Now I know better - this is a great - what a revelation!

    It doesn't start off too promising, the first ten minutes is just Maurice Chevalier doing his thing but then it steps into action so don't be put off by the beginning. This picture has everything and more you'd expect from an absolute top notch 1930s musical-comedy: a proper story, jaunty songs, romance, a genuinely funny script, likeable characters you're interested in, spectacularly choreographed dance numbers, a silly but not stupid plot and an overall uplifting, happy feel.

    Because Daryl Zanuck, when at Warners oversaw the original Busby Berkeley musicals, you might have thought that when he started up Twentieth Century Pictures he'd simply try to copy his earlier success by making something similar. He was cleverer than that. Whilst Warner Brothers continued tiredly to churn out the same old story with the same old cast over and over again, each time getting worse and worse and worse, Zanuck gave us something different. We've still got a few Busby Berkley type routines but this is not really comparable say to the gritty glory of GOLD DIGGERS OF 1933, this is more of a traditional light comedy (if you were to compare it wouldn't be as good, but ten or twenty times better than '..of 35' or '..of 37') Even with directorial skill of Roy del Ruth, poached from Warners, the style of this is cleaner, more stylish, closer in feel to the Jessie Matthews musicals Gaumont-British were producing such as EVERGREEN - not just because they often feature her in a silly story of mistaken identity as well. In some ways Maurice Chevalier himself is a little like her inasmuch that what makes this film so enjoyable is the personality of its star. Like with Jessie Matthews, his personable and engaging personality simply gushes through the screen at you and you can't help feeling that he is smiling directly at you - he actually sings better than she does but he would certainly not look as good in one of her sexy dresses!
    5mojo2004

    It's fun seeing all three

    The Fox Movie Channel showed all three versions of this story today starting with "That Night In Rio" then "On The Riviera" and ending with "Folies Bergere" I live Danny Kaye and Don Ameche so I won't pick a favorite I just like the idea of seeing different versions of the same film all at once.I also love old movies so this one was enjoyable too. Great musical numbers.No one misses the old movie houses more than me it's just not the same watching the films from the 30's,40's and 50's etc on VHS or DVD.My wish would be to have a bunch of same titled movies run on the same day in an old theatre and then turn up the lights and talk about them.This one is a great start.
    6planktonrules

    Very pleasant but not one of Chevalier's best

    In the early to mid 1930s, Maurice Chevalier made some exceptional American films such as LOVE ME TONIGHT and THE MERRY WIDOW. While I usually am not a fan of Jeanette MacDonald films, his presence elevated them to great heights thanks to his on screen personality and lovely singing voice. While this film is fun and is well worth seeing, it is clearly several steps below these other films in quality--mostly because the script is a tad silly. The main idea is a giant cliché. The audience is supposed to believe that there are two men who are unrelated who look and talk exactly alike. While such an idea worked pretty well in THE PRINCE AND THE PAUPER and THE PRISONER OF ZENDA, here the writing wasn't good enough to enable many audience members to accept this idea--especially because the two are so exact that even a wife cannot tell the difference! If you can ignore the central idea as well as the film going on a bit too long and having too many Busby Berkeley-style dance numbers, you are left with a film that is still worth your time and is a little better than your standard time-passer.
    6Handlinghandel

    Oberon Looks Ravishing

    A risqué farce. Maurice Chevalier in a dual role is two more Chevaliers than I might want. But here he is amusing -- both as the performer and the Baron the performer impersonates.

    There are two cute dance routines that seem patterned after Busby Berkeley.

    Ann Sothern is, as always, a delight. She plays Chevalier's on-stage partner. Merle Oberon looks very exotic. The fist shots of her are breathtaking. Today, when ethnicity is less a matter of concern for stars, she might have retained that look. It could have made her an even greater draw. Truly, I have never seen her looking more beautiful.
    8bkoganbing

    Masquerade

    Fans of the Grand Boulevardier Maurice Chevalier get a double treat in this film with Maurice starring in a dual role, as a millionaire titled financier and as a song and dance man who looks like the aforementioned baron and has a happy knack for impersonating him. In fact his impersonation is the hit of the review that the song and dance man is starring in at the Folies Bergere.

    Which gives some of the baron's confederates the idea to have the song and dance man replace the baron at a reception while the baron makes a secret trip to London where if he doesn't pull off a financial coup, his fortune is history.

    The people most confused in this comedy of mistaken identity are Merle Oberon as the wife of the baron and Ann Sothern as the song and dance man's girl friend and partner. Nobody bothers to clue them in and most of the comedy revolves around them. Especially Sothern who has a nasty temper when she thinks she's being trifled with. And both Maurices are big in the trifling department.

    Folies Bergere was the last American production that Maurice Chevalier would appear in for over 20 years until Billy Wilder's Love In The Afternoon. If you wanted to see Chevalier you had to live in a big city and hope one of his French films would be playing at an art house. Maurice did leave America in a spectacular way, the film has more glitz in it than anything else he was in since Paramount On Parade.

    In fact Folies Bergere with its glamorous production numbers resembles a Warner Brothers product with Busby Berkeley choreography more than any of Chevalier's previous films. But with the title of Folies Bergere, 20th Century Films wanted to make it look as colorful as the real Folies Bergere was.

    The score is serviceable and Darryl Zanuck had the good sense to include Chevalier standard Valentina in it. Chevalier first introduced this and recorded it in 1925. It was his first big hit and came from a Parisian revue and it launched his career as a star.

    Eric Blore stands out in this cast as the baron's valet who is also not let in on the masquerade. His reactions and general demeanor are very funny indeed.

    Fans of the eternal Maurice should not miss this one.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Darryl F. Zanuck invited many songwriters to write songs for the production in a competition, and then let Maurice Chevalier select those he wanted to sing. Without hesitation, Chevalier chose the songs of Jack Meskill and Jack Stern.
    • Citações

      Perishot: Please, Monsieur Charlier. You know that kissing is not hygienic. Doctors claim that millions die each year from kissing.

      Eugene Charlier: [kissing Mimi] Oh, yes? But what a pleasant way to die! Darling, kill me quick!

    • Conexões
      Alternate-language version of L'homme des Folies Bergère (1935)
    • Trilhas sonoras
      Valentine
      Music by Henri Christiné

      Lyrics by Albert Willemetz

      Sung by Maurice Chevalier

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    Detalhes

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    • Data de lançamento
      • 22 de fevereiro de 1935 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Francês
    • Também conhecido como
      • Folies Bergere
    • Empresa de produção
      • 20th Century Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

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    • Tempo de duração
      • 1 h 22 min(82 min)
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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