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Barbara Stanwyck, as I have mentioned in other reviews, was a tough woman but a likable one, at least with me. I don't normally go for those tough dames but her voice and personality she brought to a lot of roles always attracted me. A case in point was this movie. I doubt if another actress would have made this a better-than-average film, which Stanwyck did.

Preston Foster's character in here, meanwhile, undergoes one of the fastest transformations I've ever seen on film, from arrogant pig to very likable good guy in no time at all. In fact, he turned out to be such a good guy that parts of this film, where "Toby Walker" was wronged, are difficult to watch.

There's a little humor also thrown in this western, mainly involving "Sitting Bull." It's been a long time since I've seen this film but I would definitely watch it again if it came out on DVD.

A decent Thirties era melodrama loosely based on the life of Annie Oakley. I looked into Oakley a bit after seeing this film, and her life has been highly fictionalized. Oakley was a bit of a feminist for her day, and that did come through a little bit in the film. (Rational feminism, not the semi-nutty political feminism of recent decades) Barbara Stanwyck did a jam-up job playing the backwoods girl, and looked awesome doing it. (of course) Oakley, for all her talent, was a bit deficient in the hotness factor. But, hey this is a movie.

The film heavily featured Buffalo Bill's Wild West Show, and I wonder a bit how close they were to accuracy on that. After all the show was still in living memory when this movie was filmed. No buffalo were shown, although they were alluded to once. I suppose they were very scarce in those days.

Anyway, I liked the film more than I expected to. Check it out.

George Stevens directs this biography on the early career of sharp-shooter Annie Oakley as if it were a star-crossed lovers' tale, replete with heartache and self-sacrifice. Backwoods girl from Ohio in the 1890s enters a shooting contest against world's champion Toby Walker and nearly beats him; this leads to a co-starring spot in Buffalo Bill's traveling western show, where the primrose gal becomes a star and falls in love with competitor Walker. Barbara Stanwyck was born to play Annie Oakley, yet her performance isn't the raucous hoot one might expect (this is director Stevens' fault, who lingers on Annie's sympathy and compassion for others so long, it makes her seem like a bleeding-heart). Still, Stanwyck is the reason to watch, and she's best in the film's first-half--when Annie still has a little gumshun in her and playful self-assurance. Stevens seems more interested in the budding love story between Oakley and Walker than in creating an actual document of Oakley's colorful life (which we are told at the start was stranger than any fiction). Certainly a good try, with funny bits of business happening along the sidelines and plenty of blustery character actors in support. **1/2 from ****

Fictionalized biography of real-life sharpshooter Annie Oakley. As with all Hollywood biopics, past and present, it plays fast & loose with the facts. These things usually don't bother me, as long as the movie is entertaining. This one is pretty good, with a great performance from Barbara Stanwyck. Also good work from Preston Foster, Moroni Olsen, Melvyn Douglas, and a quality supporting cast. Loved Chief Thunderbird as Sitting Bull and Iron Eyes Cody as his translator. The highlight of the movie is the footage from the wild west show.

As with the later Annie Get Your Gun, this features the scene where Annie throws a shooting contest so her man won't look bad. The real-life Annie actually beat her guy, Frank Butler, and later married him. He was happy for her to have the spotlight. So a guy in the late 19th century was more secure with himself than the men involved with making these stories in the 20th century.

I've always loved Annie Oakley. I've always loved Barbara Stanwyck too. I'm sure one is related to the other. This used to be one of those old, mid-morning movies that was shown fairly often. If you stayed home from school, (ahem) SICK, you got to see it. Cowboys, Indians, Buffalo Bill, his Wild West Show, sharpshooting, a (yucky) love story, and the charming and beautiful Barbara Stanwyck. Hmmm, what a way to recover enough to return to school!!! Barbara Stanwyck was a liberated woman playing liberated roles long before it was in vogue.

Great license is taken with history, but this film was made when heroes were bigger than life and legend ruled. It's a nicely told story, tracing the life of a young girl, from the backwoods to a life of world-wide celebrity (yes, and love too). "Annie's" skills were real, but she had lots of help learning "showmanship". There are a lot of funny moments, warm moments, and selfless (O Henry type) acts. These "flesh" out the story and lead you right into a joyous ending. (AIN'T LOVE GRAND!)

Very nicely done, it will please "new" audiences and old-timers alike. The younger crowd should especially like "Annie Oakley". They don't make movies like this anymore. It's a fitting tribute to Annie Oakley, American legend, and folk hero.....

PS--- I gave this a 9 out of 10 rating. I was tempted to give it a 10, after all, it was made in 1935 and is still good....

This film is listed under the "western" genre, but it is not a western, unless you consider Cincinnati part of the wild west. Also it is listed as a drama, which is true, but it also contains comedic elements, often attributable to the Sitting Bull character.

