Adicionar um enredo no seu idiomaA serious case of emotional neglect brings door-to-door Christmas cards salesmen, Stan and Ollie, at the house of an inconsolable wife who is convinced that her artist husband doesn't love h... Ler tudoA serious case of emotional neglect brings door-to-door Christmas cards salesmen, Stan and Ollie, at the house of an inconsolable wife who is convinced that her artist husband doesn't love her anymore.A serious case of emotional neglect brings door-to-door Christmas cards salesmen, Stan and Ollie, at the house of an inconsolable wife who is convinced that her artist husband doesn't love her anymore.
- Direção
- Roteiristas
- Artistas
- Cafe patron having portrait drawn
- (não creditado)
- Nose-Blowing Boarder
- (não creditado)
- Policeman
- (não creditado)
- Policeman
- (não creditado)
- Waiter at Café des Artistes
- (não creditado)
- Bartender at Café des Artistes
- (não creditado)
Avaliações em destaque
Aspect ratio: 1.37:1
Sound format: Mono
(Black and white - Short film)
Stan 'n' Ollie are hired to 'seduce' a desperate housewife (Mae Busch) who wants to inspire a jealous reaction from her uncaring husband (Charles Middleton). However, the plan backfires when Middleton determines to take deadly revenge against these 'home-wreckers'...
Lively stuff from L&H's glory days, a reworking of their silent short SLIPPING WIVES (1927), played to the hilt by a note-perfect cast, and constructed with just the right amount of tact and discretion by director Charles Rogers. A formidable presence in so many films of the era, Middleton - later to star as 'Emperor Ming' in the "Flash Gordon" serials - plays the villain with deadly seriousness (complete with silent movie mannerisms and exaggerated indignation), which renders proceedings all the more amusing, while L&H blunder their way into trouble at every turn. Watch out for the memorable diner sequence, which includes Stan's famous response to a ringing telephone.
The story is a bit daft, and it's true that this isn't one of Stan & Ollie's stronger shorts, but those two only have to appear on screen to make us smile. They sell greeting cards in this one, and Stan is the writer of such gems as 'A Merry Christmas, husband, a happy New Years nigh, I wish you Easter Greetings, hooray for the fourth of July.' 'We call that our four-in-one,' Ollie advises the unhappy wife.
An enjoyable short that allows Laurel and Hardy to do good physical work as well as their verbal banter. The card sales pitches they do are simply `wacky' and display a nice touch of the absurd (the 4-in-1 card that covers all seasons!). I was a bit taken a back by hearing Laurel offer to `make love' to the woman but it is a different time and meant kiss etc. The build up to the duel is more verbal humour than physical and is funnier for it.
Laurel's confused story telling is good value and Hardy's reactions are pure gold. The support cast are all pretty good whether it be the comedy drunk, the upset wife or the vengeful husband, they all play their part and enable Laurel and Hardy to bounce off them with ease.
Overall this is a very enjoyable short that allows the duo to play down the pratfalls and play up the verbal and performance comedy.
This was a good switch for Stan and Ollie, and with Charles Middleton playing the "deadly serious" husband, who happens to know how to use a gun! Middleton was always a fun bad guy for Laurel and Hardy, usually playing a bitter, revengeful chap, ready to strangle them. In one goofy bit, Hardy phones him and lets the insults fly, followed by Stan, prompting Middleton to hang up and declare he'll kill them both, the sooner the better!
By the way, Mae Busch never looked lovelier, and exceptionally well dressed, as opposed to her usual exasperated housewife roles opposite Hardy. Not to forget she was a leading dramatic actress in silent films. Arthur Houseman is again cast as a loony drunk (with an ice pack on his noggin), one of the boys customers, probably the best actor ever to play such a role.
The bedroom scene with the cops carrying Stan and Ollie (who drank too much also) into Mae's room ---before her husband arrives --is outrageous. This short was originally computerized colored for vhs with a few other L & H films.
Note that some of Laurel and Hardy's short films are on European dvds that will not play on U. S. made dvd and blu ray players. Be sure to check where the box set was produced.
STAN LAUREL steals the show in his usual bumbling way and ARTHUR HOUSMAN comes close to doing some scene-stealing of his own as a drunken neighbor.
It's foolish stuff, of course, typical of the sort of scrapes Laurel and Hardy were famous for, their Christmas card greetings written by Stan being both dismal and daffy.
Middleton is excellent as the villain of the piece, playing his part without a trace of humor in order to make him the fearsome character he is as Busch's jealous hubby.
Good for a few laughs, but definitely not one of the duo's best.
Você sabia?
- CuriosidadesNear the end, when Stan and Ollie are back in Pierre's studio, viewers can see that he repeatedly slashed the painting of his wife.
- Erros de gravaçãoPart of Arthur Housman's costume (a fur coat) is visible through the window of the café as he is waiting for his cue.
- Citações
Stanley: Did you ever have a mother?
The Drunk: Oh! Now, you hit me.
Oliver: That's fine. We have one here dedicated to mothers. May I read it to you?
The Drunk: Read it.
Oliver: [reading the greeting card] "Merry Christmas, Mother, Merry Christmas Ma, Hi! Mommy Mommy, And a Hot-Cha-Cha"
The Drunk: A beautiful thought.
- Versões alternativasAlso available in a computer colorized version.
- ConexõesFeatured in Tratamento Fatal (1991)
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- The Fixer Uppers
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 20 min
- Cor
- Proporção
- 1.37 : 1