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IMDbPro

Armando o Laço

Título original: West of the Divide
  • 1934
  • Approved
  • 54 min
AVALIAÇÃO DA IMDb
5,2/10
1,1 mil
SUA AVALIAÇÃO
John Wayne and Lloyd Whitlock in Armando o Laço (1934)
AçãoAventuraDramaOcidenteRomance

Adicionar um enredo no seu idiomaTed Hayden impersonates a wanted man and joins Gentry's gang only to learn later that Gentry was the one who killed his father. He saves Virginia Winters' dad's ranch from Gentry and also re... Ler tudoTed Hayden impersonates a wanted man and joins Gentry's gang only to learn later that Gentry was the one who killed his father. He saves Virginia Winters' dad's ranch from Gentry and also rescues his long-lost brother Spud.Ted Hayden impersonates a wanted man and joins Gentry's gang only to learn later that Gentry was the one who killed his father. He saves Virginia Winters' dad's ranch from Gentry and also rescues his long-lost brother Spud.

  • Direção
    • Robert N. Bradbury
  • Roteiristas
    • Robert N. Bradbury
    • Oliver Drake
  • Artistas
    • John Wayne
    • Virginia Brown Faire
    • George 'Gabby' Hayes
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,2/10
    1,1 mil
    SUA AVALIAÇÃO
    • Direção
      • Robert N. Bradbury
    • Roteiristas
      • Robert N. Bradbury
      • Oliver Drake
    • Artistas
      • John Wayne
      • Virginia Brown Faire
      • George 'Gabby' Hayes
    • 28Avaliações de usuários
    • 7Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos9

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    Elenco principal16

    Editar
    John Wayne
    John Wayne
    • Ted Hayden posing as Gat Ganns
    Virginia Brown Faire
    Virginia Brown Faire
    • Fay Winters
    • (as Virginia Faire Brown)
    George 'Gabby' Hayes
    George 'Gabby' Hayes
    • Dusty Rhodes
    • (as George Hayes)
    Lloyd Whitlock
    Lloyd Whitlock
    • Mr. Gentry
    • (as Loyd Whitlock)
    Yakima Canutt
    Yakima Canutt
    • Henchman Hank
    Lafe McKee
    Lafe McKee
    • Fred Winters
    Billy O'Brien
    • Spud Hayden
    • (as Billie O'Brien)
    Dick Dickinson
    • Henchman Joe
    Earl Dwire
    Earl Dwire
    • Sheriff
    Horace B. Carpenter
    Horace B. Carpenter
    • Cattle Buyer Hornsby
    • (não creditado)
    Philip Kieffer
    • Doctor Silsby
    • (não creditado)
    Artie Ortego
    Artie Ortego
    • Henchman
    • (não creditado)
    Tex Palmer
    Tex Palmer
    • Henchman
    • (não creditado)
    Archie Ricks
    Archie Ricks
    • Henchman
    • (não creditado)
    Hal Taliaferro
    Hal Taliaferro
    • Henchman
    • (não creditado)
    Blackie Whiteford
    Blackie Whiteford
    • Henchman Butch
    • (não creditado)
    • Direção
      • Robert N. Bradbury
    • Roteiristas
      • Robert N. Bradbury
      • Oliver Drake
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários28

    5,21.1K
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    Avaliações em destaque

    6lugonian

    Return to the Past

    WEST OF THE DIVIDE (1933/34), a Lone Star Production released by Monogram Pictures, with story and direction by Robert N. Bradbury, stars John Wayne in his third low-budget western for the studio. Though not as classic as his latter westerns as STAGECOACH (1939) or THE SEARCHERS (1956), this minor production clocked at 54 minutes, which could have been an episode to an hourly western television series in later years, is actually not that bad. As with all his Lone Star productions (1933-1935), all resembling early talkies of the late 1920s, and lacking underscoring, the plot and action sequences along with the youthful presence of John Wayne, still learning the ropes as a movie cowboy, somehow make up for it.