People write about how fictionalized the story is, but actually many of the main elements of the story are true.

In the film, Toby Walker (Preston Foster) is a sharpshooter from New York who visits Cincinnati for an exhibition. There he signs a contract to perform in Buffalo Bill Cody's Wild West Show. Most of that is true, though his real name was Frank Butler and he was from Ireland.

While in Cincinnati, he makes a wager with a local inn owner that he can beat any challenger. The innkeeper calls on Annie Oakley (Barbara Stanwyck) to do the shooting. In real life, the name "Annie Oakley" came shortly afterward and Annie wins the contest, unlike in the film where she loses intentionally because she feels sorry for Toby.

Annie also signs up with Buffalo Bill and the story follows both trick shooters on the tour. I will not detail the remaining storyline, but it bears a resemblance to "A Star is Born".

As depicted, Annie really was from Ohio--a small hamlet named North Star. She was born in a log cabin and actually had a very hard childhood.

Toby Walker is portrayed as a rather nasty guy, at least at first. The same approach was later used in "Annie Get Your Gun" on stage and screen. But the film has a great Hollywood ending.

The depiction of the Wild West Shows is abbreviated but accurate. It is almost like viewing a piece of history. When the film starts, the year is approximately 1875. The Battle of Little Bighorn took place in 1876, so tales of "dangerous" Indians were current. Sitting Bull really did join the show for about four months, though it was later, approximately 1884. He and Annie did develop a special bond.

My point in mentioning this bit of history is to explain that the timing in the film may not have been totally accurate, but the appearance of Sitting Bull in the Wild West Show was a remarkable thing, so it is understandable that the script writers wanted to include him in the story.

The film does a good job of portraying Annie as the nearly mythical person she actually was. I like Barbara Stanwyck's portrayal. Though Ms. Stanwyck might be more of a looker than Annie, the real Frank Butler did marry her and was dedicated to her throughout his lifetime.

I wanted to like this RKO biopic of Little Sure Shot, but liabilities kept getting in the way. First, it's really not well written at all. The romance between Annie and Frank Butler (here called Toby Walker; guess he, or his heirs, didn't want him mentioned) is undeveloped. We don't see what attracts them to one another, and, as played by the uncharismatic Preston Foster, he's rather a jerk. Poor Melvyn Douglas, as the Wild West Show's manager, is left on the sidelines, with nothing to play. Stanwyck is sincere and appealing, but her Brooklyn accent keeps sneaking into the Ohio-bred Annie's dialogue, and Chief Sitting Bull is portrayed as an idiot, among a good deal of Indian stereotyping. Pert Kelton is stuck playing an unconvincing femme fatale, and the comedy is limited to a) Sitting Bull's idiocy and b) laughing at drunks. George Stevens was learning his craft, and manages some exciting sequences, and the 1880s period atmosphere is strong. But it has an assembly-line feel, and Annie needs more personality than the screenwriters provided. Said Dorothy Fields, who later wrote the book to "Annie Get Your Gun" with her brother Herbert, "We did some research on the real Annie Oakley and Frank Butler and found that they were the dullest people in the world. She used to sit in her tent and knit, for God's sake."

An autobiographical film about the life of famed sharpshooter Annie Oakley: from her humble beginnings to her star making turn in the Buffalo Bill's Wild West Show.

Barbara Stanwyck did not do those tough dames in Warner Bros to become into a woman defined by the Men around her. She kinda hates herself in this film. What whiplash against her Pre Code work. This just falls so far left of her more famed works.

There is a lot to unpack here.

Firstly, this film is made to be a cutesy romcom of sorts. A central love triangle is added into the film that was defiantly leaning towards the stand in for Annie's real husband. It also did not help that she comes off d*ckmatized all throughout for him. It pretty much remove the element of surprise, the will they or won't they trope.

As already mentioned, the characterization of Annie here is so weird. They removed any indication of feminist ideal towards her. Its almost like she is pigeonholed into a pseudo humble housewife. It kinda drown down how revolutionary she is AND makes a point that she is docile.

Acting wise, I think most of the actors make do of what clearly is less materials. Stanwyck as always shines bright in a much less modern role. She literally is that girl that can lift material.

Not recommended.

More people are more familiar with the stage musical, so if you've seen that version, you'll notice the great similarities between it and this 1935 film. While on tour on Buffalo Bill's Wild West show, young and innocent Barbara Stanwyck gets hooked into a shooting contest with the nation's best, Preston Foster. She gets adopted by the traveling troupe and goes on tour, learning about life and love along the way.

Despite her thick Brooklyn accent, Barbara Stanwyck is totally adorable as the title sharpshooter in Annie Oakley. She's little and packs a punch, which is all that the role requires. It doesn't matter what her accent is-just listen to Ethel Merman! Some of the Wild West show scenes are pretty fun to watch, and it looks like the stunt people had a good time. This version is so similar to the musical, you can actually see the actors pause as they wait for their music cues to start singing! Check this one out if you liked the Betty Hutton version.

Annie Oakley (Barbara Stanwyck) is taken with celebrated shooter Toby Walker (Preston Foster). He signs with the Buffalo Bill's Wild West show. During a challenge with "Andy" Oakley, she lets him win. She is invited to join the show.

This is a historical romance of the real life legend. Like the show itself, there is a healthy amount of fictionalization. This is mostly about Barbara Stanwyck's personality and its nice fit with an Annie Oakley character. She can do both sweet and driven. She should be a teenager during the shooting contest with Toby. Otherwise, the romance works well. There are great side characters. This is good.

Probably my favorite rendition of Annie Oakley's life, in big part because of its star Barbara Stanwyck. Barbara stars as Annie Oakley in her first "western" and she is just lovely.

Released ten years after the real Annie Oakley's death, they took a few liberties with her life...like turning her husband Frank Butler into the fictional Toby Walker, played by the handsome Preston Foster. The real life Frank was a sharp shooter but then became Annie's manager who died just 18 days after his wife...seemingly of grief as he reportedly stopped eating and died of malnutrition.

It seems appropriate that such a romantic story deserves this kind of Hollywood romanticized rendition and as a romantic...I loved it! I have never seen Barbara Stanwyk take a wrong step and this film is no exception.

Beautifully filmed in black and white the story begins when the famous sharp shooter Toby Walker pulling into Cincinnati to great fan fare, where a hotel owner and infamous skinflint MacIvor (Andy Clyde) bets him that he knows a shooter who can beat him in a shootout. He is so convinced that he bets $200. What MacIver doesn't know is that the shooter that he just backed is actually a young woman named Annie Oakley, not Andy Oakley. Toby is a bit cocky but does eventually agree to shoot against a woman...who does shockingly well. Annie and her mother overheard the rumblings in the crowd and realize that her winning will cost Toby his job and livelihood. Annie throws the contest but is on the radar of manager and co-owner of The Will Bill show, Jeff Hogarth (Melvyn Douglas), who hires her for the traveling show where Toby is also a new hire.

Toby and Annie become a competitive shooting attraction for the show until Toby is blinded by a gun flash too close to his face when he saves Sitting Bull and accidentally injures Annie's shooting hand.

There is great history shared in this film with wonderful acting put in primarily by Barbara Stanwyk and Melvyn Douglas...who I was secretly rooting for. I think romantics and history buffs alike will enjoy this film, making it onto my recommendation list.

The historical Annie Oakley came from a Quaker family and had an understated, quiet demeanor that often comes as a surprise to people who know her only from the over-the-top Hutton movie or the typically asinine performance of Ethel "One Volume, Full Blast" Merman.

Many people still remembered Oakley the person at the time of this movie; she had passed away only in 1926 and was still a celebrity, shooting perfect hundreds in a row in 1922, aged 62. The source of one of Barbara Stanwyck's great early characterizations, Oakley probably shared personality traits with the actress. Stanwyck was also very quiet and intensely private during the 1930s, socializing on her ranch only with the Jack Bennies, Joan Crawford, and the Joel McCreas.

Box office returns were good, for a Stanwyck of this vintage. They would have been better if RKO hadn't clumsily stepped on the film by releasing 'In Person' only a few days after 'Oakley' came out, causing some competition within RKO's own fanbase. Still, it was Stanwyck's biggest box office of her career up to that time and she was slowly moving out of B films.

The contemporary critics loved Stanwyck's performance: "The New York World-Telegram wrote that, "The talented and attractive Barbara Stanwyck gives by far the best screen performance of her career. Miss Stanwyck plays the role with such commendable restraint and with such feeling for the character that she almost becomes Annie Oakley." Critic Richard Watts (he did film criticism for a couple of years at the beginning of his long and distinguished career) praised the entire film and said that "Miss Stanwyck has never been more real and touching than she is in the title role."

And there is no reason to argue with them - it's a great performance by one of the greatest actresses under strong direction by one of the master artists of film, George Stevens.

In so many ways this movie is reprehensible.

Still, it is symptomatic of the times.

George Stevens was one of the greatest directors of his times. His films are among the greatest from the Golden Era of Hollywood.

Still, they could be tone deaf.

Watching Stanwyck is almost always a delight.

Not as mannered as her contemporaries Bette Davis, Joan Crawford or others, she seems "real".

This movie is well worth watching but historical distance is to be remembered.

Foster and Stanwyck had worked together with Capra and there is an ease between them that is palpable.

I am always amazed by Stanwyck's freshness to most of her performances.