    Rather than having a five-minute prologue to the situation involving the central character as a 12-year-old boy, production values save time and cost by opening the story revolving the now adult Ted Hayden (John Wayne) accompanied by his friend, "Dusty" Rhodes (George "Gabby" Hayes, minus his beard that would later make him famous) resting out in the wilderness discussing the murder of Hayden's father when he was a boy. Left for dead, Ted is said to be found and taken in by Dusty, who, after two years under his care, has brought him back to heath. Ted also has a little brother whose mother died at the time of his birth, and wants to find him. During this reminiscing of the past leading to both men returning to the scene of the crime, Ted and Dusty notice a man stumbling to the ground, dying after drinking poisoned water. Finding an envelope on his person, they find the deceased to be Gat Ganns, a wanted killer with a $5,000 reward for his capture. Convinced of Ganns association with Jeffrey Gentry (Lloyd Whitlock), the man who bought his father's ranch, to be responsible for his father's death and brother's abduction, Ted, who bears a close resemblance to the deceased, poses Ganns to work under Gentry to see if his hunch is correct. In the meantime, Gentry, losing his bid to buy the ranch belonging to Fred Winters (Lafe McKee) and his daughter, Fay (Virginia Browne-Faire), schemes to get that ranch regardless. He has two of his henchmen to follow and rob Fay of the $3,000 for bank deposit to ruin for father financially. Accidentally shot while hiding in an abandoned barn, Fay is later found unconscious by Ted, who takes her to Doctor Silsby (Philip Kieffer) for treatment. Having found her money, Ted deposits it for her in secret at the bank. Now working for Gentry to do away with Winters, Ted later saves Spud (Billy O'Brien), a 12-year-old boy from a runaway coach and from the brutal whipping by his brutal father, Butch (Blackie Whitford. The closer Ted gets to his father's murder, the more his life is in danger. Other supporting players include Yakima Canutt, Earl Dwire and Horace B. Carpenter.

    As with many of Wayne's early westerns, he bonds well with his co-stars, Virginia Browne-Faire, and youngster, played by Billy (billed Billie) O'Brien, another good reason the film works so well. Even with lack of production values, it still has charm. Chances are the plot summary had been used earlier or later with other western actors, but it's John Wayne, better known as "The Duke," who's the reason this and other his early westerns have remained watchable long after its theatrical releases.

    Distributed on video cassette in the 1980s, the decade where this and other of Wayne's Lone Star westerns frequently played for a while on public television, WEST OF THE DIVIDE, also available on DVD, has had its cable television presentations, namely American Movie Classics (1996-2000) and Encore Westerns. Beware of prints with new and poorly constructed underscoring used during opening and closing credits, along with scoreless scenes that would be rough sledding for viewers to stop watching long before the movie comes to a close. (**1/2)
    8morrisonhimself

    Slightly lower production values still produce good movie

    Frequently used story gets a good presentation here in "West of the Divide," and the excellent cast helps ensure high quality.

    Young John Wayne and grizzled George Hayes start with what I learned in college theater-history classes was called a "feather-duster" scene, where characters -- such as a maid, with a feather-duster -- tell the background of the story, today called "the back story."

    It's kinda corny, but isn't too damaging.

    Probably even in 1934 what was about to happen was predictable, but, before that predictable ending, enough happens in between it should hold the viewer's interest. It held mine.

    When the hero meets the leading lady, there is no poor-writing instant romance. In fact, there is no real contact. It's an unusual boy-meets-girl.

    That girl is Virginia Faire Brown, who is shown with 74 credits, although she never rose to be a major player and certainly not a star. But she is very attractive, even elegant, with an unusual dark-haired beauty.

    Her character's father is played by the veteran Lafe McKee. The sheriff is by that veteran, and very talented actor, who didn't, alas, often enough get to show just how good an actor he was, Earl Dwire.

    Chief bad guy is played by "Loyd Whitlock," who is usually known as Lloyd Whitlock, a very busy man with more than 200 credits!

    OK, good story, great cast ably performing, lots of riding scenes, and a no-music-track realism that should keep you pinned to your seat. And if you want to see it, there's a good print at YouTube.
    7Tweekums

    Decent enough John Wayne B-Western

    This early John Wayne western sees Wayne playing Ted Hayden, a man who was left for dead as a boy when he father was killed. In the opening scene he discusses this with the man who looked after him. As they talk a man staggers towards then; he lives just long enough to hell them he has drunk water from a poisoned well. He is carrying papers that identify him as Gat Ganns, a wanted killer who was hoping to work for a certain Mr Gentry; the man who now owns the Hayden farm. As Hayden looks rather like Ganns he takes his place and sees Gentry about the job. It turns out Gentry is trying to acquire a neighbouring ranch and wants 'Ganns' to kill the owner... he also has designs on the owner's attractive daughter. Hayden is determined to find a way to save them. He also learns the truth about who killed his father.

    While this isn't exactly a great western it is rather fun. The plot may be fairly predictable but it provides some decent action; this includes fist fights and some solid horse stunts. In most films of this sort the attractive leading lady quickly falls for the handsome hero but here she doesn't even meet him till quite a way into the film... he finds her earlier but she is unconscious. There are some fairly weak points; the opening involves quite a coincidence and Hayden doesn't look particularly like Ganns; certainly not enough that anybody shown the photograph on the wanted poster, as Gentry was, would believe he was Ganns. The acting is decent enough; John Wayne is solid as Hayden and Virginia Brown Faire is suitably sparky as Fay Winters, daughter of the ranch owner Gentry had feelings for. Lloyd Whitlock was a solid bad guy although the character was almost a pantomime villain. Overall this isn't a must see but it is fun if you enjoy westerns and have an hour to kill.
    7shrine-2

    Now I know why my grandfather loved westerns so...

    I was a TV addict at a very early age. I lived with my grandparents, and my grandfather and I used to fight over what to watch on his television. He loved westerns; we watched "Cheyenne," and "Wyatt Earp," and "Rifleman," and numerous others during the fifties. I didn't quite share his enthusiasm for these shows, but it was a way to pass the time with him. But after seeing "The West Divide," I know why he loved westerns so. Some may refer to it as a B movie, but I think the B stands for basic. There's something thrilling about its lack of artifice. The sound of fists connecting to flesh doesn't have that ungodly amplification that later, more technically sophisticated examples of the genre had. The sentiment is rarefied like the open air. When the heroine is shot, it's played out plainly and purely; sometimes you can get a stronger emotional effect without a musical score. And the sequence with the runaway team is bracing; I figure the legendary Yakima Canutt stunted in this scene.

    And then there is the young John Wayne. I think it is during this period in his career that he proved himself to be the giant star he became. When he dons white buckskin in "The Telegraph Trail," he becomes almost otherworldly. Here he plays a man posing as an outlaw to find the killer of his father. By the time he has set things right, lying supine in his long-lost brother's arms, you understand why so many moviegoers couldn't get enough of him. His entire body in that moment gives way to the scene, and you cherish how tenderly and passionately he's willing to play his part. This movie taps into that well of memories some of us have with family and loved ones, and as Father's Day is tomorrow, it helps remind me what deep, elemental emotion men often feel that these days goes unacknowledged. I certainly wasn't aware of it in those days with my grandfather; but I've gained a new consciousness that has come with my being about his age at the time and watching things I know he'd have loved. Like "The West Divide." It makes you wish they made more westerns like this one.
    5FightingWesterner

    Okay Entertainment

    John Wayne and George Hayes come back to the place where Wayne spent his childhood in order to find out who killed his father and what became of his baby brother twelve years earlier. Wayne and Hayes then go undercover to stop a group of ranch thieves.

    There's a few good scenes and a decent climax in this entry in Wayne's Lone Star western series but mostly this is middle of the road entertainment with a bit too much talking and not enough action this time around.

    However, this does have some better-than-usual acting for the series. Duke and Gabby's performances are also quite likable, as is the actor that played Wayne's young friend.

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    Interesses relacionados

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    Ação
    Still frame
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    Mahershala Ali and Alex R. Hibbert in Moonlight: Sob a Luz do Luar (2016)
    Drama
    John Wayne and Harry Carey Jr. in Rastros de Ódio (1956)
    Ocidente
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    Romance

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      In 1934, this film was condemned by the Catholic Legion of Decency.
    • Erros de gravação
      During a fight between Ted Hayden and Butch, Spuds shouts, "Come on, Ted!" Actually, Ted has been introduced to him and all others at the gangsters' hide-out as Gat Ganns. His real identity is in fact revealed later.
    • Citações

      Doctor Silsby: You got her here just in time. A small artery's been severed. However, I don't think it's very serious.

    • Versões alternativas
      Fox/Lorber Associates, Inc. and Classics Associates, Inc. copyrighted a version in 1985 with a new original score composed and orchestrated by William Barber. It was distributed by Fox/Lorber and ran 48 minutes.
    • Conexões
      Edited into Six Gun Theater: West of the Divide (2016)

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    Perguntas frequentes13

    • How long is West of the Divide?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 15 de fevereiro de 1934 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • O Cavaleiro da Justiça
    • Locações de filme
      • Kernville, Califórnia, EUA
    • Empresa de produção
      • Paul Malvern Productions
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 54 min
    • Cor
      • Black and White
    • Mixagem de som
      • Mono
    • Proporção
      • 1.37 : 1

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